130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Ed...(+)
130 Easy Concert Pieces
from
6 Centuries for Guitar.
Composed by Various.
Edited
by Martin Hegel. Guitar.
Softcover. 124 pages.
Schott
Music #ED22626. Published
by
Schott Music
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
Conzensus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0960767-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0960767-010
Composed by Jan Van der
Roost. Inspiration
Series. Opening Pieces.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960767-010. Published by
De Haske Publications
(BT.DHP-0960767-010).
This stately
concert opener was
originally written by Jan
Van der Roost for a
special event in which
six respected wind
orchestras (two Belgian
and four Dutch) of
different composition
(two symphonic bands, two
fanfare bands and two
brass bands) were
featured during six
concerts. Each evening
brought forth a
performance by a
symphonic band, a
fanfare, and brass band,
so that the audience
could experience all
three types of ensembles.
This was indeed an
original concept.The
name, ConZEnSus, comes
from a combination of the
words, ‘Concert
Cyclus’ (concert
series) and
‘zes’ (Dutch
for ‘six’).
This leads to a new word,
which refers to
‘consensus’.
The general tenor of the
cycle isthus immediately
indicated. The richness
of color of the various
ensembles is revealed
through an open and
friendly atmosphere.
During all six concerts
(over a span of three
years), ConZEnSus
functioned as a permanent
opening number for each
orchestra. Thus the same
musical story was
portrayed in three
different packages.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Six Pieces for Organ. Composed by Darwin Wolford. Organ - Method or Collection. ...(+)
Six Pieces for Organ.
Composed by Darwin
Wolford. Organ - Method
or Collection. H. W.
Gray. Sacred. Book. 32
pages. Jubilate Music
Group #00-GBM0309.
Published by Jubilate
Music Group
Piano - intermediate to advanced SKU: HL.49019302 Composed by Peter Ilyic...(+)
Piano - intermediate to
advanced
SKU:
HL.49019302
Composed
by Peter Ilyich
Tchaikovsky. Edited by
Thomas Kohlhase. Arranged
by Lev Vinocour. This
edition: Saddle
stitching. Sheet music.
Piano. Softcover.
Composed 1873. Op. 19. 80
pages. Schott Music
#ED20446. Published by
Schott Music
(HL.49019302).
ISBN
9790001153737. UPC:
888680663490.
'Six
Pieces' Op. 19 is the
first collection of piano
pieces by Tchaikovsky
which contributed
significantly to his
growing renown as most
important Russian
composer apart from Anton
Rubinstein. Famous
contemporary pianists
like Nikolai Rubinstein
and Hans von Bulow
performed Reverie du soir
(Op. 19, No. 1) or Theme
original et variations
(No. 6) in their concerts
in the 1870s.
Commissioned by his
Moscow publisher P. I.
Jurgenson, Six Pieces Op.
19 was composed by
Tchaikovsky in the summer
and autumn of 1873, i.e.
during his time as
professor of theory at
the Moscow
Conservatoire.Bulow had
entered 'little changes'
in his own copy of the
first edition of
Variations Op. 19/6.
There is, however, no
documentary proof which
of Bulow's changes
Tchaikovsky eventually
included in the Nouvelle
edition revue et corrigee
par l'auteur of Op. 19
published only in 1890.
The present new edition
therefore contains both
versions of the
Variations. Tchaikovsky's
version of the first
edition can be found in
the appendix of the
present volume, Bulow's
version expressly adopted
by Tchaikovsky is
presented together with
Nos. 1-5 in the main text
of the volume on the
basis of the Nouvelle
edition revue et corrigee
par l'auteur from
1890.
By Christian Gottlob Neefe [Wolfgang Amadeus Mozart]. Edited by Dmitry Rachmanov...(+)
By Christian Gottlob
Neefe [Wolfgang Amadeus
Mozart]. Edited by Dmitry
Rachmanov. For Piano.
Book; Duet or Duo;
Masterworks; Piano Duet
(1 Piano, 4 Hands).
Alfred Masterwork
Edition. Classical;
Masterwork; Recital.
Advanced. 52 pages.
Published by Alfred Music
Composed by Flor Peeters. Masterworks; Organ - Method or Collection. Belwin Edit...(+)
Composed by Flor Peeters.
Masterworks; Organ -
Method or Collection.
Belwin Edition (H. W.
Gray). 20th Century;
Masterwork. Book. 84
pages. Belwin Music
#00-GB00287. Published by
Belwin Music
Pianthology Piano seul University Of York Music Press
Piano SKU: BT.MUSM570360413 By Nicky Losseff. Classical. Book Only. Unive...(+)
Piano
SKU:
BT.MUSM570360413
By
Nicky Losseff. Classical.
Book Only. University of
York Music Press
#MUSM570360413. Published
by University of York
Music Press
(BT.MUSM570360413).
English.
Piantho
logy is a new collection
of seven contemporary
Piano works by living
composers which includes
a recording of each of
the works performed by
Nicky Losseff, the
volume's editor. Nicky
Losseff, who combines a
Senior Lectureship at the
University of York with
an active career as a
concert pianist, has
written extensive
performance and analysis
notes on all of the
works, giving helpful
suggestions about the
study and performance os
each piece in turn. The
anthology is aimed at
university and
conservatiore level Piano
students, but will serve
as an excellent
introduction to new music
for the Piano for any
dedicated player looking
to broaden their range.
The worksincluded in
Pianthology are: Anthony
Gilbert - Three Papillon
Postcards Sadie Harrison
- Impresa Amorosa Ed
Hughes - Third Orchid Jo
Kondo - A Dance For
Piano, 'Europeans' David
Lumsdaine - Six Postcard
Pieces Hilda Paredes -
Caligrama Thomas Simaku -
Des Pas Chromatiques
Pianthology was launched
at the York University
Spring New Music Festival
on May 8th 2008, when all
seven works were
performed, some by Nicky
Losseff and some by her
students from the
University of York.
Includes Nicky Losseff's
recordings of all works.
Three Papillon Postcards
Impresa Amorosa 1.
Harp SKU: UT.MAG-266 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp
SKU:
UT.MAG-266
Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 266. Published by Ut
Orpheus (UT.MAG-266).
ISBN 9790215326439. 9
x 12
inches.
Posseâ€
s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars.
(16 concert pieces for violin and piano). Edited by Kathy Blackwell and Davi...(+)
(16 concert pieces for
violin and piano). Edited
by
Kathy Blackwell and David
Blackwell. For violin and
piano. All String Time.
Level C (moderately
difficult). Book and CD.
96
pages. Published by
Oxford
University Press
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces
from 5 Centuries. Edited
by Peter Ansorge and
Bruno Szordikowski. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Edition with CD. 32
pages. Schott Music #ED
20601. Published by
Schott Music
Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Trombone
1 Piano - Grade 5
SKU:
FL.FX073048
Composed
by Anton Gladkikh.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 20 minutes. FLEX
Editions #FX073048.
Published by FLEX
Editions (FL.FX073048).
I remember well
when I began to write
these pieces: I sat down
at the piano in the
conservatory, which was
almost completely empty
at the time... and I
improvised the first
chords of the first
piece. After that I wrote
the theme. The music rang
loudly in that large
auditorium and I could
hear how it echoed about
the empty corridors of
the conservatory... it
reminded me of the
overture from Charles
Gounod's Faust, as my
hands still played out
the melodies, stretching
the limits of the theme
which would become, in a
sense, the introduction
to the whole cycle. I
could feel that the story
was emerging: a story
born from within the
music. - Anton GLADKIKH ;
Hoffmanniada is a
collection of six short
pieces for trombone and
piano composed in a style
inspired by the great
Russian composers of the
twentieth century.
Sometimes melancholic and
romantic, sometimes
cheerful and virtuoso,
the writing subtlety of
Anton Gladkikh perfectly
exploits the qualities of
power and finesse of both
instruments. Fabrice
MILLISCHER
This
original piece is the
first opus of FLEX
Editions collection
directed by Fabrice
MILLISCHER. It is built
of 6 movements: 1 - Et
finalement ca tourne, 2 -
Autonomie de la volonte,
3 - Les lettres, 4 -
Lilite, 5 - Quand Dieu
crea le temps, 6 - Le jeu
des Demiurges ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 5.
Composed by Edward Elgar (1857-1934). Arranged by Eric Wilson. Six easy movement...(+)
Composed by Edward Elgar
(1857-1934). Arranged by
Eric Wilson. Six easy
movements originally for
violin. Light Concert.
Score and parts. With
Standard Notation.
Published by Winwood
Music (WO.0063).
By Timothy Loest. Arranged by Timothy Loest. FJH Starter Series. Full set (score...(+)
By Timothy Loest.
Arranged by Timothy
Loest. FJH Starter
Series. Full set (score
and parts). Score only
also available: S.
Concert Band. Level:
Grade 0.5. Score and Set
of Parts. Composed 2004.
Published by The FJH
Music Company Inc.
Six Spirituals Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Molenaar Edition
By Ted Huggens. For Concert Band. Slow Movements and Solemn Works / Original Wor...(+)
By Ted Huggens. For
Concert Band. Slow
Movements and Solemn
Works / Original Works
Light Music Repertoire /
Sacred Music / Liberation
Day. Original Pieces.
Grade 3. Score and Parts
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Grade 1.5 SKU: CL.015-3205-01 Composed by Huckeby. Young Concert Band. El...(+)
Grade 1.5
SKU:
CL.015-3205-01
Composed by Huckeby.
Young Concert Band.
Elementary Series. Audio
recording available
separately (item
CL.WFR323). Extra full
score. Composed 2002.
Duration 1 minute, 44
seconds. C.L. Barnhouse
#015-3205-01. Published
by C.L. Barnhouse
(CL.015-3205-01).
An entertaining
composition containing
bits and pieces of 15
famous childen’s
tunes that are woven
together to create an
impressive and appealing
audience pleaser. The
melodies move around so
every section gets a
chance to shine and
Huckeby’s
extensive use of cues
makes it playable with
limited instrumentation!
A outstanding piece at
this grade level! A REAL
WINNER!
Conzensus Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-0960767-030 Composed by Jan Van der Roos...(+)
Brass Band - Grade 4
SKU:
BT.DHP-0960767-030
Composed by Jan Van der
Roost. Inspiration
Series. Opening Pieces.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960767-030. Published by
De Haske Publications
(BT.DHP-0960767-030).
This stately
concert opener was
originally written by Jan
Van der Roost for a
special event in which
six respected wind
orchestras (two Belgian
and four Dutch) of
different composition
(two symphonic bands, two
fanfare bands and two
brass bands) were
featured during six
concerts. Each evening
brought forth a
performance by a
symphonic band, a
fanfare, and brass band,
so that the audience
could experience all
three types of ensembles.
This was indeed an
original concept.The
name, ConZEnSus, comes
from a combination of the
words, ‘Concert
Cyclus’ (concert
series) and
‘zes’ (Dutch
for ‘six’).
This leads to a new word,
which refers to
‘consensus’.
The general tenor of the
cycle isthus immediately
indicated. The richness
of color of the various
ensembles is revealed
through an open and
friendly atmosphere.
During all six concerts
(over a span of three
years), ConZEnSus
functioned as a permanent
opening number for each
orchestra. Thus the same
musical story was
portrayed in three
different packages.
Conzensus Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0960767-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0960767-020
Composed by Jan Van der
Roost. Inspiration
Series. Opening Pieces.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960767-020. Published by
De Haske Publications
(BT.DHP-0960767-020).
This stately
concert opener was
originally written by Jan
Van der Roost for a
special event in which
six respected wind
orchestras (two Belgian
and four Dutch) of
different composition
(two symphonic bands, two
fanfare bands and two
brass bands) were
featured during six
concerts. Each evening
brought forth a
performance by a
symphonic band, a
fanfare, and brass band,
so that the audience
could experience all
three types of ensembles.
This was indeed an
original concept.The
name, ConZEnSus, comes
from a combination of the
words, ‘Concert
Cyclus’ (concert
series) and
‘zes’ (Dutch
for ‘six’).
This leads to a new word,
which refers to
‘consensus’.
The general tenor of the
cycle isthus immediately
indicated. The richness
of color of the various
ensembles is revealed
through an open and
friendly atmosphere.
During all six concerts
(over a span of three
years), ConZEnSus
functioned as a permanent
opening number for each
orchestra. Thus the same
musical story was
portrayed in three
different packages.