Double bass SKU: KU.OCT-10021_KB Composed by Antonio Vivaldi. Edited by L...(+)
Double bass
SKU:
KU.OCT-10021_KB
Composed by Antonio
Vivaldi. Edited by Laszlo
Hara. Bach format (230 x
302). Rv 497, Pv 72, F.
Viii/7, Ric. 72. Folded.
Part. 3 pages. Edition
Kunzelmann #OCT-10021_KB.
Published by Edition
Kunzelmann
(KU.OCT-10021_KB).
Violin 1 SKU: KU.OCT-10021_VL1 Composed by Antonio Vivaldi. Edited by Las...(+)
Violin 1
SKU:
KU.OCT-10021_VL1
Composed by Antonio
Vivaldi. Edited by Laszlo
Hara. Bach format (230 x
302). Rv 497, Pv 72, F.
Viii/7, Ric. 72. Staple
Bound. Part. 5 pages.
Edition Kunzelmann
#OCT-10021_VL1. Published
by Edition Kunzelmann
(KU.OCT-10021_VL1).
Violin 2 SKU: KU.OCT-10021_VL2 Composed by Antonio Vivaldi. Edited by Las...(+)
Violin 2
SKU:
KU.OCT-10021_VL2
Composed by Antonio
Vivaldi. Edited by Laszlo
Hara. Bach format (230 x
302). Rv 497, Pv 72, F.
Viii/7, Ric. 72. Staple
Bound. Part. 5 pages.
Edition Kunzelmann
#OCT-10021_VL2. Published
by Edition Kunzelmann
(KU.OCT-10021_VL2).
Cello SKU: KU.OCT-10021_VC Composed by Antonio Vivaldi. Edited by Laszlo ...(+)
Cello
SKU:
KU.OCT-10021_VC
Composed by Antonio
Vivaldi. Edited by Laszlo
Hara. Bach format (230 x
302). Rv 497, Pv 72, F.
Viii/7, Ric. 72. Staple
Bound. Part. 6 pages.
Edition Kunzelmann
#OCT-10021_VC. Published
by Edition Kunzelmann
(KU.OCT-10021_VC).
Viola SKU: KU.OCT-10021_VA Composed by Antonio Vivaldi. Edited by Laszlo ...(+)
Viola
SKU:
KU.OCT-10021_VA
Composed by Antonio
Vivaldi. Edited by Laszlo
Hara. Bach format (230 x
302). Rv 497, Pv 72, F.
Viii/7, Ric. 72. Staple
Bound. Part. 5 pages.
Edition Kunzelmann
#OCT-10021_VA. Published
by Edition Kunzelmann
(KU.OCT-10021_VA).
Concerto No. 3 in F
major L'Autunno
(Autumn). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization.
Duration 12'. Breitkopf
and Haertel #EOS 1222.
Published by Breitkopf
and Haertel
(BR.EOS-1222).
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 5645-15.
Published by Breitkopf
and Haertel
(BR.OB-5645-15).
ISBN
9790004344729. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(for Woodwind Quintet).
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited
by William Purvis. Score
and
Parts. Southern Music.
Hal
Leonard #SU786. Published
by
Hal Leonard
(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(for Woodwind Quintet).
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited
by William Purvis. Score
and
Parts. Southern Music.
Hal
Leonard #SU787. Published
by
Hal Leonard
SKU: CA.2091900 Composed by Heinrich Schutz. Edited by Helmut Lauterwasse...(+)
SKU: CA.2091900
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. This
edition: urtext.
Stuttgart Urtext Edition:
Schutz; Hymns by Martin
Luther: Litanei. Kyrie
eleison. Sacred
concertos, Sacred vocal
music, Psalms. Full score
(complete edition /
selected edition). 368
pages. Carus Verlag #CV
20.919/00. Published by
Carus Verlag
(CA.2091900).
ISBN
9790007171711.
Volu
me 19 of the Schutz
Complete Edition brings
together 21 very
different compositions
from various phases of
Schutz's compositional
output. The spectrum
ranges from a short,
two-part sacred concerto
to a six-part cyclical
psalm setting and
large-scale polychoral
concerto, from well-known
works such as the
Osterdialog to a
completely unknown
madrigalian composition,
full of emotion, to a
simple chorale setting. A
particular challenge was
posed by the ten works or
versions of works which
survive incomplete. Two
of these, the Christmas
concerto Ach Herr, du
Schopfer aller Ding SWV
450a and Ein Kind ist uns
geboren SWV 497, appear
here for the first time
in print. With both of
these it turned out that
it was possible to
reconstruct the missing
parts fully from
available material. For
the Ultima Verba Psalmi
23, Gutes und
Barmherzigkeit SWV 95 and
the two Nunc dimittis:
Herr, nun lassest du
deinen Diener SWV 432 and
433, the editor's
reconstructions are
presented, and likewise
with the chorale movement
In dich hab ich gehoffet,
Herr SWV 446. The
impressive Easter dialog
Weib, was weinest du SWV
443 is one of the works
which survives
incomplete. In order to
give an impression of how
the whole work might
actually have sounded in
the complete form as
planned by Schutz, the
Appendix to the volume
contains a reconstruction
of the four-part vocal
setting of the missing
final chorus, based on
the surviving figured
bass. The magnificent
Gesang der drei Manner im
feurigen Ofen (Song of
the three men in the
burning fiery furnace)
SWV 448 from the book of
the prophet Daniel, the
original source of which
is lost, is critically
discussed and published
with various
possibilities for
scoring.
Violin 1 Orchestra - intermediate to advanced SKU: HL.49000088 Il Card...(+)
Violin 1 Orchestra -
intermediate to advanced
SKU: HL.49000088
Il Cardellino Violin 1
Part. Composed by
Antonio Vivaldi. Edited
by Wolfgang Fortner. This
edition: Folding. Sheet
music. Antiqua (Chamber
Music). Classical.
Individual part. Op.
10/3. 4 pages. Schott
Music #ANT 127-11.
Published by Schott Music
(HL.49000088).
ISBN
9790001004183. UPC:
073999284973.
9.0x12.0x0.009
inches.
(Critical Edition Score). Composed by Antonio Vivaldi (1678-1741). For Score (Sc...(+)
(Critical Edition Score).
Composed by Antonio
Vivaldi (1678-1741). For
Score (Score). String
Orchestra. Softcover.
Ricordi #PR1413.
Published by Ricordi
Piano Quintet SKU: BR.MR-1143 Composed by Antonio Vivaldi. Edited by G. B...(+)
Piano Quintet
SKU:
BR.MR-1143
Composed
by Antonio Vivaldi.
Edited by G. Bach and N.
Delius. Chamber music;
stapled. Musica Rara.
Baroque period. Score and
parts. 36 pages.
Breitkopf and Haertel #MR
1143. Published by
Breitkopf and Haertel
(BR.MR-1143).
Flute and Piano (FLUTE AND PI) SKU: HL.50487324 Per flauto, archi e ce...(+)
Flute and Piano (FLUTE
AND PI)
SKU:
HL.50487324
Per
flauto, archi e
cembalo. By Janos
Malina. By Philipp Georg
Telemann. Baroque. EMB.
Piano score. Editio
Musica Budapest #Z12849.
Published by Editio
Musica Budapest
(HL.50487324).
ISBN
9790080128497. Bach (23 x
30,2 cm) inches. Georg
Philipp Telemann; Janos
Malina; Mikael Miklos
Spanyi.
The only
Flute Concerto in E major
by Georg Philipp Telemann
(1681-1767) survives in a
manuscript score copied
by Johann Christoph
Graupner in about 1740.
The manuscript is
preserved in the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt. The original
title of the work reads:
Concerto, a Flaut Tr. 2
Violin, Viola e Cembalo
(Teleman). Territorial
restrictions may apply.
Please ask before
ordering.
Funeral March Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-215 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135497-215
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Score
Only. Composed 2013. 20
pages. De Haske
Publications #DHP
1135497-215. Published by
De Haske Publications
(BT.DHP-1135497-215).
9x12 inches.
English-German-French-Dut
ch.
Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoni’s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
‘Adagio van
Albinoni’, en
waarvan sinds kort blijkt
dat het eigenlijk werd
geschreven door Giazotto.
Door de _x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte
für diesen
Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen
Stückes Anklänge
an das Adagio“ von
Albinoni, das nach
neueren Erkenntnissen
aber von dessen Biograf
Remo Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbühne bei
einem
Gedenkkonzert.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda
l’Adagio di
Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo.
Funeral March Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135497-015
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Set
(Score and Parts).
Composed 2013. De Haske
Publications #DHP
1135497-015. Published by
De Haske Publications
(BT.DHP-1135497-015).
9x12 inches.
English-German-French-Dut
ch.
Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoniâ??s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
â??Adagio van
Albinoniâ??, en waarvan
sinds kort blijkt dat het
eigenlijk werd geschreven
door Giazotto. Door de
_x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte fu?r
diesen Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen Stu?ckes
Anklänge an das
Adagioâ?? von Albinoni,
das nach neueren
Erkenntnissen aber von
dessen Biograf Remo
Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbu?hne bei einem
Gedenkkonzert.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda lâ??Adagio
di Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo.
Choir SKU: GI.G-5010 Composed by Gary Daigle, Rory Cooney, and Theresa Do...(+)
Choir
SKU:
GI.G-5010
Composed by
Gary Daigle, Rory Cooney,
and Theresa Donohoo. Holy
Week, Easter, Palm
Sunday, Holy Thursday,
Good Friday, Easter
Sunday. Sacred.
Collection. GIA
Publications #5010.
Published by GIA
Publications (GI.G-5010).
This profound
collection for Palm
Sunday, Triduum, and
Easter, deeply infused
with the passion of the
season, evolves from the
worship in the parishes
where Rory Cooney and
Gary Daigle have served
over the years. Trumpet
in the Morning, Rory
Cooney's highly
inspirational hymn for
the millennium, is set to
the haunting strains of
an early-American melody.
The text draws on jubilee
imagery, especially from
the book of Leviticus,
but its point of view is
distinctly modern. New
hymns resound with the
emotions of the season,
including the solemn
strains of Good Friday's
Precious Blood and the
truly uplifting title
song, This Very Morning.
Also included is a new
concertato arrangement of
Suzanne Toolan's classic,
I Am the Bread of Life.
Highlights of this
collection include a
stirring acclamation for
baptism that has been
expanded into a song for
the sprinkling of the
assembly. There is an
upbeat Litany of Saints
to accompany the
baptismal procession to
the font, appropriately
based on When the Saints
Go Marchin' In and
incorporating the refrain
from that enduring
spiritual. One each of
the following octavos:
TRUMPET IN THE MORNING
(G-4970) • QUIET
STRENGTH (G-5011) •
PALM SUNDAY PROCESSIONAL
(G-5012) • LENTEN
GOSPEL ACCLAMATION
(G-5013) • PRECIOUS
BLOOD (G-5014) •
FRACTION RITE AND
“TABLEPRAYERâ€
(G-5015) •
CONCERTATO ON “I AM
THE BREAD OF LIFEâ€
(G-5016) • PSALM
31: I PLACE MY LIFE
(G-3613) • GENESIS
READING FOR THE GREAT
VIGIL (G-5018C) •
PSALM 118 (EASTER
ALLELUIA) FOR THE GREAT
VIGIL (G-5019) • A
LITANY OF SAINTS: WHEN
THE SAINTS COME
MARCHIN’ IN
(G-5020) • YOU HAVE
PUT ON CHRIST (G-5021)
• THIS VERY MORNING
(G-5022).