Mamma Mia * Fernando * Dancing Queen. Composed by Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jack Zaino. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Pop; Pop/Rock; Radio; Secular. Choral Octavo. 20 pages. Alfred Music #00-50280. Published by Alfred Music

((Sanctification for Sabbath and High Holy Days)). Composed by Andrea Jill Higgins. For Choral (SATB). Transcontinental Music Choral. 20 pages. Transcontinental Music #993459. Published by Transcontinental Music

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015615

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Single Part, Viola 2. 4 pages. Carus Verlag #CV 10.156/15. Published by Carus Verlag (CA.1015615).

ISBN 9790007020415. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015611

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Single Part, Violin 1. 2 pages. Carus Verlag #CV 10.156/11. Published by Carus Verlag (CA.1015611).

ISBN 9790007020378. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015614

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Single Part, Viola 1. 4 pages. Carus Verlag #CV 10.156/14. Published by Carus Verlag (CA.1015614).

ISBN 9790007020408. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015605

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Choral Score. 8 pages. Carus Verlag #CV 10.156/05. Published by Carus Verlag (CA.1015605).

ISBN 9790007020354. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015617

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Single Part, Cello/Double Bass. 2 pages. Carus Verlag #CV 10.156/17. Published by Carus Verlag (CA.1015617).

ISBN 9790007020439. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015609

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. 1x 10.156/31 trumpet 1, 1x 10.156/32 trumpet 2, 1x 10.156/33 trumpet 3, 1x 10.156/34 trombone 1, 1x 10.156/35 trombone 2. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Set of Orchestra Parts. 10 pages. Carus Verlag #CV 10.156/09. Published by Carus Verlag (CA.1015609).

ISBN 9790007020361. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015616

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Single Part, Violone. 2 pages. Carus Verlag #CV 10.156/16. Published by Carus Verlag (CA.1015616).

ISBN 9790007020422. Key: G minor. Language: German.

Score available separately - see item CA.1015600.

SSAT vocal soli, SSATB/SSATB choir, 2 violins, 2 violas, basso continuo, 3 trumpets, 2 trombones - Level 3

SKU: CA.1015600

Osterhistorie. Composed by Thomas Selle. Edited by Klaus Vetter. This edition: Paperbound. German title: Osterhistorie Und Da Der Sabbat. Sacred vocal music, Cantatas, Oratorios, Easter and Eastertide. Full score. 16 pages. Carus Verlag #CV 10.156/00. Published by Carus Verlag (CA.1015600).

ISBN 9790007020347. Key: G minor. Language: German.

By Max Janowski. (SATB). Transcontinental Music Choral. Jewish. Size 8.4x10.5 inches. 140 pages. Published by Transcontinental Music Publications.

SATB divisi Choral (SATB DIV)

SKU: HL.1197417

Composed by William F. Sherwin. Arranged by Anwar Ottley. Gentry Publications. Octavo. 12 pages. Duration 350 seconds. Gentry Publications #JG2648. Published by Gentry Publications (HL.1197417).

UPC: 196288134503. 6.75x10.5x0.029 inches.

â€� �“Lord of life, beneath the dome of the universe, Thy home, gather us who seek Thy face to the fold of Your embrace this Sabbath Day” - a text honoring the fourth commandment in a choral setting. Anwar Ottley's sensitive a cappella adaptation of this hymn, imbued with richness and warmth, is unpretentious yet distinctive enough to interest advanced ensembles.

((from Fiddler on the Roof)). By Jerry Bock and Sheldon Harnick. Arranged by Mark A. Brymer. SATB. Broadway Choral. 12 pages

((from Fiddler on the Roof)). By Fiddler On The Roof (Musical). By Jerry Bock. Arranged by John Leavitt. For Choral (SATB). Broadway Choral. 8 pages. Published by Hal Leonard

(SATB)

SKU: HL.48189769

Composed by Michael Haydn. Leduc. Softcover. Alphonse Leduc #NT21250Z. Published by Alphonse Leduc (HL.48189769).

UPC: 888680832858. 8.5x12.0x0.246 inches.

Haydn J.M Passaquet Responsoria In Sabbato Sancto Satb & Organ Choral.

SSATB Choir, Piano - Level 3

SKU: CA.925200

Composed by Gabriel Faure. Arranged by Denis Rouger. Separate edition to the CD. Secular choral music. Full Score. Op. 2, No. 1. Duration 2 minutes. Carus Verlag #CV 09.252/00. Published by Carus Verlag (CA.925200).

ISBN M-007-24914-4. Key: A major. Language: French. Text: Hugo, Victor.

The exuberant amorousness of a newly-wed couple pulsates in every note of Gabriel Faure's Dans les ruines d'une abbaye (In the ruins of an abbey). In this piece, the reverent silence of prayer no longer prevails, but within the venerable walls various shouts of joy and sparkling laughter are now heard. The old graves have long been overgrown by stinging nettles, and a new dawn of spring and of love fills the air. Napoleonic post-revolutionary France, which drove the author of the poem, Victor Hugo, into exile, is also building a new world on the ruins of olden days. Although the setting by the composer, 40 years younger than the poet, uses the romanticized backdrop of the old abbey, with its 6/8-meter it reflects the uninhibited happiness of the two lovers, who do not look back. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

SATB choir - Level 4

SKU: CA.707700

Das Oster-Evangelium. Composed by Eberhard Wenzel. German title: Da der Sabbat vergangen war. Sacred, Motets; Use during church year: Easter and Eastertide. Full score. Op. 156. Carus Verlag #CV 07.077/00. Published by Carus Verlag (CA.707700).

ISBN 9790007013677. Key: D minor. Language: German.

Choral (SATB)

SKU: HL.601755

By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mac Huff. Pop Choral Series. Classic Rock, Pop, Pop/Rock, Rock, Seventies, Swedish. Octavo. Duration 250 seconds. Published by Hal Leonard (HL.601755).

UPC: 196288077954. 6.75x10.5x0.036 inches.

The four original members of the Swedish pop sensation ABBA are back after a 40-year hiatus! From their brand new album “Voyage,” comes this harmonically rich and cozy number that sounds like it was released in both 1977 and in 2022. What a comeback!

Choral (SATB)

SKU: HL.288591

By Cher. By ABBA. Arranged by Audrey Snyder. Pop Choral Series. Dance, Disco, Pop, Pop/Rock, Rock. Octavo. Duration 200 seconds. Published by Hal Leonard (HL.288591).

UPC: 888680912130. 6.75x10.5x0.029 inches.

The Goddess of Pop, Cher, after starring in 2018's smash-hit sequel Mamma Mia: Here We Go Again, decided to make an entire cover album of ABBA's best-known hits entitled Dancing Queen, in turn becoming her highest-ranking debut album in the US ever. Snyder captures “S.O.S.”' signature groove and infuses the arrangement with Cher's powerful vocality!

SATB choir, piano

SKU: LO.10-5548L

Composed by Patricia Mock. Arranged by Faye Lopez. Choral. Sacred Anthem, Holy Week, Maundy Thursday. Octavo. Lorenz Publishing Company #10/5548L. Published by Lorenz Publishing Company (LO.10-5548L).

ISBN 9780787774073.

Chri st's prayer in the garden of Gethsemane is sensitively set to music in this anthem by Patricia Mock and Faye López. With words based on a 19th-century hymn text, this solemn anthem captures the anguish of the Savior calling, Abba, Father. The optional oboe part heightens the mood.

By Craig Courtney. For SATB Chorus with Piano accompaniment. Maundy Thursday. Sacred. Octavo. 8 pages. Published by Beckenhorst Press.

By ABBA. Composed by Stig Anderson, Benny Andersson, Bjorn Ulvaeus. Arranged by Deke Sharon. (SATB A Cappella). Choral. 16 pages. Published by Hal Leonard.

By Andersson / Ulvaeus. Arranged by John G. Mortimer. Brass Band. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 2991) Level: 3+.

By Benny Andersson, Stig Anderson, and Bjorn Ulvaeus. Arranged by David Lawrence. For Choir. (SATB). Choral Octavo. Choral Octavo. 32 pages. Published by Alfred Publishing.

By Kris Crunk and Randy Cox. Arranged by Camp Kirkland. SATB. Fred Bock Publications. 8 pages. Epiphany House Publishing #EH1019. Published by Epiphany House Publishing

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105223

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 3. Cantatas, End of the church year, Trinity. Single Part, Oboe 3. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/23. Published by Carus Verlag (CA.3105223).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105214

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, End of the church year, Trinity. Single Part, basso continuo. Composed 1726. BWV 52. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.052/14. Published by Carus Verlag (CA.3105214).

ISBN 9790007206345. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105224

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Bassoon. Cantatas, End of the church year, Trinity. Single Part, Bassoon. Composed 1726. BWV 52. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.052/24. Published by Carus Verlag (CA.3105224).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105249

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Organ. Cantatas, End of the church year, Trinity. Single Part, Organ. Composed 1726. BWV 52. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.052/49. Published by Carus Verlag (CA.3105249).

ISBN 9790007206369. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.