Harpsichord SKU: BA.BA04213-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04213-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/5,
HWV 323. 12 pages.
Baerenreiter Verlag
#BA04213_68. Published by
Baerenreiter Verlag
(BA.BA04213-68).
ISBN
9790006445707. 23 x 29.5
cm inches. Key: D
major.
About
Barenreiter Urtext
Orchestral
Parts
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Bärenreiter Urtext
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- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: FG.55011-499-9 Composed by Jyrki Linjama. Fennica Gehrma...(+)
Harpsichord
SKU:
FG.55011-499-9
Composed by Jyrki
Linjama. Fennica Gehrman
#55011-499-9. Published
by Fennica Gehrman
(FG.55011-499-9).
ISBN
9790550114999.
Sona
ta da chiesa III was
commissioned by Petteri
Pitko, who played the
first perfor-mance in
Kemionsaaren
Musiikkijuhlat in the
summer of 2016. The
sonata has three
movements, each of which
has a definite liturgical
character and a choral
tune as a can-tus firmus.
Hence the music can be
performed either in a
concert or as a part of
liturgy.
From
the composer's foreword:
The first movement,
Kyrie, has got an
introvert mood. The
choral melody is veiled,
an indirect part of
arpeggiated texture. The
Gloria is open, even
brilliant: the cantus
firmus is worked out to a
virtuosic, dance-like
texture. The third
movement closes the music
by means of polyphony and
bird singing. Concerning
the harpsichord, for me
it is essen-tial not to
use equal temperament:
the possibility to play
with pure or almost pure
in-tervals is crucial to
the sound, having very
high and strong
overtones.
Harpsichord SKU: BA.BA04211-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04211-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/3,
HWV 321. 10 pages.
Baerenreiter Verlag
#BA04211_68. Published by
Baerenreiter Verlag
(BA.BA04211-68).
ISBN
9790006445561. 24 x 29.5
cm inches. Key: E minor.
Language: German/English.
Preface: Adolf
Hoffmann.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04218-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04218-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/10,
HWV 328. 14 pages.
Baerenreiter Verlag
#BA04218_68. Published by
Baerenreiter Verlag
(BA.BA04218-68).
ISBN
9790006446049. 23 x 29.5
cm inches. Key: D
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA05255-68 Composed by Johann Sebastian Bach. Edited ...(+)
Harpsichord
SKU:
BA.BA05255-68
Composed by Johann
Sebastian Bach. Edited by
Hans Grüß and
Heinrich Besseler. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
1069. 12 pages. Duration
22 minutes. Baerenreiter
Verlag #BA05255_68.
Published by Baerenreiter
Verlag (BA.BA05255-68).
ISBN 9790006540525.
32.5 x 25.5 cm inches.
Key: D major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Gottlieb Muffat. Editio princeps based on sources of the Berlin Si...(+)
Composed by Gottlieb
Muffat.
Editio princeps based on
sources of the Berlin
Sing-
Akademie and the
Osterreichische
Nationalbibliothek.
Breitkopf
and Haertel #EB 9325.
Published by Breitkopf
and
Haertel
Harpsichord SKU: BA.BA04220-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04220-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/12,
HWV 330. 12 pages.
Baerenreiter Verlag
#BA04220_68. Published by
Baerenreiter Verlag
(BA.BA04220-68).
ISBN
9790006446162. 23 x 29.5
cm inches. Key: B
minor.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04210-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04210-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/2,
HWV 320. 10 pages.
Baerenreiter Verlag
#BA04210_68. Published by
Baerenreiter Verlag
(BA.BA04210-68).
ISBN
9790006445509. 23 x 29.2
cm inches. Key: F
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
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Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpisc (Harpsichord) SKU: BA.BA05146-68 Composed by Johann Sebastian Bac...(+)
Harpisc (Harpsichord)
SKU: BA.BA05146-68
Composed by Johann
Sebastian Bach. Edited by
Wilfried Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Reconstructed
from BWV 1056. Single
part. 7 pages.
Baerenreiter Verlag
#BA05146_68. Published by
Baerenreiter Verlag
(BA.BA05146-68).
ISBN
9790006566778. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord - Grades 4-8 SKU: A3.9781854724113 Composed by Various. ABRSM...(+)
Harpsichord - Grades 4-8
SKU:
A3.9781854724113
Composed by Various.
ABRSM Publications. ABRSM
Sight-reading. Education.
Sheet Music. 16 pages.
ABRSM (Associated Board
of the Royal Schools of
Music) #9781854724113.
Published by ABRSM
(Associated Board of the
Royal Schools of Music)
(A3.9781854724113).
ISBN 9781854724113. 9
x 12
inches.
Benchmark
publication setting
standards of
sight-reading ability
tested in the Board's
examinations. Useful
practice material for all
higher grade harpsichord
candidates.
Harpsichord SKU: HL.48188417 Composed by Domenico Scarlatti. Edited by Ke...(+)
Harpsichord
SKU:
HL.48188417
Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Heugel. Baroque.
Softcover. 200 pages.
Heugel & Cie #HE32522.
Published by Heugel & Cie
(HL.48188417).
UPC:
888680866266.
9.0x12.0x0.53
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
second volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The second
volume, comprising
Sonatas 53-103, includes
the popular and
recognised Sonatas in F
minor (K. 69) and B minor
(K. 87). Bearing in mind
that Domenico Scarlatti
was a highly competent
and popular Keyboard
player in his day, so
much so that he was
employed in the service
of two royal families,
his Sonatas are composed
with much experience,
understanding and
expertise, creating an
essential addition to the
repertoire of all
Keyboard players of the
Baroque genre.
â€.
Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Cla...(+)
Volume 11, K. 507-555.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Classical. Softcover. 195
pages. Heugel and Cie
#HE32298.
Published by Heugel and
Cie
Volume 1, K.1-52.
Composed by Domenico
Scarlatti. Edited by
Kenneth Gilbert. Leduc.
Baroque. Softcover. 204
pages. Heugel and Cie
#HE32645. Published by
Heugel and Cie
(HL.48188514).
UPC:
888680872649.
9.0x12.0x0.562
inches.
â??Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includes
the popular and
recognised Sonatas in D
minor (K. 9), E major (K.
20) and B minor (K. 27).
Bearing in mind that
Domenico Scarlatti was a
highly competent and
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. â?.
Harpsichord SKU: BT.ALHE32201 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32201
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 196
pages. Heugel & Cie
#ALHE32201. Published by
Heugel & Cie
(BT.ALHE32201).
French.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
ninth volume is
indispensable
toperformers of the
genre. Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much ofScarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The ninth
volume, comprising
Sonatas 408-457,includes
many of the popular and
recognised Sonatas in a
variety of keys. Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of tworoyal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
Harpsichord SKU: HL.48188166 K. 408-457. Composed by Domenico Scar...(+)
Harpsichord
SKU:
HL.48188166
K.
408-457. Composed by
Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc.
Classical. Softcover. 202
pages. Heugel & Cie
#HE32201. Published by
Heugel & Cie
(HL.48188166).
UPC:
888680975623.
9.0x12.0x0.528
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
ninth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The ninth
volume, comprising
Sonatas 408-457, includes
many of the popular and
recognised Sonatas in a
variety of keys. Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
â€.
Volume 10, K.458-506. Composed by Domenico Scarlatti (1685-1757). Leduc. Baro...(+)
Volume 10, K.458-506.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Baroque. Softcover. 210
pages. Heugel and Cie
#HE32210.
Published by Heugel and
Cie
Volume 4,
K.156-205. Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc. Baroque.
Softcover. 212 pages.
Heugel & Cie #HE32486.
Published by Heugel & Cie
(HL.48188386).
UPC:
888680866136.
9.0x12.0x0.565
inches.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
fourth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The fourth
volume, comprising
Sonatas 156-205, includes
the popular and
recognisable Sonata in C
major (K. 159). Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. .
Harpsichord SKU: BT.ALHE32121 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32121
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 208
pages. Heugel & Cie
#ALHE32121. Published by
Heugel & Cie
(BT.ALHE32121).
French.
Itali
an composer, Domenico
Scarlatti
(1685-1757) is well-known
for his Keyboard
compositions. His 555
Keyboard
Sonatas
remain ever popular to
this day, and it is for
this reason that this
eighth volumeis
indispensable to
performers of the genre.
Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas
display the riveting use
of discords and
unconventional
modulations toremote
keys. It is also thought
that much of
Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese
royalfamilies.The eighth
volume, comprising
Sonatas
358-407,
includes the popular and
recognised Sonatas in B
minor (K. 377) and E
major (K. 380). Bearing
in mind that Domenico
Scarlatti was a
highly competentand
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his
Sonatas
are composed with much
experience, understanding
and expertise, creating
an essentialaddition to
the repertoire of all
Keyboard players of the
Baroque genre.
Harpsichord SKU: BT.ALHE32645 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32645
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 204
pages. Heugel & Cie
#ALHE32645. Published by
Heugel & Cie
(BT.ALHE32645).
French.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable
toperformers of the
genre. Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much ofScarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includesthe
popular and recognised
Sonatas in D minor (K.
9), E major (K. 20) and B
minor (K. 27). Bearing in
mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed inthe
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.