16 Guitar and Lute Pieces. Composed by Jens Franke. Edited by Stuart Willis. Thi...(+)
16 Guitar and Lute
Pieces. Composed by Jens
Franke. Edited by Stuart
Willis. This edition:
Saddle stitching. Sheet
music with CD. Guitar. 16
Originalwerke von
Komponisten des 17. und
18. Jahrhunderts. Neben
Stucken von Weiss, de
Visee, Hagen und Daube
und anderen bietet der
Band ein sorgfaltig
ausgewahltes Spektrum von
Werken. Baroque,
Classical. Edition with
CD. 36 pages. Schott
Music #ED13446. Published
by Schott Music
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
12 Guitar and Lute Pieces With a CD of Performances. Composed by Various. Ed...(+)
12 Guitar and Lute Pieces
With a CD of
Performances.
Composed by Various.
Edited
by Jens Franke and Stuart
Willis. Guitar. Softcover
with CD. 36 pages. Schott
Music #ED13489. Published
by
Schott Music
Composed by John Kiefer.
Saddle-stitched, Baroque,
Tunebook, Solos. Style.
Book. 32 pages. Mel Bay
Publications, Inc #30546.
Published by Mel Bay
Publications, Inc
(MB.30546).
ISBN
9780786696123. 8.75 x
11.75 inches.
This
volume is the first in a
new series of guitar
transcriptions by John
Kiefer. Beginning Baroque
for Guitar features
simplified arrangements
of Baroque music. The
pieces are primarily
monodic and can be
performed with a pick or
fingers. The music has
been notated without
fingerings or tablature
to promote musical
literacy and encourage
all fingering
possibilities. In
addition to the pieces
formatted with
melody/chord symbols,
five duets and four
canons are included. This
book can supplement basic
guitar methods, guitar
classes and guitar
ensemble courses.
Guitar SKU: HL.50483211 Guitar Collection. Composed by Various. Ed...(+)
Guitar
SKU:
HL.50483211
Guitar
Collection. Composed
by Various. Edited by
Olivier Châ and
teau. Special Import.
Baroque, Classical. 54
pages. Editions Salabert
#SEAS19389. Published by
Editions Salabert
(HL.50483211).
Erstausgabe. Composed by Manuel Maria Ponce. This edition: Saddle stitching....(+)
Erstausgabe. Composed by
Manuel Maria Ponce. This
edition: Saddle
stitching.
Sheet music. Guitar
Archive.
Baroque, Classical.
Softcover. 8 pages.
Duration
3'. Schott Music #GA
576.
Published by Schott Music
By Johann Sebastian Bach. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Johann Sebastian Bach.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions. The
master of counterpoint at
his best. Baroque. Level:
Intermediate. Book.
Standard. 48 pages.
Published by Savage
Classical Guitar
Transcriptions.
Guitar SKU: HL.50482972 Composed by Various. Edited by Olivier Châ a...(+)
Guitar
SKU:
HL.50482972
Composed
by Various. Edited by
Olivier Châ and
teau. Special Import.
Baroque, Classical. 60
pages. Editions Salabert
#SEAS19390. Published by
Editions Salabert
(HL.50482972).
28 Guitar and Lute Pieces – Original Works from the 17th and 18th. Edited ...(+)
28 Guitar and Lute Pieces
–
Original Works from the
17th
and 18th. Edited by
Stuart
Willis. Guitar. Baroque,
Classical. Softcover
Media
Online. 32 pages. Schott
Music
#ED13357D. Published by
Schott
Music
Composed by Johann Sebastian Bach (1685-1750). Arranged by Javier Calderon. Fo...(+)
Composed by Johann
Sebastian
Bach (1685-1750).
Arranged
by Javier Calderon. For
classical guitar.
Solos/Studies, Baroque.
Intermediate. Book and
Online Audio. 72 pages.
Published by Mel Bay
Publications, Inc
Guitar (Guitar) SKU: HL.48010275 Composed by Various. Edited by Gordon Cr...(+)
Guitar (Guitar)
SKU:
HL.48010275
Composed
by Various. Edited by
Gordon Crosskey. Arranged
by Crosskey. Boosey &
Hawkes Chamber Music.
Baroque, Classical,
Collection. 20 pages.
Boosey & Hawkes
#M060040207. Published by
Boosey & Hawkes
(HL.48010275).
UPC:
073999922899.
9.25x12.25x0.068
inches.
Contents:
Canario, Spagnoletta and
Tordiglione from
Intavolature di Chittarra
e Chittariglia (Calvi) *
Tasteggiata Soave from
Libro Della Chitarra
Spagnolla (Foscarini) *
Passacalles and Villano
from Poema Harmonica
(Guerau) * Entree and
Bouree from Suite No. XIX
(Weiss) * La Cavalcade,
La Favorite and Le
Turbulent (Dandrieu).
Duets: La Lully from Book
II of the 1st Suite
(Dandrieu) * Sonata No.
33 (Soler).
25 Guitar and Lute Pieces - Original Works from the 17th and 18th Centuries....(+)
25 Guitar and Lute Pieces
-
Original Works from the
17th
and 18th Centuries.
Edited by
Stuart Willis. Guitar.
Baroque, Classical.
Softcover
Media Online. 36 pages.
Schott
Music #ED13437D.
Published by
Schott Music
Music transcribed and adapted for modern guitar. By Frank Koonce. By Frank Koonc...(+)
Music transcribed and
adapted for modern
guitar. By Frank Koonce.
By Frank Koonce. For
Guitar (Classical).
Solos. Frank Koonce
Series. Early
Music/Renaissance. Level:
Intermediate. Book. 188
pages. Published by Mel
Bay Publications, Inc.
Guitar SKU: HL.50510141 Performace Pieces, Etudes and Technical Exerci...(+)
Guitar
SKU:
HL.50510141
Performace Pieces,
Etudes and Technical
Exercises for
Advanced. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
5. Baroque, Classical,
Hungarian, Renaissance.
Softcover. 108 pages.
Editio Musica Budapest
#Z12891. Published by
Editio Musica Budapest
(HL.50510141).
ISBN
9790080128916. UPC:
073999708516. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Erzsebet Nagy;
Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since its
first edition, the
musical interests of
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty,so that
students can spend longer
on a varied repertoire at
their respective level.
We have determined the
works in the volume V
which demand a more
developed technique and
musicality to extend the
repertoire of those who
wish to study further.
The transcription of lute
works has sometimes made
significant compromises
necessary. However, in
our view, it is a
significant gain that
students can get to know
a Dowland fantasy or an
early English Baroque set
of variations. This
volume comprises 44
concert pieces from the
early 17th to the 20th
centuries, 18
advanced-level studies by
Carcassi, Coste,
Giuliani, and Sor, as
well as several
advanced-level technical
exercises. Besides
original works by
Giuliani, Sor, Tarrega,
and others, it features
several transcriptions of
works by Dowland, Rameau,
J. S. Bach, and D.
Scarlatti.
Expanded, revised
edition. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
3. Baroque, Classical,
Hungarian, Renaissance.
Softcover. 80 pages.
Editio Musica Budapest
#Z12281. Published by
Editio Musica Budapest
(HL.50487107).
ISBN
9790080122815. Bach (23 x
30,2 cm) inches. Erzsebet
Nagy; Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since the
first edition, the
musical interests of our
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty, so that our
students can spend longer
on a varied repertoire at
their respective level.
We have first of all
selected works from the
Viennese classics for
this purpose but have
also enriched the
repertoire of the tutor
with numerous pieces from
the Renaissance and
Baroque periods.
Guitar (GUITAR SOLO) SKU: HL.50487279 Performace Pieces, Etudes and Te...(+)
Guitar (GUITAR SOLO)
SKU: HL.50487279
Performace Pieces,
Etudes and Technical
Exercises for
Advanced-Le. Composed
by Erzsé,
Mikló, bet Nagy,
czi, and s Mosó.
EMB. Volume 4. Baroque,
Classical, Hungarian,
Renaissance. Softcover.
Editio Musica Budapest
#Z12735. Published by
Editio Musica Budapest
(HL.50487279).
ISBN
9790080127353. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Erzsebet Nagy;
Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since the
first edition, the
musical interests of our
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty, so that our
students can spend longer
on a varied repertoire at
their respective level.
We have first of all
selected works from the
Viennese classics for
this purpose but have
also enriched the
repertoire of the tutor
with numerous pieces from
the Renaissance and
Baroque periods.
Saddle-stitched. Rock.
Book and online audio. 44
pages. Mel Bay
Publications, Inc
#31007M. Published by Mel
Bay Publications, Inc
(MB.31007M).
ISBN
9781513472393. 8.75x11.75
inches.
In musical
styles ranging from blues
to classical, jazz and
modern Latin, the 32
original duets in this
book are designed to
improve sight reading on
the guitar at all levels,
beginner to advanced.
Canadian guitarist and
music educator, Michel
H?roux suggests playing
these short but complete
pieces at different
tempos, exchanging parts
on repeats, playing
select passages an octave
higher, and analyzing the
harmony?all towards
becoming a better sight
reader.Written in
standard notation only,
various meters and keys
are explored; online
recordings of the author
double-tracking himself
are provided to guarantee
your success.
Guitar solo SKU: BR.DV-32094 Easy Guitar Music from the 16th-18th Cent...(+)
Guitar solo
SKU:
BR.DV-32094
Easy
Guitar Music from the
16th-18th Century.
Composed by Adalbert
Quadt. Edited by Adalbert
Quadt. Arranged by
Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Renaissance/early
Baroque; Baroque. Score.
72 pages. Deutscher
Verlag fur Musik #DV
32094. Published by
Deutscher Verlag fur
Musik (BR.DV-32094).
ISBN 9790200426397. 9
x 12 inches.
Die
vorliegende Ausgabe
beinhaltet eine Vielzahl
verhaltnismassig leicht
spielbarer Stucke -
uberwiegend Lieder und
Tanze - und wendet sich
daher besonders an
Spieler, die ihr
technisches Konnen noch
weiter vervollkommnen
mochten, aber schon
Freude und Interesse an
der Wiederbelebung alter
Musik haben. Die
Kompositionen und
Bearbeitungen fur Lauten-
und Gitarreninstrumente
wurden bis gegen Ende des
18. Jahrhunderts in einer
Griffzeichenschrift - der
Tabulatur -
aufgezeichnet. Diese
Griffnotation ist in
verschiedenen Arten, auf
Buchstaben oder Zahlen
bzw. auf Buchstaben und
Zahlen basierend,
uberliefert. Man
unterscheidet deutsche,
italienische, spanische
und franzosische
Tabulaturen. Sie
bestanden lange Zeit
nebeneinander, wobei sich
schliesslich die
franzosische Tabulatur,
der ein Liniensystem (fur
die Saiten), auf dem die
Bunde durch Buchstaben
gekennzeichnet wurden,
zugrunde lag, als die
praktischste erwies. Um
die in diesen
verschiedenen
Griffzeichenschriften
niedergeschriebenen
Kompositionen allgemein
zuganglich zu machen, ist
es zweckmassig, sie in
die heute gultige
Notenschrift umzusetzen.
Da aber die
Tabulaturdrucke und
-manuskripte leider oft
sehr fehlerhaft und
unvollstandig sind,
verlangt die Ubertragung
grosse Sachkenntnis;
zuweilen ist die Auslese
an wirklich guter Musik
im Verhaltnis zur
aufgewendeten Zeit recht
gering. Um aber dem
Anliegen, moglichst viele
qualitatsvolle und
dennoch auf der Gitarre
leicht spielbare
Kompositionen vorzulegen,
gerecht zu werden, sind
in die Sammlung neben
Ubertragungen aus
Tabulaturen fur Gitarre
auch solche aus
Tabulaturen fur Calichon,
Mandora und
Renaissancelaute
aufgenommen worden. Von
einem grossen Teil der
Stucke sind die
Komponisten unbekannt, da
sie in den Quellen nicht
genannt werden - eine
Erscheinung, die in fast
allen Tabulaturen zu
beobachten ist. Die
alteste uns bekannte
Gitarrenmusik (Anfang des
16. Jahrhunderts) stammt
aus Uberlieferungen fur
die viersaitige
(doppelchorig) spanische
Gitarre. Gegen Ende des
16. Jahrhunderts wurde
die Gitarre funfsaitig
(doppelchorig) und erst
etwa 200 Jahre spater
erhielt sie die sechste
Saite - jedoch einchorig
- und hat sich so bis
heute erhalten. Die
Stimmung von Calichon und
Mandora war die gleiche
wie die der Gitarre,
allerdings waren sie
bereits seit der Wende
vom 17. zum 18.
Jahrhundert sechssaitig.
Es ist durchaus legitim,
die fur Calichon und
Mandora uberlieferten
Kompositionen auf der
Gitarre zum Klingen zu
bringen -dies um so mehr,
da kaum mit der
Wiedererweckung und
Verbreitung der beiden
Instrumente zu rechnen
ist. Anders verhalt es
sich mit der
Renaissancelaute, die
heute wieder haufiger
gespielt wird. Sie hat
die gleichen
Saitenintervalle (Quarten
und Terz) wie die
Gitarre, lediglich dass
das Terzintervall
zwischen der dritten und
vierten Saite liegt. Im
Interesse der weitaus
grosseren Zahl von
Gitarrespielern wurden
fur die vorliegende
Sammlung nur solche
Stucke ausgewahlt, die
auf der Gitarre bequem zu
greifen sind. Dem
Lautenspieler werden sie
infolge ihres geringen
Schwierigkeitsgrades
ebenfalls sehr willkommen
sein. Den im
Quellenverzeichnis
genannten Bibliotheken,
in denen ich zum Teil
schon vor mehr als 50
Jahren begonnen habe,
alte Lauten- und
Gitarrentabulaturen fur
diese und andere Ausgaben
zu sichten und zu
sammeln, sei bestens fur
die Uberlassung von
Handschriften, Drucken
und Filmen zur
Ubertragung oder zum
Vergleich gedankt. Die
Wiedergabe der Stucke
folgt so weit wie moglich
den Originalquellen,
lediglich offensichtliche
Fehler wurden
stillschweigend
korrigiert. Adalbert
Quadt, Berlin, im
Fruhjahr 1985.
Guitar SKU: UT.CH-159 Composed by Massimo Fornetti. Saddle stitching. Cla...(+)
Guitar
SKU:
UT.CH-159
Composed by
Massimo Fornetti. Saddle
stitching. Classical. 12
pages. Ut Orpheus #CH
159. Published by Ut
Orpheus (UT.CH-159).
ISBN 9790215320390. 9
x 12 inches.
With
this Suite for guitar
â?? whose main reference
point is the baroque
instrumental suite and
its traditional dances
â?? the interpreter
takes a journey through
various compositional
styles (e.g. the use of
microstructures,
modality, atonality,
harmony in fourths,
whole-tone scales), in
the form of a dance.
Within the scope of this
metacultural project,
both performer and
listener are presented
with a musical
juxtaposition where the
baroque suite is always
present as a historic
reference. This project
is aimed at an average
level of guitar students
where instrumental
technique is equally as
important as composition.
In this respect, the
Suite is useful in the
areas of concert
performance, in the
teaching of instrumental
technique and in
compositional
analysis.