Violin and Guitar

SKU: IS.CM6139EM

Composed by Jan Van Landeghem. Ensembles - Chamber Music. Jenny Spanoghe Series. Metropolis Music Publishers #CM6139EM. Published by Metropolis Music Publishers (IS.CM6139EM).

ISBN 9790365061396.

Violin and Guitar

SKU: HL.14015140

Composed by Vagn Holmboe. Music Sales America. Classical. Book [Softcover]. 14 pages. Music Sales #KP00254. Published by Music Sales (HL.14015140).

ISBN 9788759864968. English.

By Manuel de Falla. For Voz y Guitarra. Published by Editorial de Musica Boileau (Spanish import).

Violin and guitar

SKU: M7.DOHR-11334

Composed by Jan Freidlin. Sheet music. Score and parts. MDS (Music Distribution Services) #DOHR 11334. Published by MDS (Music Distribution Services) (M7.DOHR-11334).

ISBN 9790202023341.

By Christopher Caliendo. For Violin, Guitar. This edition: Score and Part. Tango. Level: College. Duration 4:06. Published by Caliendo World Music Publishing, Inc.

By Franz Schubert. Edited by Allen Krantz. For violin and guitar. Solo part and accompaniment. Published by International Music Co.

Composed by Peter Ilyich Tchaikovsky (1840-1893), edited by Allen Krantz, David Oistrakh. Opus 35. Set of performance parts (includes separate pull-out violin part) for violin and guitar. With solo part and guitar accompaniment. Published by International Music Company.

Guitar and violin - Intermediate

SKU: DZ.NTM-1980

Composed by Various. Arranged by David Jacques. Les Productions d'OZ #NTM 1980. Published by Les Productions d'OZ (DZ.NTM-1980).

ISBN 9782896551385.

Arranged by David Jacques. For guitar and violin. 3. Published by Les Productions d'OZ

By Various. Arranged by David Jacques. For Guitar and violin. Level: 3. 40 pages. Published by Les Productions d'OZ. (DZ 1040)

Arranged by David Jacques. For guitar and violin. 3. 48 pages. Published by Les Productions d'OZ

By Various. Arranged by David Jacques. For Guitar and violin. Level: 3. 44 pages. Published by Les Productions d'OZ. (DZ 1059)

(Performance Score). Composed by Reginald Smith Brindle (1947-2003). For Guitar, Violin. Schott. Playing score. 16 pages. Schott Music #ED11391. Published by Schott Music

(Selections from Suzuki Violin School Volumes 1, 2 and 3 for Violin with Guitar Accompaniment). By Thomas Heck. For Violin. Duet or Duo; String Ensemble (Suzuki). Book. 40 pages. Published by Alfred Music Publishing

Violin, Guitar

SKU: UT.CH-335

Composed by Nicolo Paganini. Edited by Italo Vescovo. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 335. Published by Ut Orpheus (UT.CH-335).

ISBN 9790215326538. 9 x 12 inches.

The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition.
Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.