CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Piano - Grade 3

SKU: BT.WMP2215

2015-2016 Grades 1-3. Composed by Josephine Koh. Teachers' Choice. Method. Book Only. 38 pages. Wells Music Publishers #WMP2215. Published by Wells Music Publishers (BT.WMP2215).

ISBN 9789810924089. English.

Teachers’ Choice, Selected Piano Repertory & Studies for grades 1, 2 and 3 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.

- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.

-Examinat ionrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.

-Effect ivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.

-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.

By Dunhill. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Peter Pickow (Editor) ; Amy Appleby (Editor). For Piano. Romantic, Classical. Sheet Music. 320 pages. Published by Music Sales.

C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pages. Published by Hal Leonard.

For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).

106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, S. Schumann, C. Siagian. Composed by Various. Edited by Charmaine Siagian. Willis. Classical, Recital, Solos. Softcover. Published by Willis Music

Schirmer Performance Editions. Composed by Dmitri Kabalevsky (1904-1987). Edited by Margaret Otwell and Richard Walters. Schirmer Performance Editions. Classical. Softcover Audio Online. 128 pages. Published by G. Schirmer

Piano (Piano)

SKU: HL.50511849

New Definitive Edition. Composed by Bela Bartok. EMB. Volume 5. Studies & Exercises. Book [Softcover]. Composed 1951. Editio Musica Budapest #Z129. Published by Editio Musica Budapest (HL.50511849).

ISBN 9790080001295. Bach (23 x 30,2 cm) inches. Hungarian-English-German- French. Peter Bartok.

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Der Mikrokosmos ist ein Zyklus von 153 Stucken fur Klavier, zu didaktischen Zwecken geschrieben (Band 1: Z. 125, Band 2: Z. 126, Band 3: Z. 127, Band 4: Z. 128, Band 5: Z. 129, Band 6: Z. 130). Das bedeutet, dass von Anfang an kleine Klavierstucke g eubt werden konnen, um dann darauf weiter aufzubauen, da die Stucke entsprechend ihrem Schwierigkeitsgrad angeordnet sind. Das Wort Mikrokosmos kann als eine Serie von Stucken in verschiedenen Stilen verstanden werden, die zusammen eine kleine Welt b ilden. Oder man kann es als ,die Welt der Kleinen, der Kinder' verstehen. (Aus einem Interview des WNYC, New York, Anfang 1945, im Rahmen einer Sendung mit dem Titel Fragen Sieden Komponisten.).

Piano

SKU: BT.9780008353230

By Em Wilson. By Karen Marshall. Get Set! Piano. Tuition. Book Only. Composed 2020. 64 pages. Collins Music Publishing #9780008353230. Published by Collins Music Publishing (BT.9780008353230).

ISBN 9780008353230. English.

My First Piano Book introduces young children to the piano and music-making through fun activities, rhymes, songs and pieces. The author’s tried-and-tested progression covers note learning, theory, aural and composing through acreative and holistic approach. Many pieces have simple teacher duet parts to encourage ensemble playing from the start, and the book is illustrated throughout in the charming Get Set! style. This carefully designed tutor willinspire, entertain and, most importantly, nurture a love of music that can last a lifetime. Suitable for children aged 5+.

By Antonin Dvorak. Czech title: Dumka - Furiant op.12 / Dve perli ky (B 156). Published by Praha (Czech import).

Book/Media Online Piano Accompaniment; Trumpet (trumpet & piano)

SKU: HL.49046941

19 Pieces from 5 Centuries Trumpet and Piano. Composed by Various. Edited by Kristin Thielemann. Brass Solo. Baroque, Classical, Modern, Renaissance. Softcover Media Online. 56 pages. Schott Music #ED22556D. Published by Schott Music (HL.49046941).

ISBN 9783795722005. UPC: 196288087304. 9.0x12.0x0.163 inches.

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons. Each piece has been recorded, both in full and playback versions (piano accompaniment).The audio files can be downloaded with a voucher code (in the book). In addition to the enclosed part for trumpet in Bb, a part for trumpet in C (Schott ED 22555-01) is available for download at www.schott-music.com. Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c'', with d'' appearing as a short top note in just afew pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners. Volume 2 (ED 22556) contains easy to intermediate pieces with a range no higher than f''. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts. Volume 3 (ED 22557) is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g'', though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes.

Piano

SKU: HL.49046204

Composed by Daniel Gottlieb Tü and rk. Edited by Erich Doflein and Samantha Ward. Piano Collection. Classical. Softcover. 24 pages. Schott Music #SE1021. Published by Schott Music (HL.49046204).

ISBN 9781540052889. UPC: 888680940836.

After composing his piano method, the piano teacher Daniel Gottlieb Turk, a contemporary of Haydn and Mozart, composed a large collection of little Handstucke, or instructive pieces, for beginners with poetic titles. This volume contains the easiest of these pieces, in such order that they constitute a little course which gradually introduces all keys of up to three accidentals, increasing independence of the hands, different ways of playing and various rhythms. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty,from 1 (easy) to 5 (difficult), for instrumental lessons. For more information see www.schott-student-editio n.com.

By Christian Gottlob Neefe [Wolfgang Amadeus Mozart]. Edited by Dmitry Rachmanov. For Piano. Book; Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands). Alfred Masterwork Edition. Classical; Masterwork; Recital. Advanced. 52 pages. Published by Alfred Music

Edited by Ronald Herder. For Piano. Piano Collection. Masterwork. Book. Published by Dover Publications.

Piano

SKU: BT.EMBZ129

New Definitive Edition. Composed by Bela Bartok. Studies & Exercises. Book Only. Composed 1951. 48 pages. Editio Musica Budapest #EMBZ129. Published by Editio Musica Budapest (BT.EMBZ129).

Hungarian-English-Germ an-French.

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Der Mikrokosmos ist ein Zyklus von 153 Stücken für Klavier, zu didaktischen Zwecken geschrieben (Band 1: Z. 125, Band 2: Z. 126, Band 3: Z. 127, Band 4: Z. 128, Band 5: Z. 129, Band 6: Z. 130). Das bedeutet, dass von Anfang an kleine Klavierstücke g eübt werden können, um dann darauf weiter aufzubauen, da die Stücke entsprechend ihrem Schwierigkeitsgrad angeordnet sind. Das Wort Mikrokosmos kann als eine Serie von Stücken in verschiedenen Stilen verstanden werden, die zusammen eine kleine Welt b ilden. Oder man kann es als ‚die Welt der Kleinen, der Kinder' verstehen. (Aus einem Interview des WNYC, New York, Anfang 1945, im Rahmen einer Sendung mit dem Titel Fragen Sieden Komponisten.).

Your favourite ABRSM piano exam pieces. Composed by Karen Marshall. ABRSM Exam Pieces. Collection. 24 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)

By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Works include: Pachelbel's Canon in D; Elgar's Pomp and Circumstance, and the Wedding March from Mendelssohn, among others. Level: Elementary - Intermediate. Book. Published by The FJH Music Company Inc.

Composed by Traditional. Arranged by Deborah Baker Monday. Set of Score and Parts. 8 8 2 5 5 5 8 pages. Duration 2:30. Carl Fischer Music #YAS218. Published by Carl Fischer Music