With Online Audio. Par NIER SVEN. This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Nier's exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part. / Pédagogie / Date parution : 2018-05-04/ Etude / Guitare

Play In A Day. Par WEEDON BERT. In this remarkable DVD the world-renowned master guitarist unlocks the secrets of the guitar. Highly regarded for his versatility, Bert's glittering career (including being voted Britain's top guitarist nine times!) has been a strong influence on virtually every famous name linked with the instrument. Play in a Day means just that. After just the first 25 minutes video tuition a complete beginner with nay six string guitar will be able to join in with Bert Weedon and his group and play their first tune. Each selection ends with you playing one of fifteen tunes of varying styles and rhythms, with Bert and his group. Previously only available in VHS format, the video has now been reworked into DVD format and is not restricted by territory allowing it to be viewed in any country. Bert Weedon's expert tuition and straightforward advice will not only help you learn basic skills but also give you the confidence and encouragement to go on to more advanced guitar playing.  / Accessoire / Guitare

Philip Toshio Sudo, fondateur du mouvement Guitare Zen, et le guitariste et éducateur Tobias Hurwitz présenter ce suivi pour le livre best-seller Guitar Zen. A l'intérieur vous trouverez des exemples de musique qui vous aideront à apporter la philosophie zen à la vie de votre guitare. Découvrez comment ces idées anciennes peuvent vous aider à devenir plus 'dans l'instant' dans votre approche musicale.Le Livre des Six Strings sera vous aider à sortir d'une ornière créatif et prendre votre jeu au prochain niveau. La pièce maîtresse de ce livre est 'One Sound One Song', composée par Philip Toshio Sudo comme un tremplin musical pour l'exploration Guitare Zen. Vous pourrez également trouver des citations inspirantes, des concepts philosophiques, et des faits historiques mélangés avec les exemples musicaux. Si vous cherchez à être inspirés et d'approfondir votre spiritualité et de la compréhension musicale, ce livre est pour vous. / Guitare

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. ?The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles?.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature (?the still waters of [?] the Amazon?, ?the song of the birds?). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: ?It was in J.S.Bach where Barrios discovered the source of his universality [?]?.Admired by many but despised by more was his way of stringing his guitar: ?[?] the way he attacked the strings with the fingers sideward, with very little use of the fingernails?. He also invented some kind of a muffler: He put ?small balls of rubber on the Pirastro steel string?. Jesus Benites R. who collected Magnoré?s works for this edition says about him: ?Magnore is the genius of South America?. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota).
Contenu
- El sueno de la muneca
- Estudio No. 2 und 3
- Minueto en La
- Arabescos
- Medallón antiguo
- Vals Estudio No. 1
- Oración
- Escala y Preludio
- Confesión
- London carapé
- Tú y yo
- Madrigal
- Vals No. 3
- Canción de la Hilandera
- Choro da saudade
- Jha, che valle
- Preludio en Do menor
- Estudio de Concierto No. 2
- Caazapá
- Danza paraguaya No. 1 (1. u. 2. versión)
- La Catedral / Partitions classique / Guitare - luth / Guitare / ZEN-ON

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. 'The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles'.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature ('the still waters of ['] the Amazon', 'the song of the birds'). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: 'It was in J.S.Bach where Barrios discovered the source of his universality [']'.Admired by many but despised by more was his way of stringing his guitar: '['] the way he attacked the strings with the fingers sideward, with very little use of the fingernails'. He also invented some kind of a muffler: He put 'small balls of rubber on the Pirastro steel string'. Jesus Benites R. who collected Magnoré's works for this edition says about him: 'Magnore is the genius of South America'. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota). Contenu - El sueno de la muneca - Estudio No. 2 und 3 - Minueto en La - Arabescos - Medallón antiguo - Vals Estudio No. 1 - Oración - Escala y Preludio - Confesión - London carapé - Tú y yo - Madrigal - Vals No. 3 - Canción de la Hilandera - Choro da saudade - Jha, che valle - Preludio en Do menor - Estudio de Concierto No. 2 - Caazapá - Danza paraguaya No. 1 (1. u. 2. versión) - La Catedral

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Easy Pieces For Guitar Starters. Par HARTOG CEES. Retrouvez 41 oeuvres faciles pour guitare classique (notations standards) arrangées par Cees Hartog. / Niveau : Facile / Recueil / Guitare

Jorge Cardoso is a recognized performer who has travelled the world over giving hundreds or concerts as a soloist, in duos, and with orchestras. There are innumerable recordings of his performances, and he is a prolific composer whose works have been recorded by other guitarists in more than thirty albums. Cardoso is also a master teacher with followers around the world. This DVD traces the historical path of the guitar, showing the instrument's ancestors and tracing its development to its current form. It includes a visit to the workshops of Manuel Contreras II and Ars Antiqva, Jose Angel Espejo's workshop, followed by a detailed analysis of the factors that contribute to the proper development of classical guitar technique. The DVD covers everything from the seat, the position of the body, and the devices used to improve it 'Aguado's machine', Sor's support system, the foot-rest, attachments, and an ingenious, simple and practical system created by the author, to the mechanical workings of the hand, its main ways of gripping, and the problems posed by the ring finger. All of these topics are approached through the scientific reasoning of the author, backed up by his knowledge as a doctor. As Jorge Cardoso says in the introduction, this course 'can be useful both to beginners and to more advanced players. . . it can be useful to anyone who plays a plucked stringed instrument.' It includes basic demonstrations and explanations about how the hands work from the moment they are placed on the guitar, as well as exercises and concert pieces of the highest level. There is a discussion of strumming technique, of 'toque mixto' and four complete pieces interpreted by the author. The course will also be useful for electric guitarists and others who have focused on the use of the pick and have neglected other essential guitar techniques. UK product number 8353412233. / Guitare Classique / 125 pages / niveau : Multiple Levels / Dvd - Format: 7,5 X 5,25

From the Classic Hot Licks Video Series Newly Transcribed and Edited!. Par BURTON JAMES. For the first time, the legendary Hot Licks guitar instruction video series is being made available in book format with online access to all of the classic video footage. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet. In this book/video, guitarist James Burton (Ricky Nelson, Elvis Presley) covers a wide range of classic rock 'n' roll and country-style guitar skills and techniquesheard on such timeless rock hits as Susie-Q, Travelin' Man and Fools Rush In, among others. You'll learn: hybrid picking - steel guitar licks - string bending technique - chicken pickin' - bending behind the nut - cross-string picking - his echo effect rhythm style - and more. For the first time, the legendary Hot Licks guitar instruction video series is being made available in book format with online access to all of the classic video footage. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet. In this book/video, guitarist James Burton (Ricky Nelson, Elvis Presley) covers a wide range of classic rock 'n' roll and country-style guitar skills andtechniquesheard on such timeless rock hits as Susie-Q, Travelin' Man and Fools Rush In, among others. You'll learn: hybrid picking - steel guitar licks - string bending technique - chicken pickin' - bending behind the nut - cross-string picking - his echo effect rhythm style - and more. / Date parution : 2018-05-04/ Tablatures / Guitare

For 6 And 7 String Guitars. Par TIMOFEYEV OLEG / KONDENKO FEDOR. There are numerous publications on the art of flamenco guitar, and on the so-called gypsy jazz (the style of Django Reinhardt) guitar. Associated mainly with the Russian seven-string guitar, the art of the Russian-Romany guitarists is barely known in the west and unfortunately is almost lost in Russia itself. This book is designed to introduce guitarists to this specific gypsy style. Follow along as the masters of Russian Gypsy Guitar lead you through exercises and traditional songs, transcribed for both 6 and 7-string guitars. It includes access to audio files online to help you understand and play each piece with proper timing and inflection. / Recueil / Guitare

Learn the legendary Allman Brothers Band guitarist's conventional and slide playing styles and techniques. Topics include creating melodies from scales and modes, Duane's signature phrasing, playing up and down one string, go-to patterns and fretboard shapes, string bending and vibrato, use of passing tones and the 'B.B.' box, how to solo like Duane did on classic recordings, and slide patterns and licks in open E tuning. / Guitare

Heavy Metal Rhythm Guitar teaches the most important concepts, approaches and techniques used in heavy metal rhythm guitar Learn Metal Guitar by Studying Real MusicStarting with the roots of heavy metal, the essential rhythm skills are broken down step-by-step, to clearly show how authentic metal is constructed.Not Just Theory and Technical Exercises - Real Guitar Riffs you can UseMany guides simply show you how to build technique. Heavy Metal Rhythm Guitar illustrates the musical components of metal, such as power chords, single string lines, displacement, odd time signatures and much more with real musical examples to help you explore your creativity.Over 100 Notated Musical Examples with Audio to Download for FreeAfter a brief rhythm primer, every one of the 140 notated, musical examples teaches you something new about Heavy Metal Rhythm Guitar.Metal Rhythm Guitar examines the guitar playing at the roots of metal in the mid-1960s, such as Led Zeppelin and Deep Purple, and the New Wave of British Heavy Metal bands of the late '70s and early '80s like Judas Priest, Saxon and Iron Maiden. The thrash metal of bands like Metallica and Slayer are covered, along with bands like Death, Pantera and Meshuggah who progressed Heavy Metal and expanded the technical possibilitiesHeavy Metal Rhythm Guitar CoversRiff BuildingRhythmic Accuracy Essential ScalesTechniquePower ChordsDisplacementSingle Line and Open String RiffsDrop TuningsHarmonicsOdd Time Signaturesand much more... / Guitare

Par RUBIN DAVE. The best in blues and blues-based licks, riffs and techniques with a dose of historical perspective to put it all into place are presented in this book. It includes standard notation and tab, plus online access to 86 demonstration audio tracks. Lessons include: scales and target notes, chord subsitution, open-string turnarounds, blues vamps, boogie-woogie alternatives, bottleneck blues, cool blues, 8-bar blues, Memphis soul, British blues-rock, Delta blues, and more, plus artist-specific lessons on B.B. King, John Lee Hooker, T-Bone Walker, and Freddie King. The best in blues and blues-based licks, riffs and techniques with a dose of historical perspective to put it all into place are presented in this book. It includes standard notation and tab, plus online access to 86 demonstration audio tracks. Lessons include: scales and target notes, chord subsitution, open-string turnarounds, blues vamps, boogie-woogie alternatives, bottleneck blues, cool blues, 8-bar blues, Memphis soul, British blues-rock, Delta blues, and more - plus artist-specific lessons on B.B. King, John Lee Hooker, T-Bone Walker, and Freddie King. / Etudes et exercices / Tablatures / Guitare