Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus Dickbauer makes scales and blues scales for trumpet fun - his modern approach to elementary technique is an invaluable and highly effective training tool for developing improvisation skills. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the trumpet. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Trompette

Par HOSAY JAMES L.. Why not try something different with your brassband? Rough Mix is a poprock tune that incorporates elements of punk and alternative rock. It contains optionalparts for two electric guitars and synthesizer. With or withoutthe optional parts this is a solid and fun arrangementthat will have particular appeal for young musicians and audiences. / Niveau : 2 / Musique légère originale / Répertoire / Brass Band

Arrangeur: Richard Harris. Par DUCKETT RICHARD. Team Brass is designed for everyone who wants to learn to play brass. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Woodwind, Team Recorder and Team Percussion provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores./ Méthode / Trompette

Par DE HAAN JACOB. Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting 'Pacific Dreams' Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir. With these ideas and his newly purchased print of 'Pacific Dreams', he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific. Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti. Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his 'Pacific Dreams'. Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney. / Niveau : 3 / Musique légère originale / Répertoire / Brass Band

For use with all Bb, Eb, Bass Clef and C instruments, the Hal Leonard Blues Play-Along Series is the ultimate jamming tool for all blues musicians. With easy-to-read lead sheets, and other split-track choices on the included CD, these first-of-a-kind packages will bring your local blues jam right into your house!Each song on the CD includes two tracks: a full stereo mix, and a split track mix with removable Guitar, Bass, Piano, and Harmonica parts. 8 songs: Ain't No Sunshine - As the Years Go Passing By - Darlin' You Know I Love You - Have You Ever Loved a Woman - I'd Rather Go Blind - Somebody Loan Me a Dime - Third Degree - Three Hours past Midnight. / Tout Instrument

An assortment of 18 pieces to pick and mix - from easy classics to great new pieces, this collection covers it all! All Sorts is designed to fit the technique and capabilities of the young player, with easy-to-play piano accompaniments for the teacher.   **Trinity College London selected pieces (Trumpet, Cornet, Flugel Horn 2010): Trumpet Minuet (Clarke) March (Handel) Entr’acte from Carmen (Bizet) Peacherine Rag (Joplin) **Trinity College London selected pieces (Euphonium, Baritone 2010) Trumpet Minuet (Clarke) March (Handel) Entr’acte from Carmen (Bizet) / Instrumental Music / Recueil / Piano et Trompette

Par CALLAND DEBORAH. The best-selling First Repertoire series has been a favourite with teachers and young players for years, and has been selected on numerous exam syllabuses. Now trumpet players can enjoy the popular mix of imaginative and idiomatic arrangements and original pieces with a new collection of repertoire for grade 2-4 level players selected and edited by Deborah Calland. Ranging from baroque dances from Handel and Jeremiah Clarke to the majestic Theme from Star Wars , via Johann Strauss's The Blue Danube , the sparkling The Sorcerer's Apprentice and La Bamba - there is something here for every occasion. / Niveau : Facile / Recueil / Trompette et Piano

Each volume of these quartets is published in two books, one in treble (G) clef and one in bass (F) clef. While each Volume can be played by any mix of instruments built in the same key, the two volumes are compatible when instruments using the treble clef book are B-flat instruments, such as trumpets, cornets, or baritone treble clef.

14 pieces in rock style. Par POGSON STEVE. If your students love rock music, why not use it. Now you can, with Steve Pogson's imaginative and enjoyable Way to Rock. 14 pieces written in rock 'n' roll, blues, reggae, ballad and other contemporary styles which come complete with keyboard accompaniments and chord symbols. Optional solos and themes for improvisation are also included, so you can mix and match them with the original music. / Pop & rock / Recueil / Trompette et Piano

Trumpet Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Trompette

Un nombre quelconque des artistes suivants : pf - 1 en solo (FLA, a-fl).0.1.1(bar-sax) - 0.1.1.1 - str (3 vl, 2 vla, vc, db) 63 pages pour être joué, en tout ou en partie, dans n'importe quelle séquence - 84 ' types ' de composition sont impliqués. Etre effectuées, en tout ou en partie, dans toute durée, avec un nombre quelconque des interprètes ci-dessus comme solo, ensemble de chambre, orchestre symphonique, concert pour piano et orchestre, aria, etc. (voir aussi ARIA, SOLO pour voix 1,2, FONTANA MIX, WBAI). Des pièces disponibles séparément (EP 6705a-m) / Trompette

Par CURNOW JAMES. If there is one set of music any beginner band should own this is it. It is made up of 24 short contrasting pieces which are a mixture of folk songs, well-known classics, Christmas items and original works, each of which is aimed to reinforce an aspect of learning. A must for all beginner bands. / Niveau : 0.5 / Répertoire / Brass Band

Par SPARKE PHILIP. Dances and Alleluias was commissioned by the British Federation of Brass Bands for the inaugural English National Brass Band Championships, held in the Lyric Theatre at The Lowry, Salford Quays, on July 1st 2006. In this fantastic work the composer mixes wonderful slow music, vocal in nature and ecstatic in mood, along with faster dances to create a challenging piece, which will bring out the best in any band. / Niveau : 6 / Pièce de concert / Répertoire / Brass Band