By David Strasser/John Hughes. Arranged by Larry Shackley. Commitment, Devotion, Guidance, Contemporary, Hymntune and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

By John Hughes. Arranged by Margaret R. Tucker. For 3-5 octave handbell choir with optional 2 octave handchimes. Level 3. Handbell score. 11 pages. Published by Chorister's Guild

Choral (SATB)

SKU: HL.1138341

Composed by John Hughes. Arranged by Duane Funderburk. Jubal House. General Worship, Sacred. Octavo. 12 pages. Jubal House Publications #JH-2150. Published by Jubal House Publications (HL.1138341).

UPC: 196288114079. 6.75x10.5x0.029 inches.

“Guid e Me, O Thou Great Redeemer” is a festive arrangement of the familiar hymn tune, CWM Rhonda. With optional full orchestra or brass/percussion instrumentation, Duane Funderburk's arrangement also has an option of involving the congregation along with the choir. This prayerful hymn would make an amazing festival piece fitting for many performance settings.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Intermediate

SKU: GI.G-9336

Composed by John Hughes. Arranged by Raymond H Haan. Calvin Institute. Tune Name: Cwm Rhondda. Sacred. Octavo. 16 pages. GIA Publications #9336. Published by GIA Publications (GI.G-9336).

UPC: 785147933601. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.

One of the grandest tunes in Christian hymnody is CWM RHONDDA, and Raymond Haan has crafted a setting that magnifies the tune’s gravitas. The tune appears with its traditional partner, “God of Grace and God of Glory,” and would be ideal for festival or ecumenical celebrations. The brass and timpani are optional, horn in F may be substituted for the trombone I. The brass and timpani parts are optional and horn in F is a substitute for trombone I.

By John Innes. O & p. Level: 3-staff. Sacred organ and piano. Published by Lorenz Publishing Company.

Highlights Edition. By Herbert Hughes. (Voice and Piano). Boosey and Hawkes Voice. Size 9x12 inches. 100 pages. Published by Boosey and Hawkes.

From the Golden Age of Etude Magazine (1913-1940). Edited by Jeffrey Johnson. Masterworks; Reference Textbooks; Textbook - Piano. Dover Edition. Masterwork. Book. Published by Dover Publications (AP.6-424243).

Craig Hella Johnson Choral Series. Composed by Rollo Dilworth. Voices Rising. Festival, Concert, Inspirational. Octavo. Published by Hal Leonard

Choir; rhythm

SKU: HP.C5348R

Composed by Tim Hughes. Arranged by Larry Shackley. Piano with Optional Rhythm Parts (Guitar, Bass, Drums). Contemporary, Hymntune, Gathering, General Worship, Call To Worship, Commitment, Devotion, Discipleship, Humility, Love, Sacred. Rhythm parts. Hope Publishing Company #C5348R. Published by Hope Publishing Company (HP.C5348R).

UPC: 763628253486. By Tim Hughes. Luke 10:27, Mark 12:30, Genesis 24:26, Exodus 4:31, 2 Chronicles 29:28, Nehemiah 8:6, 1 John 4:19, 1 Peter 5:4, 2 Timothy 4:8, James 1:12, John 14:1-4, John 15:12, John 21:15-19, Psalms 22:25-31.

Medley of a classic hymn and a popular worship song by Tim Hughes
The current #1 title on the CCLI chart, British songwriter, Tim Hughes' beautiful expression of gratitude for the sacrifice of Jesus Christ is paired here by arranger, Larry Shackley, with the classic hymn My Jesus, I Love Thee. This blended medley is appropriate for Communion services, Holy Week, or any service that focuses on the cross of Christ.

25 Contemporary Christian Hits. Performed by Various. Book (not sheet music). Size 9x12 inches. 224 pages. Published by Word Music.

Fanfare Band - Grade 3

SKU: BT.AMP-139-020

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-020. Published by Anglo Music Press (BT.AMP-139-020).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-139-010

Composed by Traditional. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-010. Published by Anglo Music Press (BT.AMP-139-010).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Fanfare Band - Grade 3

SKU: BT.AMP-139-120

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2005. 12 pages. Anglo Music Press #AMP 139-120. Published by Anglo Music Press (BT.AMP-139-120).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by Lara Downes. Collection. Theodore Presser Company #440-40028. Published by Theodore Presser Company

Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Softcover. 192 pages. Novello and Co Ltd. #NOV164681. Published by Novello and Co Ltd.

Composed by George Frideric Handel (1685-1759). Edited by Wolfram Windszus. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 9.1. First version. Score. HWV 49a. Baerenreiter Verlag #BA04039-01. Published by Baerenreiter Verlag

Piano Solo. By Various Artists. This edition: 080689395383. Book (not sheet music). Softcover. 144 pages. Published by Word Music.

25 Solo Keyboard Medleys for Contemporary Worship. Arranged by Carol Tornquist. Sacred Choral. Size 9x12 inches. 128 pages. Published by Word Music.

Recorder and Piano - Intermediate-Advanced

SKU: FP.FCG08

Composed by Gordon Crosse. Sheet Music and Books. A loving tribute to birdlife by avid 'twitcher' and leading British composer Gordon Crosse, for the intermediate to advanced recorder player. Classical. Collection. Forsyths Publications #FCG08. Published by Forsyths Publications (FP.FCG08).

ISBN 9790570504084.

Born in Bury in 1937, Gordon Crosse is one of the most distinguished composers of his generation. He studied at Oxford University under Egon Wellesz and, during a long academic career, was Composer-in-Residence at King's College Cambridge from 1973-75. His best known works include the oboe concertante Ariadne, the Three Choirs Festival Oratorio Changes, the opera Purgatory, the children's entertainment Meet my Folks, to words by Ted Hughes, the orchestral Dreamsongs (a homage to the music of Benjamin Britten) and Memories of Morning: Night (a monodrama for mezzo-soprano and orchestra).

Three Twitchings was first performed by John Turner (recorder) and Nathan Williamson (piano) in the Library at The Red House, Aldeburgh, on October 4th 2018. Two scores are provided, rather than a separate recorder part, so that the recorder player can see and respond to the pianist's part as they play.

By John (Pontypridd) Hughes. Arranged by Dan Forrest. For SATB choir (organ accompaniment). Dan Forrest Series. Main Key: E Flat Major. Sacred. Difficulty: Medium (Adult). Score and set of instrumental parts. Duration 5 minutes 26 seconds. Published by Hi