Musical Stories from
the Gospel of John.
Composed by Marty Haugen.
Lent. Sacred. Full score.
With guitar chord names.
208 pages. GIA
Publications #6614FS.
Published by GIA
Publications
(GI.G-6614FS).
UPC:
785147661429. English.
Text Source: Marty
Haugen, except 'The
Passion' by Susan Briehl.
Text by Marty
Haugen.
Marty
Haugen’s musical,
That You May Have Life,
proclaims the Gospel of
John through song. An
eclectic array of musical
styles sets the stage for
each chapter, bringing
the emotion of the
characters to life.
Musical selections range
from beautiful melodic
ballads to lush choral
harmonies. Haugen
incorporates narration,
sung dialogue, and song
in a way that conveys
more than just the
biblical texts. This
musical includes such
familiar narratives as
the woman at the well,
the raising of Lazarus,
and the washing of the
feet at the Last Supper.
The depth and breadth of
each tale blooms forth,
enticing us into a
personal relationship
with these familiar
biblical figures. That
You May Have Life sings
these stories “that
you may believe that
Jesus is the Messiah and
that through believing
you may have life in his
name.†Alto Flute,
English Horn and B-flat
Clarinet parts are
optional Guitar part is
for both acoustic and
electric Keyboard is for
both piano and
synthesizer A portion of
the prologue is in Greek.
A pronunciation guide is
available in this
edition.
(A Service of Lessons and Carols Celebrating the Life of Christ). By Joseph M. M...(+)
(A Service of Lessons and
Carols Celebrating the
Life of Christ). By
Joseph M. Martin. For
Choral (SATB). Harold
Flammer. 88 pages.
Published by Shawnee
Press
ISBN
9790006523368. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Th
e first version of
“Dardanusâ€,
which was performed at
the end of 1739, was
composed apparently in
only six months and marks
a particularly productive
phase in Rameau’s
career. In a period of
only six years five of
his major works were
performed at the Acadmie
Royale de Musique in
Paris. The theme is
taken from Greek
mythology: The opera
describes the war between
Teucer (the future
founder of Troy), his
Phrygian people and the
army of Dardanus.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558193. 27 x 19 cm
inches. Text Language:
French. Preface:
Denecheau, Pascal. Louis
de Cahusac.
The
opera Nais received its
premiere at the Academie
Royale in the
Palais-Royal, Paris, on
22 April 22 1749 to
celebrate the signing of
the Treaty of
Aix-la-Chapelle. It was
revived in August 1764,
shortly before Rameau's
death and achieved great
success as a 'peace
opera'. This
scholarly-critical
edition, published by
Pascal Denecheau in
theOpera Omnia Rameau, is
the fruit of a meticulous
comparison of every known
musical source. The main
body of the edition
presents the version
pronounced valid by
Rameau for the 1749
performances. The
appendices contain those
passages that he deleted
during the 1749
rehearsals and all the
changes he made for the
new production of 1764.
It is here, and
especially in the
ballets, that Rameau
reveals his consummate
mastery of the
orchestra.
ISBN 9790006558148. 27
x 19 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier.
A unique
edition - all readings at
a glance
This new
edition, in contrast to
the array of Bach Cello
Suite publications
available today, has made
use of all the five
sources which have come
down to us. The basis for
this edition is the most
reliable of the sources,
the manuscript copy in
the hand of Anna
Magdalena Bach. All
variant readings from the
four other sources are
clearly laid out for
performance. Cellists now
have the possibility of
rendering performances
based on just one of the
five sources as well as
the option of combining
the sources in a mixed
version.
This flyer
takes you through
our various editions of
Bach's Cello
Suites.
Composed by Lee Dengler. Choral (Sacred); Choral Octavo; Performance Music En...(+)
Composed by Lee Dengler.
Choral (Sacred); Choral
Octavo; Performance Music
Ensemble; Single Titles;
Worship Resources.
Jubilate
Music. Advent; Sacred.
Choral
Octavo. Jubilate Music
Group
#00-47219. Published by
Jubilate Music Group
(Printed Chamber Orchestration). Composed by Joseph M. Martin. For Choral (ORCHE...(+)
(Printed Chamber
Orchestration). Composed
by Joseph M. Martin. For
Choral (ORCHESTRA
ACCOMPANIMENT). Harold
Flammer Easter. 506
pages. Published by
Shawnee Press
