Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 73 No. 5.
Duration 38 minutes.
Published by Baerenreiter
Verlag (BA.TP925).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 15 No. 1.
Duration 40 minutes.
Published by Baerenreiter
Verlag (BA.TP921).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 58 No. 4.
Duration 33 minutes.
Published by Baerenreiter
Verlag (BA.TP924).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 37 No. 3.
Duration 34 minutes.
Published by Baerenreiter
Verlag (BA.TP923).
String Orchestra and Piano SKU: BT.EMBZ13550 Das klassische Trio. ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13550
Das
klassische Trio. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1994. 230
pages. Editio Musica
Budapest #EMBZ13550.
Published by Editio
Musica Budapest
(BT.EMBZ13550).
At first sight,
this publication appears
to be a collection of
pieces, for the technical
studies, not too
attractive but so
characteristic of tutors,
are missing. Yet the
selection of the works,
their order according to
the development of
ensemble playing and the
advice includeed after
the foreword and
containig proposals for
the technical realization
of ensemble playing in
the case of certain
typical pieces these all
make this publication a
tutor.The works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into
thedifferent methods of
composition. Volume III
is approximately the same
grade of difficulty as
Volume II, but inViennese
Classicism a more
sophisticated handling of
the bow is required. In
addition to the works of
Haydn, Mozart and
Beethoven pieces by less
well-known masters are
also included.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance.You will find
the original cadenzas
under Mo
zart, 36 Cadenzas for his
own Piano Concertos.
Our ISBN
9790004211922. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Study Score.
76 pages. Duration 26'.
Breitkopf and Haertel #PB
15111-07. Published by
Breitkopf and Haertel
(BR.PB-15111-07).
ISBN
9790004212684. 6.5 x 9
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 4.2.3.0. -
timp - str)
SKU:
BR.PB-4960
Composed
by Pjotr Iljitsch
Tschaikowsky. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Full
score. 120 pages.
Duration 32'. Breitkopf
and Haertel #PB 4960.
Published by Breitkopf
and Haertel (BR.PB-4960).
ISBN 9790004207451. 10
x 12.5 inches.
The
roller coaster of
opinions - worthless,
absolutely unplayable
(claims Nikolaj
Rubinstein, basically
Tchaikovsky's desired
pianist for his Concerto
in B flat minor);
brilliant, magnificent
(Hans von Bulow, then
first performer and
dedicatee of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score Only.
Composed 2017. 80 pages.
Edition Wilhelm Hansen
#WH32201. Published by
Edition Wilhelm Hansen
(HL.232526).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15106
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical. Full
score. 72 pages. Duration
30'. Breitkopf and
Haertel #PB 15106.
Published by Breitkopf
and Haertel
(BR.PB-15106).
ISBN
9790004211892. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Quintet Piano et Orchestre EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ6338
Composed
by Bela Bartok. Set
(Score & Parts). Composed
1970. 304 pages. Editio
Musica Budapest
#EMBZ6338. Published by
Editio Musica Budapest
(BT.EMBZ6338).
Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str) S...(+)
Piano/harpsichord and
orchestra (Solo: pno-
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15123
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10825 is printed in score
form; two copies are
needed for performance.
Our ed
ition EB 8579
contains a Ferrucci
Busoni cadenza for the
Piano. Solo concerto;
Classical. Full score. 88
pages. Duration 33'.
Breitkopf and Haertel #PB
15123. Published by
Breitkopf and Haertel
(BR.PB-15123).
ISBN
9790004212738. 10 x 12.5
inches.
The C major
Concerto K. 503 was held
in particularly high
esteem by Mozart, who,
for example, put it on
the program of his
subscription concert at
Leipzigs Gewandhaus in
1789, three years after
it was written. This new
edition is based on the
autograph and also takes
into account the first
edition published by
Constanze Mozart at her
own cost in 1797.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst Herttrich
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4)...(+)
Piano/harpsichord and
orchestra (picc.2.2.cor
ang.2.2 - 4.2.3.1 - timp
- perc(4) - hp - str)
SKU: BR.PB-15160
Urtext. Composed
by Sergej Rachmaninow.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Variations; Solo
concerto; Late-romantic;
Early modern. Sheet
Music. Duration 22'.
Breitkopf and Haertel #PB
15160. Published by
Breitkopf and Haertel
(BR.PB-15160).
ISBN
9790004215654. 10 x 12.5
inches.
Paganini's
Capricci served as
inspiration for many
composers. In addition to
Brahms, Schumann and
Liszt, Rachmaninoff was
also inspired by the
idea. His Rhapsody on a
Theme by Paganini has
since become one of his
best known and most
popular works and was an
immediate success. In
1934, between two intense
concert seasons,
Rachmaninoff took
advantage of the peace
and quiet at his villa on
Lake Lucerne to compose
the Variations.
Paganini's virtuosity and
joy of playing are
juxtaposed with the
Gregorian sequence Dies
irae. A symbol of the
evil spirit to which
Paganini sold his soul?
At least that is how
Rachmaninoff wrote it in
a letter to the
choreographer Fokine. For
the demanding piano part,
the composer and
celebrated pianist
himself had to start
practicing very early:
The composition is very
difficult, and I should
really start practicing
now, but I get lazier
with my finger exercises
year after year.The
editor, Norbert Gertsch,
presents with this
edition for the first
time an Urtext edition of
the work that Joachim
Kaiser described as
Rachmaninoff's most
spiritual, witty, elegant
work for piano..
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(Urtext der Neuen
Mozart-Ausgabe). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Christoph Wolff. For
Piano Solo, Orchestra.
Neue Mozart-Ausgabe.
Serie V, Werkgruppe 15/2.
Klassik,
Musikwissenschaft
(Classical, Music
Theory). Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter Verlag
Composed
by Antonin Dvorak. Edited
by Robbert van Steijn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 33. Duration
00:40:00. Baerenreiter
Verlag #BA10420_00.
Published by Baerenreiter
Verlag (BA.BA10420).
ISBN 9790260108387. 31
x 24.3 cm inches. Key: G
minor. Preface: David R.
Beveridge.
Composed
in 1876, Dvorákâ??s
only piano concerto has
been overshadowed by his
other two concertos, for
violin and violoncello,
respectively. Performers
and editors have often
attempted to upgrade this
pianistically unassuming
work by adding
stylisations of their
own. Our Urtext edition
revaluates the sources,
frees the work from
subsequent interventions
and presents it to full
advantage in its
authentic
form.
The
principal source of our
new edition is the first
complete print issued by
the publisher Hainauer in
1883, which has been
meticulously collated
with the autograph. The
anonymous original piano
reduction is so full of
mistakes that editor
Robbert van Steijn
decided instead to
present the version by
Karel Å olc.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding