SATB with SATB Soli (Orch.) (German text in Preface) (English, German Language E...(+)
SATB with SATB Soli
(Orch.) (German text in
Preface) (English, German
Language Edition).
Composed by Johann
Sebastian Bach
(1685-1750). Choral
(Sacred); Choral Worship
Cantata; Larger Works;
Masterworks; Performance
Music Ensemble; Worship
Resources. Kalmus
Edition. Baroque; Easter;
Masterwork; Sacred;
Spring. Book. 60 pages.
Kalmus Classic Edition
#00-K06016. Published by
Kalmus Classic Edition
By George Frideric Handel (1685-1759). Edited by Horace Wadham Nicholl. Arranged...(+)
By George Frideric Handel
(1685-1759). Edited by
Horace Wadham Nicholl.
Arranged by Felix
Bartholdy Mendelssohn.
Choir and piano. For
Soprano voice, Alto
voice, Tenor voice, and
Bass voice (Soli), SATB
Choir, Piano. This
edition: Paperback.
Oratorio (complete).
Baroque Period;
Sacred/Hymns, English.
Vocal Score. 200 pages.
Published by Serenissima
Composed by Henry Purcell (1659-1695), edited by Arthur Sjogren. For SATB choir ...(+)
Composed by Henry Purcell
(1659-1695), edited by
Arthur Sjogren. For SATB
choir and keyboard
(figured bass
realization). Format:
vocal score. With choral
notation, keyboard
accompaniment and
introductory text.
Baroque. Text language
Latin. 19 pages. 9x12
inches. Published by C.F.
Peters.
Chorale SATB SATB, Piano [Vocal Score] - Intermédiaire/avancé Barenreiter
(Vocal Score based on the Urtext of the New Bach Edition (English/German) Organ ...(+)
(Vocal Score based on the
Urtext of the New Bach
Edition (English/German)
Organ Chorus I and Organ
Chorus II available). By
Johann Sebastian Bach
(1685-1750). Edited by
Alfred Durr. For soprano
solo voice, alto solo
voice, tenor solo voice,
bass solo voice, SATB
choir and piano
accompaniment. Baroque
and Sacred. Difficulty:
medium-difficult. Vocal
score. Choral notation,
piano reduction and
introductory text. BWV
244. 304 pages. Published
by Baerenreiter Verlag
Composed by George Frideric Handel (1685-1759). Edited by and arr. Russell Robin...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
and arr. Russell
Robinson. Choir Secular.
SATB choir. Choral
Octavo; Masterworks.
Choral Designs. Baroque;
Masterwork Arrangement;
Secular. 8 pages.
Published by Alfred Music
Arranged by Lehman Engel.
Satb vol. 6. Shawnee
Press. Print on demand -
publisher prints this
title after order is
received. Baroque,
Classical, Collection,
General Worship,
Renaissance. 96 pages.
Shawnee Press #GA5004.
Published by Shawnee
Press (HL.35018172).
Choral (SATB) SKU: HL.1471379 A Chorale and Fugue in the Baroque Tradi...(+)
Choral (SATB)
SKU:
HL.1471379
A
Chorale and Fugue in the
Baroque Tradition.
Composed by Mark Hayes.
Choral. Concert, Unity.
Softcover. 80 pages.
Duration 1800 seconds.
Published by Hal Leonard
(HL.1471379).
ISBN
9798350127812. UPC:
196288213611.
6.75x10.5x0.238
inches.
If you
enjoy singing Baroque
music and value the
importance of kindness,
courage and compassion,
this new 30 minute
through-composed work by
Mark Hayes for chorus,
soprano and tenor
soloists and orchestra is
for you. Drawing from the
writings of ancient and
contemporary authors, the
original text of
âKindness,â
written by Hayes, seeks
to answer the question,
âHow then shall we
live, especially in a
world that seems so
dysfunctional?â The
answer: live with
kindness, courage and
compassion. When we are
joined as one in our
pursuit of these values,
we can make a lasting
impact. To quote Margaret
Mead, âNever
underestimate the ability
of a small group of
committed individuals to
change the world.â
âKindnessâ is
set in the Baroque
tradition and features an
original chorale tune
with three separate
texts, a fugue, both
conventional and
retrograde,
recitative-like sections
for the soprano and tenor
soloists and extensive
instrumental interludes.
As a nod to Baroque
masters such as Johann
Sebastian Bach and George
Frideric Handel, Hayes
included passages
imitating âJesu, Joy
of Man's Desiringâ
and âHallelujah
Chorus.â This work
is perfect for high
school and college choirs
as well as community and
church choirs. The text
is intentionally not
sacred, rather universal
in its appeal. Imagine
how the music and message
of this work could join a
community together in the
pursuit of kindness,
courage and compassion.
It's what the world
needs.. now.
(Cantata For The 27th Sunday After Trinity) Composed by Johann Sebastian Bach (1...(+)
(Cantata For The 27th
Sunday After Trinity)
Composed by Johann
Sebastian Bach
(1685-1750), Johann
Sebastian Bach
(1685-1750), edited by
Alfred Durr. BWV 140. For
STB solos, SATB choir,
piano accompaniment, STB
solos, SATB choir and
piano accompaniment.
Urtext of the New Bach
Edition. Includes vocal
score and vocal score.
With choral notation,
piano reduction,
introductory text, choral
notation, piano reduction
and introductory text.
Baroque and baroque. Eb
Major. Text language
German/English. 62 pages.
7.5x10.5 inches. Duration
30m. Published by
Baerenreiter-Ausgaben
(German Import).
Love Is Kind Chorale SATB SATB, Orgue - Intermédiaire MorningStar Music Publishers
SATB choir, organ - Intermediate SKU: MN.50-9092 Composed by Dale Grotenh...(+)
SATB choir, organ -
Intermediate
SKU:
MN.50-9092
Composed
by Dale Grotenhuis and
Johann Sebastian Bach.
Arranged by Dale
Grotenhuis. Baroque.
Octavo. MorningStar Music
Publishers #50-9092.
Published by MorningStar
Music Publishers
(MN.50-9092).
UPC:
688670590924. Scripture:
1 Corinthians
13.
Unidentified
chorale tune harmonized
by J. S. Bach in
antiphonal setting.
Alternation of SATB,
Unison (men and women)
creates texture contrasts
in keeping with Baroque
style.
Chorale SATB SATB, Orchestre [Octavo] Walton Music
Composed by Antonio Vivaldi (1678-1741), edited by Mason Martens. Octavo for sol...(+)
Composed by Antonio
Vivaldi (1678-1741),
edited by Mason Martens.
Octavo for solo voices,
SATB choir and orchestra.
With piano reduction.
Choral. 80 pages.
Published by Walton
Music.
By Johann Ernst Eberlin (1702-1762). Edited by Wolfgang Furlinger. For Soli SATB...(+)
By Johann Ernst Eberlin
(1702-1762). Edited by
Wolfgang Furlinger. For
Soli SATB, SATB Choir, 2
Violins, Basso continuo.
This edition: Paperbound.
F-Dur (F major). German
title: Missa sexti toni
1101701. South German
church music of the
Baroque. Full scor. full
score. South German
church music of the
Baroque.
By George Frideric Handel ; Watkins Shaw (Editor). For 2 Sopranos, Alto, Tenor, ...(+)
By George Frideric Handel
; Watkins Shaw (Editor).
For 2 Sopranos, Alto,
Tenor, Bass, SSATB Choir,
String Orchestra,
Continuo. Baroque,
Sacred, Choral. Sheet
Music. 96 pages.
Published by Novello and
Co Ltd.
Choral; Piano (SSATB) SKU: HL.50405570 SSATB. Composed by Johann S...(+)
Choral; Piano (SSATB)
SKU: HL.50405570
SSATB. Composed by
Johann Sebastian Bach.
Edited by Georges
Barré and re.
Choral Large Works.
Baroque, Classical,
General Worship,
Masterworks, Sacred. 24
pages. Editions Salabert
#SRL12219. Published by
Editions Salabert
(HL.50405570).
SATB Choir SKU: BT.ALHE33718 Composed by Antonio Vivaldi. Le Pupitre - He...(+)
SATB Choir
SKU:
BT.ALHE33718
Composed
by Antonio Vivaldi. Le
Pupitre - Heugel. Motet.
Score Only. 140 pages.
Heugel & Cie #ALHE33718.
Published by Heugel & Cie
(BT.ALHE33718).
French.
As one
of the great Baroque
composers, Antonio
Vivaldi's (1678-1741)
compositions remain
hugely popular to this
day. His motets,
including Motetti a Canto
Solo con Stromenti
continue to be popular,
large-scale performance
works. Vivaldi is best
remembered for his Four
Seasons and for his
Violin concertos.
However, his motets
number to over 60. The
second volume of Motetti
a Canto Solo con
Stromenti contains the
last three movements of
the work. For allaspiring
solo vocalists of the
Baroque genre, Vivaldi's
Motetti a Canto Solo con
Stromenti cannot be
missed.
(Coronation Anthem
No.1). Composed by
George Frideric Handel.
Arranged by Douglas E.
Wagner. Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Baroque; Masterwork
Arrangement; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-50210.
Published by Alfred Music
(AP.50210).
UPC:
038081573809.
English.
This, the
first of Handel's four
Coronation Anthems, has
been a cherished part of
crowning British royalty
from George II in 1727 to
the current sovereign,
Charles III. Commemorate
the grand occasion with
this condensed version of
the majestic Baroque
masterwork. Available in
three fresh editions
designed with student
choirs in mind. Perform
with the accessible piano
reduction, or combine
with your school
orchestra (strings,
brass, and timpani) for a
regal fanfare.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
For Choral (SATB). Music Sales America. Baroque, Choral, Choral. 24 pages. Novel...(+)
For Choral (SATB). Music
Sales America. Baroque,
Choral, Choral. 24 pages.
Novello & Co Ltd.
#NOV290531. Published by
Novello & Co Ltd. .
Baroque, Choral, Choral.
By Johann Sebastian Bach. Edited by Neumann, Buszin(Urtext). For SSATB, 3 oboe, ...(+)
By Johann Sebastian Bach.
Edited by Neumann,
Buszin(Urtext). For
SSATB, 3 oboe, english
horn (bsni), bassoon II,
3 violin, viola,
violoncello, contrabass,
cembalo. BWV 227.Figured
bass realized by Fritz
Oberdoerffer,instrumental
parts edited by Hugh
Ross(Eng-Ger). Sacred
Choral Works. Duration
25'. Published by C.F.
Peters.
Composed by Claudio Monteverdi and Stanley M. Hoffman. Holy Week, Triduum/Th...(+)
Composed by Claudio
Monteverdi
and Stanley M. Hoffman.
Holy
Week, Triduum/Three Days,
Baroque. Instrument
parts.
Duration 2 minutes, 45
seconds. E.C. Schirmer
Publishing #8695.
Published by
E.C. Schirmer Publishing
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Single Part,
Cello/Double Bass.
Composed 1723. BWV 60. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.060/14. Published by
Carus Verlag
(CA.3106014).
ISBN
9790007043452. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Study score.
Composed 1723. BWV 60. 64
pages. Duration 20
minutes. Carus Verlag #CV
31.060/07. Published by
Carus Verlag
(CA.3106007).
ISBN
9790007043407. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Set of Orchestra
Parts. Composed 1723. BWV
60. Duration 20 minutes.
Carus Verlag #CV
31.060/19. Published by
Carus Verlag
(CA.3106019).
ISBN
9790007134044. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and parts available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Single Part,
Viola. Composed 1723. BWV
60. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.060/13. Published by
Carus Verlag
(CA.3106013).
ISBN
9790007043445. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.