Kantate zum 10. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Kub...(+)
Kantate zum 10. Sonntag
nach Trinitatis. By
Johann Sebastian Bach.
Edited by Kubik,
Reinhold. Arranged by
Paul Horn. For Soli ATB,
SATB Choir, Flute, 2
Oboes, (Violino),
Strings, Organ. BWV 102.
Cantatas; Stuttgart
Urtext editions. Score.
Language: German/English.
Composed 1726. 84 pages.
Duration 24 min.
Published by Carus Verlag
(German import).
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound. Full
score available
separately - see item
CA.2705500. Requiem;
Occasions: Mourning,
Death; Use during church
year: End of the church
year. Piano/Vocal score.
Language: German. 45. 96
pages. Duration 70 min
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound.
Requiem; Occasions:
Mourning, Death; Use
during church year: End
of the church year.
Score. Language: German.
45. 256 pages. Duration
70 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part: Violin 2.
Language: German/English.
Composed 1725. 4 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part: Violin 1.
Language: German/English.
Composed 1725. 8 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1725. 32 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. This
edition: paperbound. BWV
137. Cantatas; Stuttgart
Urtext editions; Use
during church year:
Pentecost. Level 3.
Score. Language:
German/English. Composed
1725. 52 pages. Duration
18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part:
Violoncello/Contrabass.
Language: German/English.
Composed 1725. 12 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part: Viola.
Language: German/English.
Composed 1725. 4 pages.
Duration 18 min
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
Composed by Georg Philipp
Telemann and Martin
Luther. Edited by Gunter
Graulich. Arranged by
Paul Horn. Hymns by
Martin Luther: Nun komm,
der Heiden Heiland;
Stuttgart Urtext Edition:
Telemann-Archiv. Organ.
Sacred vocal music,
Cantatas, Advent. Single
Part, Organ. TVWV 1:1178.
8 pages. Duration 7
minutes. Carus Verlag #CV
39.493/49. Published by
Carus Verlag
(CA.3949349).
ISBN
9790007240639. Language:
German/English.
The
cantata text by Erdmann
Neumeister known from
Bach's work of the same
name (BWV 61), appears
here in a much shorter
composition by Telemann.
Definitely it has a charm
of its own. Score and
part available separately
- see item
CA.3949300.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Organ. Composed 1724. BWV
62. 20 pages. Duration 23
minutes. Carus Verlag #CV
31.062/49. Published by
Carus Verlag
(CA.3106249).
ISBN
9790007043650. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
Cantata
for Ascension Day.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat. German
title: Wer da glaubet.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Organ.
Composed 1724. BWV 37. 16
pages. Duration 21
minutes. Carus Verlag #CV
31.037/49. Published by
Carus Verlag
(CA.3103749).
ISBN
9790007042738. Key: A
major. Language:
German/English.
Lyr
icist possibly Christian
Weiss, Sen.; This edition
contains a reconstructed
part fo violin solo
(Durr/Hellmann) for the
Tenor Aria no. 2. Score
and part available
separately - see item
CA.3103700.
Composed by Camille
Saint-Saens. Edited by
Fritz Naf. Sacred vocal
music, Requiem. Requiem
Op. 54. Sacred vocal
music, Requiem. Full
score. Composed 1878. Op.
54. 108 pages. Duration
35 minutes. Carus Verlag
#CV 27.317/00. Published
by Carus Verlag
(CA.2731700).
ISBN
9790007167875. Language:
Latin.
During his
most productive period as
an opera composer,
Camille Saint-Saens also
wrote sacred works, among
which his Oratorio de
Noel has enjoyed great
worldwide popularity. The
colorful and opulently
orchestrated Messe de
Requiem was composed in
1878 in Bern. The
composer dedicated it to
his patron, Albert Libon.
We have published this
edition both with its
larger orchestral forces
and to enable perfomances
of the Requiem in
slightly reduced scoring
(without losing the
special characteristics
of the work), in a
version with a smaller
orchestra consisting of
11 winds, two harps,
organ and string
instruments. The full
score reproduces the
Urtext of the Requiem
with its original
scoring, whereas the
performance material is
presented and conceived
so to enable it to be
performed either in the
original orchestration or
the version with reduced
forces.
Composed
by Johann David
Heinichen. This edition:
Paperbound. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1765.
Duration 45 minutes.
Carus Verlag #CV
27.048/49. Published by
Carus Verlag
(CA.2704849).
ISBN
9790007199449. Key: D
major. Language:
Latin.
The Carus
program featuring music
of the Court of Dresden
has been expanded with
the publication of the
first edition of the
great masses of Johann
David Heinichen, who,
next to Hasse and
Zelenka, was the most
important musical
representative of this
capital of Saxony. A
peculiarity of this work
is the fact that
Heinichen inserted an
actual concerto movement
for solo flute, 2 oboes,
strings and continuo
between the Gloria and
Credo, which recommends
the Mass for concert
performances. Score and
part available separately
- see item
CA.2704800.
(Kantate zum Fest der Himmelfahrt Christi). By Johann Sebastian Bach (1685-1750)...(+)
(Kantate zum Fest der
Himmelfahrt Christi). By
Johann Sebastian Bach
(1685-1750). Edited by
Hans Grischkat. For Soli
SATB, SATB Choir, 2
Oboes/Oboe d'Amore,
Strings, Organ. BWV 37.
Score available
separately - see item
CA.3103700. Cantatas; Use
during the church year:
Ascension; Stuttgart
Urtext Editions. Part:
Violin 2. Language:
German/English. Composed
1724. 4 pages. Duration
21 min. Published by
Carus Verlag
(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Seba...(+)
(Kantate am Fest Mariae
Reinigung, oder am
dritten Osterfesttag). By
Johann Sebastian Bach
(1685-1750). Edited by
Hans Grischkat. For Soli
SB, SATB Choir, Oboe,
Violin solo,
Cello/Contrabass, Organ.
This edition: paperbound.
BWV 158. Cantatas; Use
during the church year:
Special Days, Easter and
Eastertide; Stuttgart
Urtext Editions. Level 2.
Score. Language:
German/English. Composed
1723/1735. 24 pages.
Duration 12 min.
Published by Carus Verlag
Cantata
for the inauguration of a
new town council.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat, Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wir danken dir, Gott, wir
danken dir. Sacred vocal
music, Cantatas, Praise
and thanks. Choral Score.
Composed 1731. BWV 29. 8
pages. Duration 28
minutes. Carus Verlag #CV
31.029/05. Published by
Carus Verlag
(CA.3102905).
ISBN
9790007042394. Key: D
major. Language:
German/English.
Bac
h's cantata Wir danken
dir, Gott, wir danken dir
of 1731, composed for the
inauguration of the
Leipzig town council, is
one of the cantatas which
has an obbligato organ
part. In the introductory
Sinfonia (an arrangement
of the opening movement
of the Partita in E for
solo violin) and the
final aria, the organ has
a prominent solo part.
The final aria is a
transposed repetition of
the first aria in the
cantata, which frames its
central section as a
motto Halleluja, Stark
und Macht sei dem
allerhochsten Namen.
However, the high point
of the cantata is the
magnificent choral
movement which precedes
the first Halleluja. Bach
also re-used this music
later in the Gratias and
Dona nobis pacem sections
of the Mass in B minor.
New revised edition.
Score available
separately - see item
CA.3102900.
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore/oboe d'caccia I,
oboe II/oboe d'caccia II,
trumpet, 2 violins,
viola, basso continuo
SKU: CA.3114799
Kantate zum Fest
Mariae Heimsuchung.
Composed by Johann
Sebastian Bach. Edited by
Karin Wollschlager.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Herz U.Mund U.Tat
U.Leben. Leipziger Fassg.
Sacred vocal music.
Single Part, Organ.
Composed 1723. BWV 147.
20 pages. Duration 34
minutes. Carus Verlag #CV
31.147/99. Published by
Carus Verlag
(CA.3114799).
ISBN
9790007208486. Language:
German/English.
Sco
re and part available
separately - see item
CA.3114700.
Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf). By Johann Sebastian Bach. Arra...(+)
Kantate zum 4. Advent
(Rekonstruktion: Uwe
Wolf). By Johann
Sebastian Bach. Arranged
by Uwe Wolf. For Soli
SATB, SATB Choir,
Trumpet, Oboe d'Amore,
Bassoon, 2 Violins
(Violin solo), Viola,
Cello/Contrabass, Organ.
BWV 147a. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Advent.
Score. Language:
German/English. Composed
1716. 32 pages. Duration
18 min. Published by
Carus Verlag (German
import).
(Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf)). By Johann Sebastian Bach (16...(+)
(Kantate zum 4. Advent
(Rekonstruktion: Uwe
Wolf)). By Johann
Sebastian Bach
(1685-1750). Arranged by
Uwe Wolf. For Soli SATB,
SATB Choir, Trumpet, Oboe
d'Amore, Bassoon, 2
Violins (Violin solo),
Viola, Cello/Contrabass,
Organ. This edition:
paperbound. BWV 147a.
Full score available
separately - see item
CA.3114700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Advent.
Level 4. Piano/Vocal
score. Language:
German/English. Composed
1716. 24 pages. Duration
18 min
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag