By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A comprehensive guidebook with hundreds of excerpts. Book. Language: English. 483 pages. Published by Baerenreiter Verlag

For Violin. Includes a complete printed music score on high-quality ivory paper; and two digitally mastered compact discs containing a complete performance with soloist, then performed again minus the soloist. Published by Music Minus One.

Violin. Arranged by Colin Cowles. Fentone Play Along Books. Play Along. Published by Fentone Music.

By Katherine Curatolo. For violin. Saddle-stitched. Wedding Music. Intermediate-Advanced. Book. 32 pages. Published by Mel Bay Publications, Inc

(Book 2). By Franz Wohlfahrt. Arranged by Eric Wen. LKM Music. 31 pages. Hal Leonard #S510006. Published by Hal Leonard

Violin

SKU: HL.50600994

For Violin Solo. Composed by Johannes X. Schachtner. String. Classical. Softcover. 8 pages. Sikorski #SIK8823. Published by Sikorski (HL.50600994).

8.0x11.75x0.055 inches.

Commissione d by Leopold-Mozart-Kuratorium Augsburg e.V. as partner of the Augsburg University in cooperation with the Mozartbüro of the City of Augsburg “Anthologies were important during Leopold Mozart's lifetime. All knowledge was to be collected and made available, and Mozart's 'Versuch einer gründlichen Violinschule' (A Treatise on the Fundamental Principles of Violin Playing) is also to be regarded in this context. My 'Florilegium' (the Latin word for 'Anthology' – 'Blossom Collection') follows this tradition. I thus collected more or less loose 'blossoms': individual turns of phrase and gestures from Leopold Mozart's Violin Treatise, as well as from books that include the extended techniques of violin playing in use today. I attempted to organize this 'blossom collection' – in a double sense of word – during the course of the compositional process and to transfer them into my own language. Ultimately the idea was to create an album piece that would allow the sound of the violin to blossom in its various facets ... including prickly thorns!” (Johannes X. Schachtner).

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

Violin

SKU: HL.48022455

Composed by Jyrki Linjama. Boosey & Hawkes Chamber Music. Classical. Softcover. Hal Leonard #M550110151. Published by Hal Leonard (HL.48022455).

Premiered in September 2010. The first Etude seeks fragile tones while the second and fourth Etudes draw on the exuberance and cheerfulness of the Balkan dance tradition. The third Etude gradually proceeds to a familiar Gregorian hymn tune.

In forme of Etudes, in all 24 keys. Composed by Jacques Pierre Joseph Rode. Edited by Ulrich Groener. Arranged by Ida Bieler. This edition: Saddle stitching. Sheet music. String. 84 pages. Schott Music #ED20584. Published by Schott Music

Piano Accompaniment Included. Composed by Craig Duncan. Book and insert. 64 pages. Published by Mel Bay Publications, Inc (MB.30560).

By Amy Barlowe. For Violin. String - Violin Studies or Collection. Masterwork. Book. 84 pages. Published by Alfred Music Publishing