Composed by Richard Sorce. Score. Imagine Music Publishing #VMW234. Published by Imagine Music Publishing

Choral (SSA Choir)

SKU: HL.125418

Composed by Audrey Snyder and John Jacobson. Festival Choral. Concert, Female Voices, Festival, Winter, Young Choir, Young Voices. Octavo. 12 pages. Published by Hal Leonard (HL.125418).

UPC: 884088990206. 6.75x10.5 inches. John Jacobson/Audrey Snyder.

Treble choirs in middle school and children's choirs will develop important choral skills with this charming original work that imagines the light, warmth and color of spring within winter's cold and dark embrace. Lyrical and expressive, this is a perfect selection for contest or festival!

Composed by Sarah Wald. Score. Imagine Music Publishing #PFS185. Published by Imagine Music Publishing

By Daniel Baldwin. For flute, oboe, clarinet, horn, bassoon. Level 5. Published by Imagine Music

Easy Piano Piano/Keyboard

SKU: HL.362575

By Various. Easy Piano Songbook. Inspirational, Pop. Softcover. 128 pages. Duration 165 seconds. Published by Hal Leonard (HL.362575).

ISBN 9781705131022. UPC: 840126954432. 9.0x12.0x0.349 inches.

Play 25 uplifting and musically satisfying arrangements at an easy level. These simplified presentations include melody, original harmonies with chord labels, easy-to-read rhythms, and lyrics – everything you need to enjoy playing your favorite songs right away. Includes: Beautiful Day • Circle of Life • Don't Stop Believin' • Hallelujah • Hero • Imagine • One Moment in Time • Stronger (What Doesn't Kill You) • True Colors • Walking on Sunshine • The Wind Beneath My Wings • You Raise Me Up • and more.

Piano

SKU: IG.PFF202

Composed by Lucas Floyd. Score. Imagine Music Publishing #PFF202. Published by Imagine Music Publishing (IG.PFF202).

9 x 12 inches.

A collection of two short evocative movements for solo piano.

String Quartet

SKU: IG.CMF191

Composed by Daniel Burwasser. Score and Parts. Imagine Music Publishing #CMF191. Published by Imagine Music Publishing (IG.CMF191).

9 x 12 inches.

Puck's Game is inspired by the actions of Shakespeare's mischievous sprite, Puck, the fairly-like jester from A Midsummer Night's Dream. The music reflects Puck's playful and restless nature through leaping gestures, frolicking motives and restless rhythmical figures. While there is a moment in the work when Puck exudes a more tender side, his truly impish nature quickly returns at the conclusion of the piece.

Piano solo - Grade 2

SKU: IG.PMS121

Composed by Peter Nostrand. Score. Duration 3 minutes, 35 seconds. Imagine Music Publishing #PMS121. Published by Imagine Music Publishing (IG.PMS121).

9 x 12 in inches.

Innocence is available for either piano solo or piano and chamber accompaniment (flute, clarinet, first and second violins, viola and cello). It is a good learning tool for aspiring musicians at or above a beginner's level.

Technically , the piece contains several tertian harmonies and simple flares of credenza-like complexities. The form is a through composed inspiration that later becomes more refined in terms of symmetry and balance. Less technically described, Innocence was written to demonstrate the differences and the compatibility between traditional and untraditional harmonic development. Students will or should recognize the two different approaches.

In the most traditional approach, the listener is typically able to predict how the melody will unfold. It is like a journey down a road where the passengers can see all the straight-aways and turns ahead. Innocence , however, while never discarding or disrespecting musical grammar, is occasionally innocently twisted to hijack the listener into gently surprising and unanticipated turns. It is a good learning tool to point out the different approaches to composition. It is also simply a fun and entertaining piece in and of itself.

Composed by Jean-Francois Dandrieu. Arranged by Bill Schuetter. Score and Parts. Duration 1 minute. Imagine Music Publishing #BSM316. Published by Imagine Music Publishing

String Quartet

SKU: IG.IMF1824

Composed by Daniel Baldwin. Score and Parts. Imagine Music Publishing #IMF1824. Published by Imagine Music Publishing (IG.IMF1824).

9 x 12 inches.

Written for my first doctoral recital, Celestial Harmonies was a fun exercise in experimentation. I approached another graduate student, Allen Morris, about taking high quality photographs of each of the constellations, which he did between Thanksgiving and New Year's Eve in 2013. Upon receiving these photographs, I had staff paper printed on transparency paper and placed the constellation photos beneath the transparency paper and traced out the constellations on the staff paper. These became the introductory sketches for this new string quartet. Like a solitary photographer gazing up at the night sky, the music is quiet and intimate, but reflects the drama and wonderment of this wonderous phenomenon.

Composed by Marcia Stockton. Score and Parts. Imagine Music Publishing #OMW144. Published by Imagine Music Publishing

Piano

SKU: IG.PFS201

Composed by Darin Tysdal. Score. Imagine Music Publishing #PFS201. Published by Imagine Music Publishing (IG.PFS201).

9 x 12 inches.

My first piano sonata was started when I was in college, but was recently revised. The main key is B-flat Major, with the first theme of the first movement being a fanfare. The second theme is more lyrical in nature, in D-flat Major. After an exposition repeat, the development deals mostly with the fanfare material. The recapitulation is by-the-book, with a sudden, surprising coda. The slow movement, placed second, has the character of a chaconne, using two different major scales in the treble and bass clefs. The tempo quickens to a dance, and an explosive climax. From out of the ashes comes the beginning of the piece, modified from it's original state. The scherzo played rather fast, mostly in octaves. There is a short trio which was influenced by Prokofiev's Fifth symphony. After the dacapo, the movement disappears into thin air. The last movement is a Rondo. The material for the A section is taken from the opening measures of the piece. The B and C sections are developments of the other themes of the first movement. The sonata ends with much finality.

Composed by Kenneth Piotrowski. Score and Parts. Imagine Music Publishing #CMS154. Published by Imagine Music Publishing

Composed by Daniel Baldwin. Score and Parts. Imagine Music Publishing #IMF188. Published by Imagine Music Publishing

Composed by Daniel Baldwin. Score and Parts. Imagine Music Publishing #IMF186. Published by Imagine Music Publishing

String Quartet

SKU: IG.CMF192

Composed by Kenneth Piotrowski. Score and Parts. Imagine Music Publishing #CMF192. Published by Imagine Music Publishing (IG.CMF192).

9 x 12 inches.

This composition is for students, amateurs and professional violinists.

As Recorded by Imagine Dragons. By Zachary Barnett, James Adam Shelley, Matthew Sanchez, David Rublin, Shep Goodman, and Aaron Accetta [Imagine Dragons]. By Zachary Barnett, James Adam Shelley, Matthew Sanchez, David Rublin, Shep Goodman, and Aaron Accetta. Arranged by Victor Lopez. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Rock. Part(s); Score. 126 pages. Alfred Music #00-47037. Published by Alfred Music

Piano solo

SKU: IG.PMW142

Composed by Richard Sorce. Score. Imagine Music Publishing #PMW142. Published by Imagine Music Publishing (IG.PMW142).

9 x 12 in inches.

The pieces in this group comprising Notebook for Piano were composed over many years, and were selected from a collection of approximately fifty works at this level . They are accessible to most students who have studied piano diligently for at least three to four years. Contained in these pieces are challenging techniques in rhythm, harmony, articulation, dynamics, notation, and even a challenge to hear and understand music that is not exclusively key based. However, more so than any other compositional facet, melody is always a primary concern in these pieces.


Man y of the pieces in Notebook for Piano have been performed by intermediate level students and by college music majors. I hope you find this collection satisfying.

By Larry E Schultz. For Unison/2-part, piano, C Instrument, Small Percussion (Chime tree, Wood Block, Triangle, Suspended Cymbal). Sacred. Cantata. Published by Chorister's Guild.

Piano

SKU: IG.PFF201

Composed by Tom Anderson. Score. Imagine Music Publishing #PFF201. Published by Imagine Music Publishing (IG.PFF201).

9 x 12 inches.

I was introduced to Scott Joplin's ragtime by my piano instructor. I fell in love with Joplin’s rags and became steeped in his style of music. Although I learned many of his rags, I found them quite challenging to play. Later, when I started composing, I decided I'd write good ragtime pieces that were accessible to intermediate level players like myself. I hope I have achieved this goal and that you enjoy playing my ragtime piano pieces.

Solo piano - Grade 6

SKU: IG.PW091

Composed by Dorothy Chang. Score. Imagine Music Publishing #PW091. Published by Imagine Music Publishing (IG.PW091).

9 x 12 in inches.

By Dorothy Chang. For Solo Piano.Set of five pieces: blah blah blocks sheep, souvenir, blue suburbia, ...the stars' vast silence... , rushing timeThis piece has been selected to be on the 2010 syllabus of the Minnesota Music Teachers Association exam.

Guitar

SKU: IG.GMF201

Composed by Thomas Stief. Score. Imagine Music Publishing #GMF201. Published by Imagine Music Publishing (IG.GMF201).

9 x 12 inches.

Piano Solo

SKU: IG.PFF211

Composed by Kenneth Piotrowski. Score and Parts. Imagine Music Publishing #PFF211. Published by Imagine Music Publishing (IG.PFF211).

9 x 12 inches.

I was asked awhile ago to write a composition that not only laid well under the hands but was also of intermediate/advanced student level difficulty and suitable for concert performances. My initial thought was, 'impossible.' However, after careful consideration, I finally decided that it could be done.

Very few teachers and performers of keyboard instruments realize that C major is the most difficult key to play. In fact, the more of the five 'black' keys employed, the easier the composition. This is due to the natural position of the hand and length of the fingers. In the end, the key of E-flat major with its relative minor of C-minor was chosen with a brief foray into the realm of E-flat minor. The end result was this effervescent and intoxicating waltz.

Once mastered, this composition nearly plays itself and can then be utilized as a show-stopping encore.