Par ZUBEL AGATA. The musical axis of the opera Bildbeschreibung consists of the relations between the soloistically treated instruments, the parts of which are based on the realisation by the performers of layers of sound ? understood not just as the exploration of their own instrument, but above all the presentation or representation in sound of the text. Each of the parts forges an area of ?pictorial description?, so it is designed to lead the listener to ask what came before and how this came about. The multiplicity and ambiguity of such speculation gives us an open catalogue of representa-tions. As it is open, it is impossible to indicate the number of associations that would be appropriate ? too few or too many. Quite simply, the greater whole perceived from the perspective of a single soloist or through the prism of a single aria entitles us to highlight the idea of Bildbeschreibung in the same way that we can begin to see or analyse any picture, starting with a single detail, motif or figure. So such an aria is not an excerpt like the hits from the history of classical opera. It is a lens that ? as occurs throughout the opera Bildbeschreibung ? focusses attention on a selected detail, and the soloists themselves, without the comfort of showing themselves against the background of the whole event, are tempted from the outset to divine the origins of Bildbeschreibung. / Date parution : 2022-12-12/ Répertoire / Trompette

This book has been designed as a supplementary study to be used along with any standard instruction book. The studies contained herein are excellent for use in the warm-up period prior to each daily session of practice. The technicality of the fingerings and slide positions (trombone slide positions appear above the notes; baritone fingerings appear below the notes wherever considered helpful) are comparatively simple and the studies can be used to advantage by a young student with only a few weeks of formal study. This book contains much valuable material essential to successful performance not found within standard instructional material.

Par CAENS. Thierry Caens' Short Studies In The Keys for Trumpet. I am very happy that Hamelle is publishing the collection I have been planning to produce for several years. This collection includes works written or arranged for myself, as well as a representative selection of my own compositions (original works or arrangements). It should be of interest to all kinds of groupings, from the most standard (Trumpet and Piano, Trumpet and Organ, Trumpet and Orchestra, Wind Quintet, Trombone Quartet) to the most unusual (Cornet and Brass Quintet, large Brass Ensembles, Trumpet and Trombone with Organ), and it of course also includes teaching material(studies, exercises, competition pieces). My concern has been to present useful new pieces, but above all to awaken and develop the musical sense of brass instrumentalists. & Thierry Caens/ Etude / Trompette

Par ESENVALDS ERIKS. Only in Sleep is a nostalgic vision of childhood re-experienced through dreams. Eriks E?envalds has created a work of subtlety, yet powerful and expressive. The music has an incandescent freshness and the Flugel Horn soloist heard at the opening returns at the close, lost in reverie, whilst florid arabesques float over one last pair of chordal oscillations, winding down to nothing. This brilliant arrangement for brass band has become every bit as popular as the original choral setting. Brings contemporary choral repertoire by a leading international composer to the band worldArrangement of Eriks E?envalds' highly successful choral piece 'Only in Sleep'. Arranged by brass and brass band specialist Phillip Littlemore. Part of EP Brass Band Series. Meditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band

Par BLANKEN JOHN. COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four-part instrumentation (+ drum set), will amaze and charm you like no other. The fi rst movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade around the ring with their very own Elephant Samba and the clowns follow leaving you in stitches! A thunderous chord and lots of applause bring the show to a breathtaking finale. / Niveau : 1.5 / Musique légère originale / Répertoire / Brass Band

Par MITCHELL HAROLD. Mitchell on Trumpet is revered by educators around the globe and stands unequalled by any other published approach for trumpet. This proven curriculum will guide any ambitious student on a path towards performance excellence. It takes you from the beginning to the extreme limits of the horn through a gradual progression of 82 balanced lessons developing your range from low F-sharp to G above high C. Mitchell on Trumpet - Book 2 continues this exciting journey with Lesson 27 and introduces many advanced concepts while extending the student's range to High C. The exercises and studies cover all phases of playing with the ultimate goal of acquiring and maintaining a strong flexible embouchure. Los Angeles studio pro, Chris Tedesco, will guide you through selected excerpts from all 19 lessons (#27 through #45) by playing, demonstrating, and encouraging the student from start to finish on the included audio CD. Pappy often said, 'Perfect practice makes perfect, careless practice makes mediocrity, and no practice makes nothing.' Since every individual has their own unique set of strengths and challenges, the time necessary to devote to studying this method will vary from student to student. The important thing is to establish a structured schedule that is appropriate for you. There are countless professionals, educators, and performers who claim that Mitchell on Trumpet is the most complete trumpet method ever written. The student who completes Mitchell's Method will be among a select few who possess the endurance, technique, and flexibility needed to conquer any obstacle that they may encounter in any musical passage ever written for trumpet. This Book 2 and all that follow are dedicated to Harold's son, Ollie Mitchell for his tireless pursuit to see his Pappy's work available for many future generations of aspiring trumpet players. Ollie touched so many lives, but sadly, was peacefully reunited with his Pappy when he passed away at home surrounded by family and friends on May 11, 2013. Harold Mitchell lived during a time when musicians played a vital role in popular entertainment. It was a nostalgic era of live performances in music & theater. Mitchell on Trumpet is the culmination of Pappy's life's work and still remains today as the only complete course ever written for learning to play the trumpet./ Méthode / Trompette

Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out etude solos that traverse the changes in a way that familiarizes you with the sound of each harmonic setting. Each etude is modeled after ideas---such as melodic and rhythmic patterns that create continuity---and singable melodies that he recommends using when improvising through the chord changes. Using the TNT 2 software, listen to and analyze the etudes, and by removing Mintzer's saxophone from the mix, you can then practice and play these harmonic exercises on your own with a stellar rhythm section. The amazing TNT 2 software allows you to slow down the tempo, too! / Trompette Et Clarinette En Sib