Guitar

SKU: HL.49045719

Die moderne Gitarrenschule fur Kinder. Composed by Peter Autschbach. Guitar. Classical. Softcover with CD. 108 pages. Schott Music #ED22516. Published by Schott Music (HL.49045719).

This guitar method is a new and fresh approach to the guitar for children and young people aged 8+ in private and group lessons. Volume 2 also contains many pieces which were specifically composed for this edition and are printed in standard notation and tablature. In addition, there are music checking exercises without tablature which explain how to identify the notes andaccidentals. The characters Zacky and Bob beautifully drawn by Selina Peterson help children to overcome the common obstacles to learning to playthe guitar. After working through Vol. 2, the young pupils are open to all music genres, for classical and pop music do not contradict each other here.

By William Beauvais. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 828)

Guitar - Beginning

SKU: MB.95121M

Composed by Mike Christiansen. Flatpicking, Squareback saddle stitch, Country, Bluegrass, Method, Folk. You Can Teach Yourself. Style. Book and online audio/video. 68 pages. Mel Bay Publications, Inc #95121M. Published by Mel Bay Publications, Inc (MB.95121M).

ISBN 9780786693238. 8.75 x 11.75 inches.

If someone is singing a song or playing a melody, how can I know what chords I can play with it? This is a common question asked of guitar teachers and players. If you are the guitarist at a campfire sing, if you want to learn a song from a recording, or if you want to write your own songs - this book will show you the way. An indispensable book for the guitarist who wants to learn to improvise and accompany singers by ear, music reading ability is not required to benefit and learn from this method. Includes access to online audio and video.

By Mike Christiansen. For Guitar (All). Methods. All Styles. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

(Get a Better Grip on Neck Navigation). For Guitar. Guitar Educational. Softcover. 194 pages. Published by Hal Leonard

Performed by Nick Nolan. Edited by Tim Landers. DVD video. Published by Alfred Publishing.

Music Sales America. Instruction. Softcover with CD. 64 pages. Music Sales #BMC12221. Published by Music Sales

A Reading Workout for Serious Musicians. By Fred Hamilton. For Guitar. Technique. All Styles. Level: Intermediate. Book. Size 9x11.75. 96 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: GI.G-9024G

Composed by Jeffrey Honore. This edition: Guitar edition. Common Psalm for the Last Weeks in Ordinary Time, Advetn 1 A, Christ the King C. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #9024G. Published by GIA Publications (GI.G-9024G).

UPC: 785147902478. English. Text Source: Psalm 122, The Revised Grail Psalms Scripture: Psalm 122.

Guitar Essentials composed by Phil Black. For guitar. This edition: Paperback. Reference. Educational. Color poster. Text Language: English. 1 pages. Published by Santorella Publications

By Joe Charupakorn. Guitar Educational. Size 9x12 inches. 216 pages. Published by Cherry Lane Music.

Berklee Guide. Jazz Instruction. Softcover Audio Online. 80 pages. Published by Berklee Press

Case Studies of Steel-String Guitar Diagnoses and Repairs. Guitar. Softcover. 88 pages. Published by Hal Leonard (HL.172427).

Guitar - advanced

SKU: M7.KC-2008

La Gatica, Momoti, Merengue. Composed by Antonio Lauro. Arranged by Alirio Diaz. This edition: Saddle-wire stitching. Sheet music. 24 pages. MDS (Music Distribution Services) #KC 2008. Published by MDS (Music Distribution Services) (M7.KC-2008).

ISBN 9782848580135. English French Spanish.

The legendary figures of Antonio Lauro and Alirio Diaz are monuments of the Venezuelan spirit. It is important to remember the extraordinary course of fortune which brought together Antonio Lauro and Alirio Diaz - a great Composer and a great virtuoso who inspired each other with their creativity. This interaction was vital in the success of this wonderful Music, born of their common cultural heritage and presented to the world through the extraordinary talents of Alirio Diaz, the greatest performer of Lauro's guitar works. It is difficult not to draw parallels between this relationship and that Andrés Segovia with Manuel Ponce or Julian Bream with Benjamin Britten and William Walton.

With Mark Hanson. For Guitar. Guitar DVD. Beyond Basics. Acoustic; Fingerstyle. DVD. Published by Alfred Publishing.

Written by Al DiMeola. For guitar. Format: instructional book. With instructional text, chord names, guitar chord diagrams and instructional photos. Learn to play and note reading. 48 pages. 9x12 inches. Published by Hal Leonard.

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.

Guitar Edition. Edited by Steve Gorenburg. Rock House. Chords, Instruction. Softcover Audio Online. With guitar tablature. 160 pages. Hal Leonard #FR00987. Published by Hal Leonard

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

(Rhythm Patterns, Soloing Techniques and Improvisational Insight for Nashville-Style Guitar). By Ladd Smith. For guitar. Instructional. Instructional DVD. Published by Music Sales

(Modern Ideas for All Styles). For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Improv Series. Jazz. 96 pages. Published by Alfred Music Publishing

The Complete Guide. String Letter Publishing. Softcover. Size 9x12 inches. 96 pages. Published by String Letter Publishing.

Guitar (rock and blues) - Beginning-Intermediate

SKU: MB.30648M

Composed by Adam Douglass. Saddle-stitched, Technique, Theory and Reference, Pop. Style. Book and online video. 32 pages. Mel Bay Publications, Inc #30648M. Published by Mel Bay Publications, Inc (MB.30648M).

ISBN 9780786699490. 8.75 x 11.75 inches.

Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentâ??playing music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youâ??re also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.

Hot Nashville Guitar. By With Steve Trovato. Artist/Personality; Guitar DVD; Method/Instruction. Getting the Sounds. Country. DVD. Alfred Music #00-901908. Published by Alfred Music

Learning to Hear Your Way Through Music. Composed by Steve Masakowski. Saddle- stitched. Mel Bay's Private Lessons. Jazz and Contemporary. Book and online audio. 40 pages. Published by Mel Bay Publications, Inc