Jazz Ensemble - Grade 5 SKU: KN.52112S Composed by Lennie Niehaus. Kendor...(+)
Jazz Ensemble - Grade 5
SKU: KN.52112S
Composed by Lennie
Niehaus. Kendor Archive
Editions. Kendor Music
Inc #52112S. Published by
Kendor Music Inc
(KN.52112S).
Fashioned after
the playing of J.J.
Johnson and Kai Winding,
this moderate swing
original casts the
trombone section in a
variety of starring roles
-- solis, trading 'fours'
with the rest of the
band, and a short ad lib
solo. Some sax soli work
and a short trumpet solo
give the 'bones a chance
to rest their chops
before the chart goes out
strong. Duration
3:50.
By Transcribed by John Leisenring and Hunt Butler. Published by Jamey Aebersold ...(+)
By Transcribed by John
Leisenring and Hunt
Butler. Published by
Jamey Aebersold Jazz.
(JJS)
13 classic solos of this
master's personal
favorites and some of his
very best playing.
Transcribed note-for-note
with all chord symbols.
Complete discography and
a forward by David Baker.
A real collector's item.
Solos in bass clef over
the changes to Now's The
Time, Walkin', Billie's
Bounce, Tune Up, Laura,
Yesterdays, When The
Saints Go Marching In,
and more!
Aka
Patterns For
Orchestra. Composed
by Oliver Nelson. Sheet
music. Swing. Score and
parts. Handelsware #SMP
395. Published by
Handelsware (M7.SMP-395).
English.
Also
known as Patterns For
Orchestra (as recorded on
the Verve jazz masters 48
CD), this is one of
Nelson's very interesting
charts. It has a very
angular, exciting melody
in a brisk swing tempo,
and lots of solo space
for trombone (as recorded
by J.J. Johnson). The
solo space could be
filled by piano or any
other instrument as well.
The instrumentation has
been converted to
5-4-4-4, a standard big
band.
Bonehead Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 5 SKU: KN.52112 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 5
SKU: KN.52112
Composed by Lennie
Niehaus. Kendor Archive
Editions. Swing. Score
and set of parts.
Duration 3 minutes, 50
seconds. Kendor Music Inc
#52112. Published by
Kendor Music Inc
(KN.52112).
Fashioned after
the playing of J.J.
Johnson and Kai Winding,
this moderate swing
original casts the
trombone section in a
variety of starring roles
-- solis, trading 'fours'
with the rest of the
band, and a short ad lib
solo. Some sax soli work
and a short trumpet solo
give the 'bones a chance
to rest their chops
before the chart goes out
strong. Duration
3:50.
ATTA
INGNANT Pierre : J'ay
espere (chanson de la
Renaissance, 3 vx) -
Helas ! Que c'est ung
grant remort (chanson de
la Renaissance, 3 vx) -
VECCHI Orazio : O Felice
nocchiero (Canzonette, 3
vx) - L'ultima volta
ch'io (Canzonette, 3 vx)
- MARENZIO Luca : Lasso
no e cor mio (Villanella,
3 vx) - Se il dolce
sguardo (Villanella, 3
vx) - MONTEVERDI Claudio
: Quando sperai
(Canzonette, 3 vx) - Son
questi i crespi
(Canzonette, 3 vx) -
BATESON Thomas : Your
shining eyes (Madrigal, 3
vx) - CARISSIMI Giacomo :
O Felix anima (Motet, 3
vx) - MOZART Wolfgang A.
: Due pupille (Nocturne,
3 vx) - HAYDN Joseph :
Psaumes 31 et 69 (3 vx) -
SCHUMANN : Mich zieht es
nach dem Darfchen (3 vx)
- JOHNSON Tom : Wesley's
Challenge (3 vx) -
INGENIERI Marco Antonio :
O bone Jesu (4 vx) -
ANERIO Giovanni Francesco
: O Salutaris hostia (4
vx) - CASCIOLILI Claudio
: Panis angelicus (4 vx)
- BACH J.S. : Ach, Gott,
wie manches Herzelied
(Choral, 4vx) - Ach wie
fluchtig, ach wie nichtig
(Choral, 4 vx) - BRAHMS
J. : Erlaube mir, feins
Madchen (4 vx) - GERSHWIN
: Somebody loves me (4
vx) - PETIT Jacques :
Margie, Barber shop song
(arrangement, 4 vx) -
MEYER Marc : Every time I
feel the Spirit
(Spiritual, 4 vx) -
JOHNSON Tom : Wesley 's
Challenge (4 vx).
Orchestra - Grade 2.5 SKU: AP.44827S Often Referred to as the African-...(+)
Orchestra - Grade 2.5
SKU: AP.44827S
Often Referred to as
the African-American
National Anthem.
Composed by J. Rosamond
Johnson. Arranged by Bob
Phillips. This edition:
with Chorus. Performance
Music Ensemble; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Folk;
Multicultural. Score. 8
pages. Duration 2:40.
Alfred Music #00-44827S.
Published by Alfred Music
(AP.44827S).
UPC:
038081518176. English.
James Weldon
Johnson.
The poem
and original hymn-like
music of Lift Every Voice
and Sing, by James and J.
Rosamond Johnson,
reverberate through the
decades of the civil
rights movement.
Originally performed for
Booker T. Washington in
1900, it is sometimes
called the
African-American National
Anthem. This setting, by
Bob Phillips, teaches 6/8
and uses chromatic
alterations in first
position. A vocal lead
sheet is included in the
reproducible educational
packets. The
cross-curricular
programming possibilities
are vast. (2:40).
Choral Octavo SKU: HL.369749 For SATB and Piano Choral Octavo. Com...(+)
Choral Octavo
SKU:
HL.369749
For SATB
and Piano Choral
Octavo. Composed by
J. Rosamond Johnson.
Arranged by Hale Smith.
E.B. Marks. Softcover. 4
pages. Edward B. Marks
Music #MP944012.
Published by Edward B.
Marks Music (HL.369749).
ISBN 9781705144527.
UPC: 840126992441.
6.75x10.5x0.009
inches.
The poem
“Lift Every Voice
and Sing†was
written by acclaimed
African-American poet
James Weldon Johnson in
1900 and set to music
byhis brother John
Rosamond Johnson in 1905.
The Edward B. Marks Music
Company first published
the song in 1921, which
remains strongly
associated with social
justice and patriotism,
particularly in
African-American
communities. While at one
time it could be found
pasted to the back of
some hymnals used in
African-American
churches, today the song
is formally printed under
headings such
as“national songs
or“social
justice”in many
modern hymnals. Other
versions include a
concert setting published
in 1978 for SATB chorus
and piano by Roland
Carter, a setting by Hale
Smith for SATB chorus and
orchestra also dating
from the 70s, and a
modern R&B recorded
version released in 1990
featuring Dione Warwick,
Stevie Wonder and Take 6.
This newly engraved
edition of the Hale Smith
will make the music
accessible to more
organizations.
Choral SKU: HL.350799 Full Score. Composed by J. Rosamond Johnson....(+)
Choral
SKU:
HL.350799
Full
Score. Composed by J.
Rosamond Johnson. LKM
Music. Spiritual.
Softcover. Edward B.
Marks Music #MP079003.
Published by Edward B.
Marks Music (HL.350799).
ISBN 9781705106778.
UPC:
840126935950.
The
poem “Lift Every
Voice and Sing†was
written by acclaimed
African American poet
James Weldon Johnson in
1900 and set to music
byhis brother John
Rosamond Johnson in 1905.
The Edward B. Marks Music
Company first published
the song in 1921, which
remains strongly
associated with social
justice and patriotism,
particularly in African
American communities.
While at one time it
could be found pasted to
the back of some hymnals
used in African American
Churches, today the song
is formally printed under
headings such as national
song or social justice in
many modern hymnals.
Other versions include a
concert setting published
in 1978 for SATB chorus
and piano by Roland
Carter, a setting by Hale
Smith for SATB chorus and
orchestra also dating
from the 70s, and a
modern R&B recorded
version released in 1990
featuring Dione Warwick,
Stevie Wonder and Take
6.
Composed by James Weldon Johnson and J. Rosamond Johnson. Arranged by Paul Mu...(+)
Composed by James Weldon
Johnson and J. Rosamond
Johnson. Arranged by Paul
Murtha. Series One
Marching
Band. African-American,
Spiritual. Softcover.
Published by Hal Leonard
Choral (SATB) SKU: HL.456057 Composed by J. Rosamond Johnson and James We...(+)
Choral (SATB)
SKU:
HL.456057
Composed by
J. Rosamond Johnson and
James Weldon Johnson.
Arranged by Rollo
Dilworth. Festival
Choral. African-American,
Concert, Festival,
General Worship, Gospel,
Inspirational, Sacred,
Spiritual. Octavo.
Duration 240 seconds.
Published by Hal Leonard
(HL.456057).
UPC:
196288066675.
6.75x10.5x0.036
inches.
Now
available for SATB and
SAB. Often referred to as
the âBlack National
Anthem,â young
people need to know this
song and its importance
in American history.
Singers of all ages need
to sing this song and
know this inspirational
anthem of faith and
hope.
Choral (SAB Choir) SKU: HL.456058 Composed by J. Rosamond Johnson and Jam...(+)
Choral (SAB Choir)
SKU: HL.456058
Composed by J. Rosamond
Johnson and James Weldon
Johnson. Arranged by
Rollo Dilworth. Festival
Choral. African-American,
Concert, Festival,
General Worship, Gospel,
Inspirational, Sacred,
Spiritual. Octavo.
Duration 240 seconds.
Published by Hal Leonard
(HL.456058).
UPC:
196288066682.
6.75x10.5x0.036
inches.
Now
available for SATB and
SAB. Often referred to as
the “Black National
Anthem,†young
people need to know this
song and its importance
in American history.
Singers of all ages need
to sing this song and
know this inspirational
anthem of faith and
hope.
Lift Ev'ry Voice and Sing Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Composed by James Weldon Johnson and J. Rosamond Johnson. Arranged by Paul Mu...(+)
Composed by James Weldon
Johnson and J. Rosamond
Johnson. Arranged by Paul
Murtha. Flex-Band Grade
2.
African-American, Easy
Listening, Spiritual.
Softcover. Duration 235
seconds. Published by Hal
Leonard
SATB choir, piano reduction, C instrument, B-flat instrument - Early intermediat...(+)
SATB choir, piano
reduction, C instrument,
B-flat instrument - Early
intermediate
SKU:
GI.G-10469
Composed
by J. Rosamund Johnson.
African American Church
Music Series. Tune Name:
Anthem. Sacred. Octavo. 8
pages. GIA Publications
#10469. Published by GIA
Publications
(GI.G-10469).
Choir Sacred (SAB choir/3-Part choir Mixed) SKU: AP.45681 Composed by J. ...(+)
Choir Sacred (SAB
choir/3-Part choir Mixed)
SKU: AP.45681
Composed by J. Rosamond
Johnson. Arranged by Greg
Gilpin. Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Gospel;
Peace/Brotherhood;
Spiritual. Choral Octavo.
12 pages. Alfred Music
#00-45681. Published by
Alfred Music (AP.45681).
UPC: 038081514208.
English. Words by James
Weldon
Johnson.
This
contemporary spiritual
boasts a rich history as
a song of liberation and
has been dubbed the Black
American National Anthem.
Greg's tour-de-force
arrangement opens with a
powerful unison before
developing into thick
gospel harmonies. Perform
with the SoundTrax CD or
the SoundPax parts for
guitar, bass, and
drumset. Both words and
music will resonate long
after the final glorious
chord!
Composed by James Weldon Johnson, music by J. Rosamond Johnson. Arranged by Greg...(+)
Composed by James Weldon
Johnson, music by J.
Rosamond Johnson.
Arranged by Greg Gilpin.
Choral Octavo. Alfred
Choral Designs. Gospel;
Spiritual. 12 pages.
Published by Alfred Music
(AP.45680).
By Andy Razaf and J.C. Johnson, music by Thomas Fats Waller. Arranged by Alan ...(+)
By Andy Razaf and J.C.
Johnson, music by Thomas
Fats Waller. Arranged by
Alan Billingsley. Choir
Secular. This edition:
SoundTrax CD. Choral
Octavo. Pop Choral.
Broadway. Accompaniment
and performance CD
A Haunted Trilogy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4889-00 Composed by J. Johnson. Young Concert Band. C...(+)
Grade 2
SKU:
CL.011-4889-00
Composed by J. Johnson.
Young Concert Band.
Command Series. Score and
set of parts. Composed
2020. Duration 3 minutes,
33 seconds. C.L.
Barnhouse #011-4889-00.
Published by C.L.
Barnhouse
(CL.011-4889-00).
A Haunted
Trilogy is guaranteed to
become a favorite for
student and audience
alike. Set as a trilogy
of three short movements,
your band can play one
for a quick novelty
piece, or all three as a
divertimento or program
music. March of the
Gremlins opens the suite
with an eerie march.
Tarantella For Trolls
continues the spooky
musical fun with a
slightly twisted little
dance. Goblin’s
Gavotte closes our
haunted suite with an
ominous romp. It’s
mischievously impish,
looming, conniving, and a
great learning piece for
chromatics in three
different styles.
Boo!
About
C.L. Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.