By Johan De Meij. Full score (separate set of parts needed for performance) for cello, piccolo flute, 4 flutes (one), 4 flutes (two), flute (three), 2 oboes (one and two), english horn (in F), 2 bassoons (one and two), double bassoon, Eb clarinet, 6 Bb clarinets (one), 6 Bb clarinets (two), 6 Bb clarinets (three), Eb alto clarinet, Bb bass clarinet, 2 Eb alto saxophones (one), 2 Eb alto saxophones (two), 2 Bb tenor saxophones, Eb baritone saxophone, 3 horns (one and three), 3 horns (two and four), 2 Bb trumpets (one), 2 Bb trumpets (two), 2 Bb trumpets (three), 2 Bb trump

Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and Concerto. Set (Score and Parts). Composed 2000. Amstel Music #AM 57-010. Published by Amstel Music

Cello and Orchestra

SKU: BT.EMBZ14893

Composed by László Dubrovay. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2016. 68 pages. Editio Musica Budapest #EMBZ14893. Published by Editio Musica Budapest (BT.EMBZ14893).

The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements.