| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lyric Library: Contemporary Christian Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Publis...(+)
Complete Lyrics for 200
Songs. Lyric Library.
Size 6x9 inches. 228
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Set of Chinese Folk Songs Chorale TTBB Theodore Presser Co.
Choral TTBB choir SKU: PR.312416820 Men's Chorus (10 Copies). Comp...(+)
Choral TTBB choir SKU:
PR.312416820 Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820). UPC:
680160050376. 8.5 x 11
inches. Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi. $195.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano seul Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU:
ST.C463 Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463). ISBN
9790570814633. This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Aliseo
was originally written
for the film â??Aire
libreâ? (1995), by
Luis Armando Roche. It
contains elements of
diverse types of
Venezuelan joropo. In the
film, the character of
Aliseo Carvallo is played
by the composer himself
who performs this piece
on a harpsichord to
welcome scientists
Alexander von Humboldt
and Aimé Bonpland one
day at the turn of the
1800â??s, as a sample of
the new music from the
South American land. It
presents the refinement
of the late European
classical era in fusion
with Venezuelan folk
music. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| We Are Young Chorale 3 parties 3 parties Mixtes Hal Leonard
(The Best of Glee, Season 3 Medley). By Glee Cast. Edited by Mark A. Brymer. Arr...(+)
(The Best of Glee, Season
3 Medley). By Glee Cast.
Edited by Mark A. Brymer.
Arranged by Adam Anders
and Peer Astrom. For
Choral (3-Part Mixed).
Pop Choral Series. 40
pages. Published by Hal
Leonard
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) - SAB Chorale 3 parties SAB, Piano Hal Leonard
Arranged by Mac Huff. (Sab Singer). Broadway Choral. Size 6.75x10.5 inches. 56 p...(+)
Arranged by Mac Huff.
(Sab Singer). Broadway
Choral. Size 6.75x10.5
inches. 56 pages.
Published by Hal Leonard.
(2)$5.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Caribbean Sailing Trip Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3.5 SKU: BT.DHP-1216331-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3.5 SKU:
BT.DHP-1216331-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 18 pages.
De Haske Publications
#DHP 1216331-215.
Published by De Haske
Publications
(BT.DHP-1216331-215).
English-German-French-
Dutch. With this
composition in a rumba
style, Peter Kleine
Schaars invites us to
enjoy a relaxed sailing
trip in the waters of the
Caribbean. The feeling of
freedom on the boat is
mirrored by an extensive
melody surrounded by a
palette of colourful
harmonies the shades of
the water while the
clever percussion sets
the course of the ship.
Who wouldn’t dream
of such an adventure?
Although the musical
themes and accompaniments
have been constructed
from combinations of
rhythmic cells that occur
less often, the
composition sounds very
natural and flowing.
Assuming the rhythmic
cells 1 to 8 are part of
the basic skills of your
band, in this
composition, the accent
rather lies on cells 9 to
13. The instrumentation
is created in such a way
that these ‘new
cells’ occur in
all parts, so that all
musicians of the band
become familiar with this
rhythmic development.
Met deze
compositie in rumbastijl
neemt Peter Kleine
Schaars ons voor een
relaxte zeiltocht mee
naar de Caribische
wateren. Het vrije gevoel
op de boot wordt
weerspiegeld door een
uitgestrekte melodie te
midden van een palet van
kleurrijke harmonieën
de schakeringen van het
water terwijl de
uitgekiende percussie de
rechte koers van het
schip bepaalt. Wie droomt
er nou niet van
zo’n avontuur?
Hoewel de muzikale
thema’s en
begeleidingen zijn
opgebouwd uit combinaties
van enkele minder vaak
voorkomende ritmische
cellen, klinkt de
compositie heel
natuurlijk en vloeiend.
Ervan uitgaande dat de
ritmische cellen 1 tot en
met 8 tot de
basisvaardigheden van uw
orkest behoren, ligt in
deze compositie de nadruk
vooral op de cellen 9 tot
en met 13. De
instrumentatie is
dusdanig dat deze
‘nieuwe
cellen’ voorkomen
in alle partijen, zodat
alle musici van het
orkest vertrouwd raken
met deze ritmische
ontwikkeling.
Mit
dieser Komposition im
Rumba-Stil lädt uns
Peter Kleine Schaars zu
einem entspannten
Segeltörn in der
Karibik ein. Das
Gefühl der Freiheit an
Bord spiegelt sich in
einer ausgedehnten
Melodie wider, die von
einer Reihe farbiger
Harmonien den Bewegungen
des Wassers umrahmt wird,
während das Schlagzeug
geschickt den Kurs des
Schiffes hält. Wer
träumt nicht von einem
solchen Abenteuer? Obwohl
die musikalischen Themen
und die Begleitung aus
einer Kombination
verschiedener
Rhythmus-Einheiten
bestehen, die nur
vereinzelt vorkommen,
klingt die Komposition
sehr natürlich und
fließend. Da die
Rhythmus-Einheiten 1 bis
8 sicher zu den
Grundfertigkeiten Ihres
Ensembles gehören,
liegt der Schwerpunkt
dieser Komposition eher
auf den
Rhythmus-Einheiten 9 bis
13. Die Instrumentierung
ist so angelegt, dass
diese neuen
Rhythmus-Einheiten“
in allen
Stimmenvorkommen, sodass
alle Orchestermitglieder
mit diesen Rhythmen
vertraut gemacht werden.
Avec cette
composition de style
rumba, Peter Kleine
Schaars nous invite un
voyage décontracté
en bateau sur les eaux
des Cara bes. Le
sentiment de liberté
qu’offre le
voilier est dépeint
par une ample mélodie
dans une palette
d’harmonies
colorées les teintes
de l’eau , tandis
que d’habilles
percussions tiennent le
cap. Qui ne rêverait
pas d’une telle
aventure ? Bien que les
thèmes et
accompagnements musicaux
aient été
élaborés partir de
combinaisons de cellules
rythmiques qui se
rencontrent moins
souvent, les sonorités
de l’œuvre
sont très naturelles
et fluides. En
présumant que les
cellules rythmiques 1 8
fassent partie des
compétences de base de
votre orchestre,
l’accent se trouve
plutôt sur les
cellules 9 13.
L’instrumentation
est arrangée de
manière ce que ces
« nouvelles cellules
» se trouvent dans
toutes les parties, afin
que tous les membres de
l’orchestre se
familiarisent avec cette
évolution
rythmique. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Just Can't Stop Loving You Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125271-140 Composed by Micha...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1125271-140
Composed by Michael
Jackson. Arranged by Miho
Hazama. Pop and Rock.
Score Only. Composed
2012. 20 pages. De Haske
Publications #DHP
1125271-140. Published by
De Haske Publications
(BT.DHP-1125271-140).
9x12
inches. This number
topped the U.S. chart as
the lead release single
from Bad. Siedah
Garrett, who sang the
duet, was a protégé
of Quincy Jones with whom
Michael tag-teamed for
three solos on Off the
Wall. (Garrett is
also renowned as one of
the writers of the song
Man in the
Mirror,â? the
fourth single which
carries a strong
message.) Japanese fans
still remember this song
being performed as an
encore during the Bad
World Tour in 1987. The
straightforward, sweet
love song starts out
quietly and gradually
takes on heat, unfolding
a wonderful musical
sentiment. The
performance of the
arranged version also
strikes the audience with
an imposing world of
sound comparableto that
of a full orchestra.
I Just
Canâ??t Stop Loving
You was de eerste
single van het album
Bad. Michael
Jackson nam dit
romantisch duet, samen
met zangeres en
songwriter Siedah Garret,
op. Dit gevoelige nummer
werd wereldwijd bekend
door Michaelâ??sBad
World Tour in 1987. Miho
Hazama maakte er een
arrangement van met een
prachtig volle
klank.
I Just
Canâ??t Stop Loving
You war die erste
Single aus dem Album
Bad, wo das
romantische Duett
zusammen mit der
Sängerin und
Songwriterin Siedah
Garret aufgenommen wurde.
Weltweit ist der
gefu?hlvolle Song vor
allem von der Bad World
Tour im Jahr 1987 bekannt
geworden. Dieses
Arrangement besticht vor
allem durch seinen vollen
Orchesterklang.
I Just
Canâ??t Stop Loving
You, premier single
extrait de lâ??album,
est un duo romantique que
Michael Jackson
interprèta avec Siedah
Garrett. La chanson
connut un réel
succès dans le monde
entier, et fut
programmée lors des
différentes
tournées Bad World
Tour et Dangerous World
Tour. Cet émouvant
arrangement impressionne
de par son orchestration
complète, tout en
respectant la version
originale.
I
Just Canâ??t Stop Loving
You, il primo single
dellâ??album Bad,
include il romantico duo
con la cantante e autrice
Siedah Garret. Il brano
è diventato famoso
grazie al Bad World Tour
del 1987. Questo
raffinato arrangiamento
si contraddistingue per
le sonorit . $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Midsummer Marriage Schott
(2 (2pic).2.2.2-4.2.3.0-timp .2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp....(+)
(2
(2pic).2.2.2-4.2.3.0-timp
.2perc (s.d., b.d., cym.,
tri., gng,
tub.bells)-hp.cel-str)
SKU: HL.49002518
Vocal Score.
Composed by Sir Michael
Tippett. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Piano
reduction. Composed
1947-1952. 413 pages.
Duration 150'. Schott
Music #ED 10778.
Published by Schott Music
(HL.49002518). ISBN
9790220120466. UPC:
073999913347.
9.0x12.0x1.015 inches.
English. Like few
other theatre worksThe
Magic Flute, A Midsummer
Night's DreamTippett's
first opera creates a
wholly other place, one
where human actions can
be seen as in a tilted
mirror. Since this is
indeed an opera, the
place, or dreamspace, is
conjured by music: by
luminescent music that,
in its flowing abundance,
radiant harmonies and
evocative wind
colourings, represents
the natural world within
which the characters have
to integrate themselves.
The central couple, those
whose marriage is at
first subverted and then
gloriously celebrated,
are Mark and Jenifer: he
a young man of the earth
and the senses, she a
young woman of lofty
spirituality. Each is
only half a person, and
before they can be united
they have to be made
whole, have to find
within themselves an
understanding of the
other. Overseeing their
mythic initiation and
psychic healing are two
Ancients, votaries of a
temple on a wooded
hilltop.As in the Mozart
precedent, which the
composer certainly had in
mind, there is also a
more workaday couple,
Jack and Bella. The other
principals are Jenifer's
businessman father King
Fisher, who wants to stop
the wedding for reasons
of his own, and an
Erda-like seer. There is
also a dancer, Strephon,
leading the exuberant
ballet in which the
orchestra completes the
story of enlightenment
and passion. It is
ultimately a victory of
love and, before love,
self-knowledge.(Paul
Griffiths). $101.00 - Voir plus => Acheter | | |
| Dan Fogelberg: Dan Fogelberg - Complete Songs Volume 1 Composed Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Composed by Dan Fogelberg. For voice, piano and guitar chords. Format: piano/voc...(+)
Composed by Dan
Fogelberg. For voice,
piano and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams, color photos
and black and white
photos. Soft Rock. 272
pages. 9x12 inches.
Published by Hal Leonard.
(10)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Lament Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9718 Composed by Meredith Tompkins. ...(+)
Choral SSA Choir and
Piano SKU:
CF.CM9718 Composed by
Meredith Tompkins. 8
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #CM9718.
Published by Carl Fischer
Music (CF.CM9718).
ISBN 9781491160978.
UPC: 680160919574. Key: D
major. English. Manmohan
Ghose. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. A Lament is one
of his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his father's
death and eventually the
passing of his wife, he
never again made it back
to England as he had
wished to before his own
death. The text of this
piece has been paired
with a mixolydian modal
structure and a blend of
musical elements designed
to invoke a nostalgic,
dream-like atmosphere. In
the words of the
composer: I like to think
of this piece as a
metaphorical hall of
mirrors. The original
'image' of the melody
becomes the source for
multiple echoes and
imitations that blossom
into layers of polyphonic
movement. As a nod to the
poet's birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and voices.
This piece functions as
an excellent educational
introduction or further
study into the concept of
modes. When presenting
this piece to a choir,
directors may find it
helpful to identify G as
the tonal center and
follow up with an
explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. “A
Lament†is one of
his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his
father’s death and
eventually the passing of
his wife, he never again
made it back to England
as he had wished to
before his own
death. The text of
this piece has been
paired with a mixolydian
modal structure and a
blend of musical elements
designed to invoke a
nostalgic, dream-like
atmosphere. In the words
of the composer: “I
like to think of this
piece as a metaphorical
hall of mirrors. The
original
‘image’ of
the melody becomes the
source for multiple
echoes and imitations
that blossom into layers
of polyphonic
movement.†As a nod
to the poet’s
birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and
voices. This piece
functions as an excellent
educational introduction
or further study into the
concept of modes. When
presenting this piece to
a choir, directors may
find it helpful to
identify G as the tonal
center and follow up with
an explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Man In The Mirror Chorale 3 parties SAB Hal Leonard
Arranged by Ed Lojeski. (SAB). Pop Choral Series. 16 pages. Published by Hal Le...(+)
Arranged by Ed Lojeski.
(SAB). Pop Choral Series.
16 pages. Published by
Hal Leonard.
$2.75 $2.6125 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Great Art Songs of 3 Centuries Piano, Voix Schirmer
Low Voice. By Various. Arranged by B Taylor. Vocal Collection. Size 9x12 inches....(+)
Low Voice. By Various.
Arranged by B Taylor.
Vocal Collection. Size
9x12 inches. 256 pages.
Published by G. Schirmer,
Inc.
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Michael Jackson: Rock with You - A Tribute to Michael Jackson (Medley) Chorale 3 parties SAB [Feuillet] Hal Leonard
By Michael Jackson. Arranged by Mac Huff. SAB. Pop Choral Series. 52 pages. Publ...(+)
By Michael Jackson.
Arranged by Mac Huff.
SAB. Pop Choral Series.
52 pages. Published by
Hal Leonard
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ministry of Winds Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44011055 Composed by Jacob...(+)
Concert Band (Score &
Parts) - Grade 3 SKU:
HL.44011055 Composed
by Jacob De Haan. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1104939010. Published by
De Haske Publications
(HL.44011055). UPC:
884088640002. 9x12
inches.
English-German-French-Dut
ch. Ministry of
Winds provides some
interesting food for
thought that Jacob de
Haan translates into
music. What if there was
a Ministry of Winds? It
would be in charge of the
advancement and
dissemination of music
throughout the nation, as
well as strengthening the
state through music and
providing its citizens
with entertainment,
support, comfort and joy.
All these aspects are
mirrored in Jacob de
Haan's composition,
culminating in all the
joy and happiness the
creation of this ministry
has provided to the
people.
Ministr
y of Winds is een
interessant hersenspinsel
van Jacob de Haan dat hij
omzette in muziek: hoe
zou het zijn, als we een
ministerie van
blaasmuziek hadden? Met
als taak de promotie en
de verspreiding van
muziek in het land?Zo'n
ministerie zou het land
een echt groepsgevoel
kunnen geven en de
burgers amusement,
kracht, trots en geluk
brengen. Al deze aspecten
komen terug in deze
compositie van Jacob de
Haan. Een compositie
waarin het volk
jubeltover het geluk dat
hen ten deel is gevallen
door de inspanningen van
het
ministerie!
Minist
ry of Winds ist ein
interessantes
Gedankenspiel, das Jacob
de Haan in Musik
umsetzte: Was ware, wenn
es ein Ministerium
für Blasmusik gabe?
Dessen Aufgabe ware die
Forderung und Verbreitung
der Musik im Staat, aber
auch durch die Musik den
Staat zu festigen und den
Bürgern
Unterhaltung, Kraft,
Trost und Glück zu
bringen. All diese
Aspekte spiegeln sich in
Jacob de Haans
Komposition wider, an
deren Ende das Volk
über das
Glück, das ihnen
durch das Schaff en des
Ministeriums zuteil
geworden ist,
jubelt!
The
Ministry of Winds est
une œuvre puissante
et solidement charpentee.
Elle alterne des passages
intenses et lyriques, et
un charmant theme baroque
qui se glisse avec
legerete a travers la
texture musicale.
L'œuvre contient
plusieurs motifs
recurrents. Peu a peu, la
trame prend la forme
d'une melodie
pentatonique
partiellement celtique.
Le tableau final est
eclatant.
Ministry of Winds
e un brano potente che
alterna passaggi intensi
e lirici a un piacevole
tema barocco che scivola
con leggerezza attraverso
la tessitura musicale. Il
brano contiene alcuni
motivi ricorrenti.
Procedendo
nell'esecuzione, la trama
assume la forma di una
melodia pentatonica dagli
accenti celtici, fino al
sorprendente finale. $166.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Farewell Wish Carl Fischer
Choral alto 1, alto 2, solo Voices, soprano 1, soprano 2 SKU: CF.CM9768 C...(+)
Choral alto 1, alto 2,
solo Voices, soprano 1,
soprano 2 SKU:
CF.CM9768 Composed by
Z. Randall Stroope.
Duration 3 minutes, 19
seconds. Carl Fischer
Music #CM9768. Published
by Carl Fischer Music
(CF.CM9768). ISBN
9781491160343. UPC:
680160923298. Key: G
major.
English. About the
WorkThe text of this work
is most often attributed
to Ralph Waldo Emerson,
although it doesn't
mirror his style, and no
research credits an
essay, book or letter
with its source. Other
individuals are
occasionally suggested as
possible authors, but
equally unsubstantiated.
Even whether the textis a
poem or a quote seems
unclear. But there is one
thing that is without
question: that this
beloved text has inspired
countless people and
contributed toward a view
of the world through eyes
of hope, resilience,
courage, beauty, and joy.
Music for this text
flowed more easily than
about any text I have
ever set. It has an
emotional connection that
is mystical, and after I
read it for the first
time, I immediately sat
down and wrote this work
without stop.Rehearsal
NotesIn many cases, art
is more expressive and
reaches a wider range of
human emotions when
multiple artistic fields
are fused together. Such
is the case with choral
music: the intertwining
of literature, music, and
very often dance, visual
arts, and more. The story
in choral music is often
quite specific, much like
film scoring. At times,
the music is the picture
frame (score) around the
picture (text), while at
others the music is the
leading
dramatic/emotional
impetus.In the present
case (My Farewell Wish),
the text is sincere,
innocent, heartfelt, and
earnest. By all accounts,
the message is
altruistic, expressing
selfless desire for
another's present/future
happiness. Capturing this
message has a strong
reliance on the
performers to not only
carry the emotional
intent of the moment (a
phrase of text or a
measure), but the the
energy and continuance of
the message
throughout.The use of the
[o] vowel functions
almost as instrumental
interludes or
underpinning of strings.
The conductor may use the
[o] as indicated in the
score, or a [u] vowel, a
hum (with [o] as the
vowel inside the mouth),
or all three at different
times for different
reasons. In an acoustical
performance (no mic), the
soloist and the ensemble
are a reflection of each
other's natural sound.
And, even gentle, warm
solo voices should have
no trouble projecting.Two
final thoughts: 1) the
obbligato or added voice
or two on high passages
(m. 66) or a single note
(final chord) will be
best delivered by
lyrical, pure voices with
demonstrated control; and
2) the metronome marking
of 80 bpm (mm.
1–81) was strongly
considered and should be
followed.About the
ComposerZ. Randall
Stroope is an American
composer and conductor.
His composition teachers
were Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). Randall is
the artistic director of
two international summer
music festivals, is an
Honorary Board Member of
the NationalAssociation
of Italian Choral
Directors, and has
conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prelude on "Pange Lingua" Orgue Paraclete Press
Organ - Medium SKU: PL.0618 Composed by Robert Lind. Chant, Eucharist, Le...(+)
Organ - Medium SKU:
PL.0618 Composed by
Robert Lind. Chant,
Eucharist, Lent. Sheet
music. Paraclete Press
#0618. Published by
Paraclete Press
(PL.0618). *
based on the chant, this
work begins simply with
flutes and mutations in
duet * detailed
registrations,
appropriate for small or
large instruments, as
well as manual
indications make the
execution of this work
very direct *
registration indications
and harmonic colors
increase as the piece
gradually builds * final
section with octave
chords and strong pedal
foundation carries the
piece to a dynamic climax
* tempo slows by
increments in the final
measures, leading to the
final modal cadence * a
passionate instrumental
expression of the text:
printing the text of this
hymn in a program or
bulletin Musically,
this is a rather
interesting piece with
harmonic language that is
more advanced than one
might normally use in
services, but here one
can allways follow the
hymn tune. The
registration is highly
colorful, using at 16'
Quintaton played an
octave higher, or
substituting an 8' and 2
2/3'. As in the chorale
preludes mentioned
earlier, this work, too,
creates a continuing
crescendo to the end.
Harmonically, this work
makes use of some
interesting
ideas-mirroring short
sections of the hymn tune
as a motivic device,
short canonic imitation,
etc. Technically, it is
fairly easy reading until
about halfway, when close
attention must be paid to
accidentals. The last
page will require some
working of fingering in
the right hand to
maintain the legato sense
of the phrase. - The
Journal of the
Association of Anglican
Musicians March 2006. $7.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Du bist min Chorale SATB - Facile Carus Verlag
SATB chorus divisi, Soprano Sax (Clt), piano - Grade 2 SKU: CA.928421 ...(+)
SATB chorus divisi,
Soprano Sax (Clt), piano
- Grade 2 SKU:
CA.928421
Mittelalterliches
Liebeslied. Composed
by Wolfgang Konig. Dû
bist mîn. Single Part,
soprano saxophone.
Composed 2020. Duration
3.5 minutes. Carus Verlag
#928421. Published by
Carus Verlag (CA.928421).
ISBN 9790007302146.
German. Dû bist
mîn is probably the
best-known love song
written in old German
that has survived from
the Middle Ages. It is
often attributed to the
famous poet Walther von
der Vogelweide, who died
around 1230.
Unfortunately, the
original 12th-century
melody to which these
verses were possibly has
not been handed down. In
his setting, Wolfgang
König (*1947)
delightfully interweaves
the sounds of the
medieval period with
21st-century music.
Parallel fifths are
juxtaposed with
major-minor harmonies and
saxophone solos embellish
the choral movements that
are also supported by a
simple piano
accompaniment. The choir
consists of six voices
divided into two groups.
The antiphonal calls
between the male and
female singers mirror the
love song's text:
“Dû bist min,
ich bin dîn: des solt
dû gewis sînâ€
(You are mine; I am
thine; of this you can be
sure). $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| What About Us Chorale 3 parties SAB Hal Leonard
Choral; Piano (SAB Choir) SKU: HL.258989 By Pink. By Alecia Moore, Johnny...(+)
Choral; Piano (SAB Choir)
SKU: HL.258989 By
Pink. By Alecia Moore,
Johnny McDaid, and Steve
Mac. Arranged by Mark A.
Brymer. Pop Choral
Series. Anthem, Pop,
Rock, Show Choir. Octavo.
16 pages. Duration 210
seconds. Published by Hal
Leonard (HL.258989).
UPC: 888680725570.
6.75x10.5x0.036
inches. Pink's
powerful song tells the
story of a lost
generation--its themes
mirroring the pain of the
many people who feel
abandoned and unheard in
today's society. At a
time when musicians and
audiences are searching
for music lifting up
social justice, this is a
great example and a
wonderful selection for
your singers. Passion and
connection are easy to
find in this powerful
pop/rock anthem. $2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Du bist min Chorale SATB [Conducteur] - Facile Carus Verlag
SATB chorus divisi, Soprano Sax (Clt), piano - Grade 2 SKU: CA.928400 ...(+)
SATB chorus divisi,
Soprano Sax (Clt), piano
- Grade 2 SKU:
CA.928400
Mittelalterliches
Liebeslied. Composed
by Wolfgang Konig. Carus
digital: Extra digital
products. Dû bist
mîn. Full Score.
Composed 2020. Duration
3.5 minutes. Carus Verlag
#928400. Published by
Carus Verlag (CA.928400).
ISBN 9790007301002.
German. Dû bist
mîn is probably the
best-known love song
written in old German
that has survived from
the Middle Ages. It is
often attributed to the
famous poet Walther von
der Vogelweide, who died
around 1230.
Unfortunately, the
original 12th-century
melody to which these
verses were possibly has
not been handed down. In
his setting, Wolfgang
König (*1947)
delightfully interweaves
the sounds of the
medieval period with
21st-century music.
Parallel fifths are
juxtaposed with
major-minor harmonies and
saxophone solos embellish
the choral movements that
are also supported by a
simple piano
accompaniment. The choir
consists of six voices
divided into two groups.
The antiphonal calls
between the male and
female singers mirror the
love song's text:
“Dû bist min,
ich bin dîn: des solt
dû gewis sînâ€
(You are mine; I am
thine; of this you can be
sure). $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 50 moderne Fingerübungen für Klavier! Piano seul Artist Ahead Musikverlag
Piano SKU: M7.ART-42212 Die perfekte Sammlung für Spieltechnik, Fin...(+)
Piano SKU:
M7.ART-42212 Die
perfekte Sammlung für
Spieltechnik,
Fingerfertigkeit and
Rhythmusgefühl für
Anfänger and
Fortgeschrittene.
Composed by Elmar Mihm.
Score with online audio
files. 52 pages. Artist
Ahead Musikverlag #ART
42212. Published by
Artist Ahead Musikverlag
(M7.ART-42212). ISBN
9783866422124.
German. Fingerüb
ungen machen keinen
SpaÃ?! Oder doch? Diese
Sammlung von 50 kurzen
Ã?bungen und
klangschönen Etüden
fördert das moderne
rhythmische und
melodische Klavierspiel
und möchte Freude am
Ã?ben bereiten. Typische
pianistische
Herausforderungen wie
präzises Zusammenspiel
als auch rhythmische
Unabhängigkeit der
Hände, verschiedene
Spieltechniken und das
Lesen von Rhythmus werden
anhand moderner
Spielmuster, Motive und
Stilistiken effektiv
trainiert. All das wird
kombiniert mit schönen
Melodien, Charme, Witz
und rhythmischen
Finessen. Ã?berwiegend
werden einfache Ton- und
Taktarten verwendet. 50
moderne Fingerübungen
für Klavier richtet
sich an Klavierschüler
ab dem zweiten
Unterrichtsjahr sowie an
fortgeschrittenere
Pianistinnen und
Pianisten. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Voiceworks 2: A Further Handbook For Singing Voix d'Enfants [Vocal Score] Oxford University Press
| | |
| Palindromi - Palindrome Piano seul Fennica Gehrman
Piano SKU: FG.55011-542-2 Composed by Kirmo Lintinen. Fennica Gehrman #55...(+)
Piano SKU:
FG.55011-542-2
Composed by Kirmo
Lintinen. Fennica Gehrman
#55011-542-2. Published
by Fennica Gehrman
(FG.55011-542-2). ISBN
9790550115422. In
his work Palindrome for
piano (2000), Kirmo
Lintinen has chosen a
predetermined form:
perfectly mirrored
symmetry, and he makes it
work wonderfully!
Lintinen is not
interested in hidden
structures and working
with minutiae, but rather
lets the palindromic
qualities of the
palindrome be clearly
visible and audible.
Rather than using
abstract tonerows,
Lintinen mirrors a
three-tiered musical
characteristics, adding
and then letting go
suspension: Cantabile
semplice/Giocoso/Fuocoso
e flessibile - Fuocoso e
flessibile/Giocoso/Cantab
ile semplice. The
duration of the work, 180
seconds, is divided into
six segments:
45sec:30sec:15sec:15sec:3
0sec:45sec (3:2:1:1:2:3).
The shorter the segment,
the more raucuous the
material. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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