SATB choir, organ, optional brass quartet - Intermediate

SKU: MN.50-5018

Composed by Paul M. French. Catholic Year C Pentecost; Catholic Year C Ordinary3; Year C Pentecost; Year C Epiphany3. Pentecost, Church Anniversary, 21st Century. Instrument parts. MorningStar Music Publishers #50-5018. Published by MorningStar Music Publishers (MN.50-5018).

UPC: 688670550188. Text: Terry Kirts.

So this is true: We are one body in the Lord. The opening words are proclaimed by the choir and echoed by the organ and brass, and what follows is creative and musically satisfying, but never predictable. The brass is tacet during a short, introspective middle section. The mostly homophonic choral writing and the judicious use of brass allow the text- a unique interpretation of 1 Corinthians 12- to be primary.

Instrumen tal parts packet includes: Trumpet I and II in B-flat and C, Trombone I and II, Horn in F (sub for Trombone I), Organ.

Trilogie sacree - Geistliche Trilogie (Holoman 130). Klavierauzszug nach dem Urtext der New Berlioz Edition (franzosisch/deutsch) - Sacred Trilogy (Holoman 130). Vocal Score, based on the Urtext of the New Berlioz Edition (French/German). By Hector Berlioz. Edited by Lloyc-Jones, David. Arranged by Wernhard, Eike. For Soprano solo, 2 Tenor solo, Baritone solo, 3Bass solo, Mixed Choir-SSAATTBB, Flute 1, Flute 2/ Piccolo, Oboe 1, Oboe 2/ English horn, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 2 Cornet, 3 Trombone, Kettledrum, Harp, Organ/ Harmonium, Strings. Piano Reduction/Vocal Score (paperbound). op. 25. Published by Baerenreiter-Ausgaben (German import).

Trilogie sacree - Geistliche Trilogie (Holoman 130). Klavierauzszug nach dem Urtext der New Berlioz Edition (franzosisch/englisch) - Sacred Trilogy (Holoman 130). Vocal Score base on the Urtext of the New Berlioz Edition (French/English). By Hector Berlioz. Edited by Lloyc-Jones, David. For Soprano Solo, Tenor Solo (2), Baritone Solo, Bass Solo (3), Mixed Choir-SSAATTBB, Flute 1/, Flute 2/Piccolo, Oboe 1, Oboe 2/English Horn, Clarinet (B Flat) (2), Bassoon (2), Horn (2), Trumpet (2), Cornet (2), Trombone (3), Kettledrum, Harp, Organ/Harmonium, Strings. Neue Berlioz-Ausgabe, Band 11. Score; Urtext Edition; Complete Edition (cloth bound). Op. 25. Published by Baerenreiter-Ausgaben (German import). (BA5451 01)

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731509

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. 1x 27.315/21 flute 1, 1x 27.315/22 flute 2, 1x 27.315/23 oboe 1, 1x 27.315/24 oboe 2, 1x 27.315/25 clarinet 1, 1x 27.315/26 clarinet 2, 1x 27.315/27 bassoon 1, 2x 27.315/28 bassoon 2, 1x 27.315/31 horn 1, 1x 27.315/32 horn 2, 1x 27.315/33 horn 3, 1x 27.31. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. 104 pages. Duration 35 minutes. Carus Verlag #CV 27.315/09. Published by Carus Verlag (CA.2731509).

ISBN 9790007201685. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

By Jacques Berthier; Taize. Text: Taize. For SATB Chorus or 3 Equal Voice Chorus, Cantor, Keyboard accompaniment, 2 Recorders (Soprano and Alto); Oboe; 2 Flutes; Bb Clarinet; Bb Trumpet; English Horn; Woodwinds (Oboe, Clarinet, Bassoon); 1-2 Horns in F, 1-2 Trombones. Bible Reference: Psalm 139; 12; 122. Taize. Includes guitar chord names. Sacred, Choral. Level: easy. Text language: 1) English, French; 2)Latin; 3) Latin vcs. 12 pages. Published by GIA Publications.

Festival Part - Level 3

SKU: HP.1892FP

Arranged by Kevin McChesney. Handbell Parts. Hope Publishing Company #1892FP. Published by Hope Publishing Company (HP.1892FP).

UPC: 763628418922.

Belov ed French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.

Choir includes both texts; handbell - Level 3

SKU: HP.1892OB

Arranged by Kevin McChesney. Sing & Ring Series. Christmas, Easter Sunday, New Life in Christ, Renewal, Sacred. Set of instrumental parts. 31 pages. Hope Publishing Company #1892OB. Published by Hope Publishing Company (HP.1892OB).

UPC: 763628318925. Luke 2:1-12, Matthew 2:1-12.

Beloved French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.

Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ - Level 3

SKU: CA.7003819

Trilogie sacree. Composed by Hector Berlioz. Edited by Paul Prevost. French Sacred Music. Complete orchestral parts. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Op. 25. Duration 95 minutes. Carus Verlag #CV 70.038/19. Published by Carus Verlag (CA.7003819).

ISBN 9790007133726. Key: E minor. Language: German/French.

The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and parts available separately - see item CA.7003800.

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll (E minor). French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Double bass part. Language: German/French. Op. 25. 20 pages. Duration 95 minutes. Published by Carus Verlag

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll (E minor). French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Cello part. Language: German/French. Op. 25. 28 pages. Duration 95 minutes. Published by Carus Verlag

Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: Paperbound. French Sacred Music. Die Kindheit Christi. Oratorios, Christmas. Level 3. Study score. Language: German/French. 360 pages. Duration 95 minutes. Published by Carus Verlag

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. This edition: Paperbound. E-Moll (E minor). French Sacred Music. German title: L'Enfance du Christ. Oratorios, Christmas. Level 3. Full score. Language: German/French. Op. 25. 336 pages. Duration 95 minutes. Published by Carus Verlag

Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ - Level 3

SKU: CA.7003849

Trilogie sacree. Composed by Hector Berlioz. Edited by Paul Prevost. French Sacred Music. Organ. Sacred vocal music, Oratorios, Christmas. Single Part, Organ. Op. 25. 2 pages. Duration 95 minutes. Carus Verlag #CV 70.038/49. Published by Carus Verlag (CA.7003849).

ISBN 9790007227531. Key: E minor. Language: German/French.

The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and part available separately - see item CA.7003800.

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll (E minor). French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Violin 2 part. Language: German/French. Op. 25. 24 pages. Duration 95 minutes. Published by Carus Verlag

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll (E minor). French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Violin 1 part. Language: German/French. Op. 25. 24 pages. Duration 95 minutes. Published by Carus Verlag

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll (E minor). French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Set of instrumental parts (except strings). Language: German/French. Op. 25. 140 pages. Duration 95 minutes. Published by Carus Verlag

(Trilogie sacree). Composed by Hector Berlioz (1803-1869). Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll (E minor). French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Viola part. Language: German/French. Op. 25. 24 pages. Duration 95 minutes. Published by Carus Verlag

(French Carol). Arranged by Derek Holman. For SSA choir with trumpet 1-2, horn, trombone, tuba (piano accompaniment). Jean Ashworth Bartle Series. Main Key: G Major. Christmas, Concert and Sacred. Difficulty: Medium Advanced (Adult). Instrumental part(s). Duration 2 minutes 14 seconds. Published by Hinshaw Music Inc.

SKU: HL.48181899

Composed by Pierre Gabaye. Leduc. Classical. Alphonse Leduc #AL21908. Published by Alphonse Leduc (HL.48181899).

UPC: 888680954697. 9.0x12.0x0.165 inches.

Recreation (1958) by Pierre Gabaye is a piece for Brass Quartet including a Piano: Trumpet, Horn, Trombone and Piano. Ideal for concert and recitals, this very melodious and light-hearted work lasts 12?30 minutes. The Piano part is as difficult as the Brasses, which are also really harmonious together. It is divided into three movements: I. Allegretto II. Largo III. Presto Pierre Gabaye (1930-2000) was a French musician who composed both Classical and Jazz music and won the Prix de Rome in 1956..

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706009

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. 1x 27.060/21 flute 1, 1x 27.060/22 flute 2, 1x 27.060/23 English horn 1, 1x 27.060/24 English horn 2, 5x 27.060/31 trumpet 1, 2 and trombones, 1x 27.060/42 harp. Harmony parts. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1856. Op. 4. Duration 45 minutes. Carus Verlag #CV 27.060/09. Published by Carus Verlag (CA.2706009).

ISBN 9790007199777. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.

Arranged by Kevin McChesney. For Choir. (SATB). New Life in Christ, Renewal, Ring and Sing and Sacred. Print Music Single (S(S)ATB w/opt. 3-5 oct. Handbell accomp.). 12 pages. Published by Hope Publishing Company.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731515

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Double Bass. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/15. Published by Carus Verlag (CA.2731515).

ISBN 9790007201739. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731513

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Viola. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/13. Published by Carus Verlag (CA.2731513).

ISBN 9790007201715. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731519

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. Duration 35 minutes. Carus Verlag #CV 27.315/19. Published by Carus Verlag (CA.2731519).

ISBN 9790007137366. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731512

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/12. Published by Carus Verlag (CA.2731512).

ISBN 9790007201708. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731511

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/11. Published by Carus Verlag (CA.2731511).

ISBN 9790007201692. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731500

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Full score. CG op. Posth. 136 pages. Duration 35 minutes. Carus Verlag #CV 27.315/00. Published by Carus Verlag (CA.2731500).

ISBN 9790007095604. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.