SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 2 in B-f...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 2 in B-flat,
trombone 1, trombone 2,
timpani - Beginning
SKU: GI.G-6053
Concertato on
DECORAH. Composed by
Carl F. Schalk.
Ascension, Pentecost,
Pentecost A, Pentecost B,
Pentecost C, OT 17 B, OT
18 B, OT 19 B, OT 20 B,
OT 21 B, Dedication of
Lateran Basilica, Baptism
of the Lord B, Baptism of
the Lord A. Choral. Tune
Name: Decorah. Sacred.
Octavo. 16 pages. GIA
Publications #6053.
Published by GIA
Publications (GI.G-6053).
English. Text by Alan
J. Hommerding.
This
hymn concertato on Alan
J. Hommerding’s
text “Baptized in
Living Waters†uses
a brass quartet and
timpani as part of the
accompaniment. Solid
4-part writing alternates
with unison verses.
Reproducible material for
the assembly is included
in the octavo. Ideal for
the Baptism of the Lord,
Ascension, and Pentecost,
as well as RCIA and
mission-themed
occasions.
Piano Solo Piano/Keyboard - Intermediate SKU: HL.1329355 Composed by Vari...(+)
Piano Solo Piano/Keyboard
- Intermediate
SKU:
HL.1329355
Composed
by Various. Arranged by
Kevin Olson. Piano Solo
Songbook. Disney, Movies,
Pop. Softcover. 40 pages.
Published by Hal Leonard
(HL.1329355).
ISBN
9798350112979. UPC:
196288184539. 9.0x12.0
inches.
13
fantastic pop piano solo
arrangements by Kevin
Olson, perfect for a
recital, your YouTube
channel, or just chilling
in your living room.
Includes the latest hits
from the mega movie
Barbie, like â??Dance
the Nightâ? and
â??What Was I Made
For,â? as well as
other big hits like Jack
Black's dramatic
â??Peaches,â? 007's
â??No Time to Die,â?
The Little Mermaid's
â??Wild Uncharted
Watersâ? and so much
more!
Heartfelt Expression of Praise, Joy, and Assurance -- Arranged for Easy SATB Cho...(+)
Heartfelt Expression of
Praise, Joy, and
Assurance -- Arranged for
Easy SATB Choir. By Mosie
Lister. Sacred. 132
pages. Published by
Lillenas Publishing
Company.
SSAA choir, organ accompaniment - Early intermediate SKU: GI.G-1676 As...(+)
SSAA choir, organ
accompaniment - Early
intermediate
SKU:
GI.G-1676
As the
Deer / My Whole
Being. Composed by
Suzanne Toolan. This
edition: SSAA edition.
Lent 3 A, Children.
Choral. Sacred. Octavo. 4
pages. GIA Publications
#1676. Published by GIA
Publications (GI.G-1676).
Text Source: adapt.
Toolan, Suzanne, RSM.
Text by Suzanne Toolan.
Scripture:
various.
Living Waters Chorale Unison - Débutant GIA Publications
Unison with descant, cantor, assembly, keyboard accompaniment, C instrument - Be...(+)
Unison with descant,
cantor, assembly,
keyboard accompaniment, C
instrument - Beginning
SKU: GI.G-3630
Music for the Rite of
Blessing and
Sprinkling. Composed
by Bob Moore. Eastertide.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#3630. Published by GIA
Publications (GI.G-3630).
Text by Bob Moore.
Scripture: Isaiah 55:1,
2, John 4:14.
For organ. General, Thanksgiving, Advent, Christmas, Epiphany, Sacred. Level: 3-...(+)
For organ. General,
Thanksgiving, Advent,
Christmas, Epiphany,
Sacred. Level: 3-staff.
Sacred organ. Published
by Lorenz Publishing
Company. (70/1657L)
SATB choir SKU: LP.765762133624 Heartfelt Expression of Praise, Joy, a...(+)
SATB choir
SKU:
LP.765762133624
Heartfelt Expression
of Praise, Joy, and
Assurance. Composed
by Mosie Lister. Choral.
Southern Gospel and
Sacred. Bulk CDs (10
pack). Published by
Lillenas Publishing
Company
(LP.765762133624).
Heartfelt Expression
of Praise, Joy, and
Assurance. Composed
by Mosie Lister. Choral.
Southern Gospel and
Sacred. Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9105).
Living Waters Cloches - Facile Lorenz Publishing Company
Handbells (3-5 octaves) - Level 2+ SKU: LO.20-1943L Composed by Michael M...(+)
Handbells (3-5 octaves) -
Level 2+
SKU:
LO.20-1943L
Composed
by Michael Mazzatenta.
Handbell score. Lorenz
Publishing Company
#20/1943L. Published by
Lorenz Publishing Company
(LO.20-1943L).
ISBN
9780787754556.
This
tranquil original work
will become a perennial
favorite selection. The
flowing eighth note
pattern in the first and
third sections and the
echo technique in the
chordal middle segment
transport you to a serene
setting beside a stream,
which is perfect for
meditative moments in
your services.
SATB choir, organ accompaniment - Early intermediate SKU: GI.G-1692 Compo...(+)
SATB choir, organ
accompaniment - Early
intermediate
SKU:
GI.G-1692
Composed by
Suzanne Toolan. This
edition: SATB edition.
Lent 3 A. Choral. Sacred.
Octavo. 4 pages. GIA
Publications #1692.
Published by GIA
Publications (GI.G-1692).
(Heartfelt Expression of Praise, Joy, and Assurance). Composed by Mosie Lister. ...(+)
(Heartfelt Expression of
Praise, Joy, and
Assurance). Composed by
Mosie Lister. For SATB
choir. Choral. Southern
Gospel and Sacred. Stereo
Accompaniment CD.
Published by Lillenas
Publishing Company
Guitar SKU: GI.G-4005G Composed by Bob Moore. This edition: Guitar editio...(+)
Guitar
SKU:
GI.G-4005G
Composed
by Bob Moore. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 24
pages. GIA Publications
#4005G. Published by GIA
Publications
(GI.G-4005G).
This is the
guitar version. There's a
style here for everyone:
robust metrical hymns
like When the Lord in
Glory Comes, the lyrical
Joyful Is the Dark, Come
to Me O Weary Traveller
with a beautiful early
American flavor, and the
classically influenced
Jesus on the Mountain
Peak. In addition to
Bob's original texts,
works by Timothy
Dudley-Smith, Brian Wren,
and Sylvia Dunstan are
also included. CONTENTS:
LIVING WATERS (G-3630)
• ENTER IN (G-3837)
• THE WORD IS IN
YOUR HEART (G-3838)
• WHEN THE LORD
IN GLORY COMES (G-3841)
• JOYFUL IS THE
DARK (G-3845) • GOD
BE IN MY HEAD (G-3854)
• PSALM 103: OUR
GOD IS RICH IN LOVE
(G-3858) • ALL WHO
HUNGER (G-3859)
• COME TO ME, O
WEARY TRAVELER (G-3860)
• WE GATHER IN
WORSHIP (G-3861) •
WE ARE A CHOSEN PEOPLE
(G-3875)Â .
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU...(+)
Choral Hand Clap, Hand
Drum, Violin, alto 1,
alto 2, soprano 1,
soprano 2
SKU:
CF.CM9563
Great
and Fiery Force.
Composed by Michael John
Trotta. Hidegard Von
Bingen transcribed by
Michael John Trotta.
Mjts. With Standard
notation. 24 pages.
Duration 4 minutes, 41
seconds. Carl Fischer
Music #CM9563. Published
by Carl Fischer Music
(CF.CM9563).
ISBN
9781491153635. UPC:
680160911134. 6.75 x 10.5
inches. Key: G minor.
Latin, English. Hidegard
Von Bingen transcribed by
Michael John
Trotta.
Trotta's
composition is an
energetic reimagining of
timeless text and tune
from the 12th century
poet, composer, and
philosopher Hildegard of
Bingen. The marriage of
the chant Caritas Abundat
with a text taken from
Liber Divinorum Operum
(The Book of Divine
Works) creates an
entirely new work that
expresses themes of
empowerment. There is a
reflective sense of the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than
oneself. This
commissioned work for
womens choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
womenas choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
womenas choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women's choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women's choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas Abundat
with a text taken from
Liber Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women’s choir is
an energetic reimagining
of a timeless text and
tune from the
twelfth-century poet,
composer and philosopher
Hildegard of Bingen. The
text was selected as a
reflection of the
students' desire to
express the empowerment
that comes from singing
in a choir, especially
the power of belonging to
a group united for a
purpose greater than
oneself.This piece
marries the chant Caritas
Abundat with a text taken
from Liber Divinorum
Operum (The Book of
Divine Works), creating
an entirely new work that
expresses themes of
empowerment.An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish.I am the
great and fiery
force,That breathes life
into all things:I am what
awakens and supports
lifeAnd enkindles all
living thingsI am the
great and fiery
force,That breathes life
into all
things:Everything in the
cosmosIs encircled with
my wisdom.I am the beauty
in the fields,The force,
that moves like a
graceful windI shine in
the waters, and burn in
the sun,Glimmering in the
stars.Caritas abundat in
omnia (Grace abounds for
everyone)[Liber Divinorum
Operum (The Book of
Divine Works),
I.I.2].
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770).
UPC:
680160640850. 9 x 12
inches.
Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music.
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
For Guitar (Flatpicking/Plectrum). method. Young Beginner. Bluegrass. Level: Beg...(+)
For Guitar
(Flatpicking/Plectrum).
method. Young Beginner.
Bluegrass. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 40
pages. Published by Mel
Bay Publications, Inc.