Clarinet - easy

SKU: BT.DHP-1185905-404

Clarinet. Arranged by Markus Schenk. Look, Listen and Learn. Pop & Rock. Book with Online Audio. Composed 2018. 36 pages. De Haske Publications #DHP 1185905-404. Published by De Haske Publications (BT.DHP-1185905-404).

ISBN 9789043154659. English.

Look, Listen & Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/CD packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes.

With Play The Beatles, students will embark on a journey through time to the 1960s to get to know one of the most important bands in the history of rock. This pack includes fifteen of the best-known songs by The Beatles, arranged in increasing order of difficulty in such a waythat they can be used in conjunction with all three volumes of Look, Listen & Learn. Authentic-sounding accompaniment tracks are also provided online to download or stream directly.

With online audio of piano accompaniments. By Various. By Various. For Classical Players. Wedding. Softcover Audio Online. 56 pages. Published by Hal Leonard

Improvise Like Never Before. Workout!. Composed by Klaus Dickbauer. Score and audio CD. With Standard notation. 44 pages. Universal Edition #UE36669. Published by Universal Edition

By Joshua Gardner and Eric Hansen. For Clarinet. Method Book. Published by Potenza Music

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

By Jeff King. Edited by Richard Williams. For Alto Clarinet. Band Methods. Instructional method. Book A,1. Method book

By Jeff King. Edited by Richard Williams. For Clarinet. Band Methods. Level: Book A,1. Method Book. Published by Neil A. Kjos Music Company.

By Jack Stamp. Concert band. Suitable for high school, community, and college bands. Grade 4. Conductor full score. Duration 4:45. Published by Manhattan Beach Music

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Band Concert Band - Grade 2

SKU: CF.YPS200F

Composed by Matthew R. Putnam. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS200F. Published by Carl Fischer Music (CF.YPS200F).

ISBN 9781491152881. UPC: 680160910380.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

African Dances by Kitt Turnbull. Concert Band. For Wind Band. Part(s); Score; Wind Band. Faber Edition: Faber Wind Band Series. Multicultural. Published by Faber Music

This collection provides a practical edition of 15 Sousa classics that can be used for marching as well as the concert hall. All are arranged by Philip Sparke for today's bands, and the updated engravings are a great addition toany school or community band library. Includes: The Beau Ideal · Black Horse Troop · El Capitan · The Fairest of the Fair · Hands Across the Sea · High School Cadets · The Invincible Eagle · King Cotton · The Liberty Bell ·Manhattan Beach · Nobles of the Mystic Shrine · Semper Fidelis · Stars and Stripes Forever · The Thunderer · Washington Post. Note: At 5.75 x 8 inches, the student books are slightly larger than traditional marching band size.

Eine praktische Sammlung mit 15 beliebten Märschen von John Philip Sousa, neu instrumentiert von Philip Sparke. Die Idee, die hinter dieser Sammlung von Sousas bekanntesten Märschen steckt, ist, heutige Blasorchester mit einer praktischen Ausgabe, ganz im Sinne von Sousas eigener Aufführungspraxis und Instrumentierung, auszustatten. Der englische Komponist Philip Sparke zeichnet für diese Neuinstrumentierung verantwortlich. Als Quelle dienten ihm Kopien von Sousas Originalpartituren und historische Aufnahmen.Die Partitur enthält viele nützliche Informationen. Philip Sparke gibt in seinem Vorwort wertvolle Hinweise zu Besetzung und Aufführungspraxis. Des weiteren sind eineausführliche Biographie von John Philip Sousa sowie zu jedem Marsch eine Werkbeschreibung enthalten. Diese wurden in fachkundiger Weise von Werner Probst verfasst

This collection provides a practical edition of 15 Sousa classics that can be used for marching as well as the concert hall. All are arranged by Philip Sparke for today's bands, and the updated engravings are a great addition toany school or community band library. Includes: The Beau Ideal · Black Horse Troop · El Capitan · The Fairest of the Fair · Hands Across the Sea · High School Cadets · The Invincible Eagle · King Cotton · The Liberty Bell ·Manhattan Beach · Nobles of the Mystic Shrine · Semper Fidelis · Stars and Stripes Forever · The Thunderer · Washington Post. Note: At 5.75 x 8 inches, the student books are slightly larger than traditional marching band size.

Eine praktische Sammlung mit 15 beliebten Märschen von John Philip Sousa, neu instrumentiert von Philip Sparke. Die Idee, die hinter dieser Sammlung von Sousas bekanntesten Märschen steckt, ist, heutige Blasorchester mit einer praktischen Ausgabe, ganz im Sinne von Sousas eigener Aufführungspraxis und Instrumentierung, auszustatten. Der englische Komponist Philip Sparke zeichnet für diese Neuinstrumentierung verantwortlich. Als Quelle dienten ihm Kopien von Sousas Originalpartituren und historische Aufnahmen.Die Partitur enthält viele nützliche Informationen. Philip Sparke gibt in seinem Vorwort wertvolle Hinweise zu Besetzung und Aufführungspraxis. Des weiteren sind eineausführliche Biographie von John Philip Sousa sowie zu jedem Marsch eine Werkbeschreibung enthalten. Diese wurden in fachkundiger Weise von Werner Probst verfasst

By The Gerry Mulligan Concert Jazz Band. Edited by Ted Hogarth, Rob Duboff, and Jeffrey Sultanof. Arranged by Bob Brookmeyer. For big band (Clarinet, Alto Saxophone, Tenor Saxophone, 2 Baritone Saxophones, 3 Trumpets, 2 Trombones, Bass Trombone, Bass, Drums (Optional)). Ballad. Medium. Score and parts. Published by Jazz Lines Publications

(Clarinet). By Various. Instrumental Folio. Softcover. 80 pages. Published by Hal Leonard

Mastering the Middle Register of the Clarinet. Southern Music. Instruction. Softcover. 28 pages. Southern Music Company #B588. Published by Southern Music Company

Inspirational Hymns for Clarinet with CD composed by Various. Arranged by Tony Santorella and Jonathon Robbins. For clarinet. This edition: Paperback. Collection. Sacred. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Concert Band/Harmonie - Grade 2

SKU: BT.GOB-000853-010

Composed by Dagmar Kildevann. Set (Score & Parts). 62 pages. Gobelin Music Publications #GOB 000853-010. Published by Gobelin Music Publications (BT.GOB-000853-010).

Whether you listen to ‘Caribbean Clarinets’, or you are a member of the orchestra, or you have perhaps even one of the solo parts in this composition, you will imagine yourself in a sun bathed paradise on earth.
Dagmar Kildevann has given you a free trip to the Caribbean in this solo piece for the entire clarinet section. This is as cheap as it gets!
You can feel the sun, taste the dishes and enjoy the wonderful music.
The clarinets are put in the limelight and are given the opportunity to shine in a glorious ‘Beguine’ and an inviting ‘Samba’.

Parasol, lounge-chair, drink, being transported to another world by the music, in short : enjoy!

Of je nu luistert naar de ‘Caribbean Clarinets’, in het orkest zit of zelfs één van de solopartijen voor je rekening neemt, je waant je in een zonovergoten paradijsje.
Dagmar Kildevann geeft u in deze solo, voor de hele klarinet-sectie,een gratis reisje naar het Caribisch gebied. Goedkoper kan bijna niet!
Je voelt de zon, proeft de gerechten en geniet van de heerlijke muziek.
De klarinetten worden in het zonnetje gezet en kunnen schitterenin een heerlijke ‘Beguine’ en een uitnodigende ‘Samba’.

Parasolletje, ligstoel, drankje, wegdromen op de muziek, kortom. genieten maar!

Concert Band/Harmonie - Grade 2

SKU: BT.GOB-000853-140

Composed by Dagmar Kildevann. Score Only. 32 pages. Gobelin Music Publications #GOB 000853-140. Published by Gobelin Music Publications (BT.GOB-000853-140).

Whether you listen to ‘Caribbean Clarinets’, or you are a member of the orchestra, or you have perhaps even one of the solo parts in this composition, you will imagine yourself in a sun bathed paradise on earth.
Dagmar Kildevann has given you a free trip to the Caribbean in this solo piece for the entire clarinet section. This is as cheap as it gets!
You can feel the sun, taste the dishes and enjoy the wonderful music.
The clarinets are put in the limelight and are given the opportunity to shine in a glorious ‘Beguine’ and an inviting ‘Samba’.

Parasol, lounge-chair, drink, being transported to another world by the music, in short : enjoy!

Of je nu luistert naar de ‘Caribbean Clarinets’, in het orkest zit of zelfs één van de solopartijen voor je rekening neemt, je waant je in een zonovergoten paradijsje.
Dagmar Kildevann geeft u in deze solo, voor de hele klarinet-sectie,een gratis reisje naar het Caribisch gebied. Goedkoper kan bijna niet!
Je voelt de zon, proeft de gerechten en geniet van de heerlijke muziek.
De klarinetten worden in het zonnetje gezet en kunnen schitterenin een heerlijke ‘Beguine’ en een uitnodigende ‘Samba’.

Parasolletje, ligstoel, drankje, wegdromen op de muziek, kortom. genieten maar!

With online audio of piano accompaniments. By Various. By Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Clarinet). Composed by Peter Boonshaft and Chris Bernotas. Band Method; Book; Method/Instruction. Sound Innovations for Concert Band: Ensemble Development. 24 pages. Published by Alfred Music (AP.40711).