(The Incomparable Artistry of Angel Romero). By Angel Romero. Guitar Recorded Version. Softcover. Guitar tablature. 72 pages. Published by Hal Leonard

Choral (CHOIRTRAX CD)

SKU: HL.284830

Carols for Christmas Series. Arranged by John Leavitt. Sacred Choral. Christmas, General Worship, Sacred. CD. Duration 160 seconds. Published by Hal Leonard (HL.284830).

UPC: 888680867492. 5.0x5.0x0.19 inches. Luke 1:26-38.

This lesser-known carol receives special treatment in an artful rendition. Offered with the option of a charming chamber orchestration, the seasonal offering is ideal for community choir concerts or lessons and carols programs. The text presents the angelic visitation to Mary and fills an important liturgical slot for church choir directors. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

Choral (SAB Choir)

SKU: HL.1418816

Arranged by John Leavitt. Sacred Choral. Christmas, General Worship, Sacred. Octavo. Duration 160 seconds. Published by Hal Leonard (HL.1418816).

UPC: 196288197973. 6.75x10.5x0.019 inches. Luke 1:26-38.

This lesser-known carol receives special treatment in an artful rendition. Offered with the option of a charming chamber orchestration, the seasonal offering is ideal for community choir concerts or lessons and carols programs. The text presents the angelic visitation to Mary and fills an important liturgical slot for church choir directors. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

Choir Secular SoundPax

SKU: AP.37912

Composed by Lee Pockriss. Arranged by Jay Althouse. This edition: SoundPax. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Secular. Part(s). 26 pages. Alfred Music #00-37912. Published by Alfred Music (AP.37912).

UPC: 038081423845. English. Words by Lyn Duddy.

Your ladies' angelic voices will sound heavenly on this pop hit single from 1962, originally sung by Shelley Fabares. A winsome, romantic lyric and a fun arrangement especially for your gals.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

(The Art of Classical Guitar). By Angel Romero. Instructional/Guitar/DVD. DVD. Published by Hal Leonard

Choral (ShowTrax CD)

SKU: HL.124746

By The Andrews Sisters. Arranged by Jill Gallina. Secular Christmas Choral. Christmas, Holiday, Oldies, Secular, Show Choir. CD only. Published by Hal Leonard (HL.124746).

UPC: 884088984175. 5x5 inches.

Sweet Angie, the Christmas Tree Angel, wishes you a very, very, merry, merry Christmas, from the tippy top of the tree! Recorded by the Andrews Sisters, this 1950's classic makes a charming holiday showcase for treble choirs of all ages!

Piano Solo

SKU: HL.14043165

Piano Solo. Composed by Patrick Hawes. Music Sales America. Classical. Softcover. 12 pages. Novello & Co Ltd. #NOV294712. Published by Novello & Co Ltd. (HL.14043165).

9.0x12.0x0.082 inches.

Patrick Hawes' Two Angel Preludes , scored for solo Piano. ' Cherubim : This piano prelude aims to create a sense of weightlessness and tranquillity whilst at the same time having momentum and energy. Like the Seraphim, the Cherubim are ceaseless in prayer, and the repeated note figurations are designed to enhance this image.' ' Seraphim : The triple meter and lilting melody in this piece for solo piano combine to create a sense of quiet joy as the Seraphim perpetually pray to the heavenly Father.' - Patrick Hawes.

Guitar

SKU: HL.14030951

For Guitar. Composed by Bent Sorensen. Music Sales America. Classical. Book [Softcover]. 2 pages. Edition Wilhelm Hansen #KP00857. Published by Edition Wilhelm Hansen (HL.14030951).

ISBN 9788759851937. 10.5x14.5x0.423 inches. English.

Work for Guitar. The composer writes: 'The title of this tiny little piece came to me out of my fascination of a picture by the French painter Jean-Francois Millet, entitled L'ANGELUS It features two praying people listening to the evening bells. My Angelus-Bells were later on squeezed into a waltz-like rhythm. The piece was written by request of and is dedicated to David Starobin.'.

Choral; Organ Accompaniment (SATB AND ORGAN)

SKU: HL.1216624

Composed by Matthew Martin. Choral. Christmas. Octavo. 16 pages. Duration 210 seconds. Novello and Co Ltd. #NOV297543. Published by Novello and Co Ltd. (HL.1216624).

ISBN 9781705195369. UPC: 196288140467. 9.0x12.0x0.069 inches.

The composer writes: â??I was delighted to be asked by Daniel Hyde and King's College, Cambridge to write this year's commission for the Festival of Nine Lessons and Carols. I have chosen to set a familiar text and tune - Angelus ad Virginem - and for it to serve as a tribute to the late great Simon Preston CBE (chorister and later organ scholar at King's). The text suggests something descriptive and exuberant, and this arrangement makes use of the original 13th century carol throughout. A colorful organ part is designed to propel the music forward, sometimes twisting and distorting the melody in unexpected ways, hopefully reflecting something of Simon's wit, vitality and stylish energy.â? - Matthew Martin.

Based on Angels from the Realms of Glory. Arranged by Eric Robertson, Robert Longfield. (Score and Parts). Score and full set of parts. Canadian Brass Concert Band. Published by Canadian Brass.

String Quartet

SKU: HL.14030980

Parts. Composed by Bent Sorensen. Music Sales America. Classical. Set of Parts. Edition Wilhelm Hansen #KP00249. Published by Edition Wilhelm Hansen (HL.14030980).

ISBN 9788759871973. 12.0x16.0x0.285 inches.

Score available: KP00250 The composer writes: 'Even when I was writing Adieu, I knew that I wished to write Angel's Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angel's Music was started in Rome, where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however, it is true to say that, in the Roman churches I visited, I saw countless angels playing in the top of frescoes and altars. Without these angels, together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico, (in fact there are only a few paintings by him in Rome, but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are, in the short rhythmic agitating part of the quartet, reminiscences of the Italian medieval Trotto dance, and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet, the distant, extremely muted sound in the high register which opens the piece, was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density, these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form, I felt, that not only should the little songs be created, played and die out in an echo, but also that the general pattern of the quartet should give the feeling of music which, from the distance, is getting closer and closer, culminates and at last disappears like an echo. Related to this, the general pattern of Angel's Music is divided into three: a pre-echo, culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the general pattern almost fractionally into the smallest cells of the music, or more correctly; crawl from the small cells into the general pattern.'.

ISBN 076923688X. With vocal melody, piano accompaniment, lyrics, chord names and instructional text. Gospel and Learn To Play. 9x12 inches. HOW TO PLAY HYMNS AND GOSPEL SONGS IN EVANGELISTIC STYLES, is presented in three sections. The first section presents how to play hymns in Basic Chorale Style. The second section presents how to play hymns in Full Chorale and Accompaniment Styles. The third section is a collection of well-loved standard Gospel hymns, already arranged for you, using the three Styles taught in sections one and two. HOW TO PLAY HYMNS AND GOSPEL SONGS IN EVANGELISTIC STYLES, is not for the beginner. For the beginner there are books in the DAVID CARR GLOVER Sacred Music Library, Primer and Levels I-VI.

(From the motion picture Angelas Ashes) By John Williams. Full score (spiral bound) for orchestra. Series: John Williams Signature Edition. 32 pages. Published by Hal Leonard.

A Festival of Carols (A Medley including "Hark! The Herald Angels Sing," "While by My Sheep," "God Rest Ye Merry, Gentlemen," "Still, Still, Still," and "Angels We Have Heard on High")

Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250 The composer writes: 'Even when I was writing Adieu, I knew that I wished to write Angels Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angels Music was started in Rome, where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however, it is true to say that, in the Roman churches I visited, I saw countless angels playing in the top of frescoes and altars. Without these angels, together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico, (in fact there are only a few paintings by him in Rome, but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are, in the short rhythmic agitating part of the quartet, reminiscences of the Italian medieval Trotto dance, and in the most expressive part ofthe piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet, the distant, extremely muted sound in the high register which opens the piece, was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density, these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form, I felt, that not only should the little songs be created, played and die out in an echo, but also that the general pattern of the quartet should give the feeling of music which, from the distance, is getting closer and closer, culminates and at last disappears like an echo. Related to this, the general pattern of Angels Music is divided into three: a pre-echo, culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the small cells into the general pattern.'

(Featuring: Angels We Have Heard on High / Hark! The Herald Angels Sing / O Come, All Ye Faithful / Gesu Bambino / In the Bleak Midwinter / Silent Night). Arranged by Laura Farnell. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Form: Medley. Christmas; Winter. 12 pages. Published by Alfred Music Publishing

(Angels We Have Heard on High/Hark! The Herald Angels Sing). By Mark Hayes. For SATB choir, piano (miscellaneous Brass, percussion, congregation). Christmas. Octavo. Published by Lorenz Publishing Company

(Featuring: Angels We Have Heard on High / Hark! The Herald Angels Sing / O Come, All Ye Faithful / Gesu Bambino / In the Bleak Midwinter / Silent Night). Arranged by Laura Farnell. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Form: Medley. Christmas; Winter. 12 pages. Published by Alfred Music Publishing