Mixed choir-SATB, piano ad libitum (organ ad libitum) (Mixed choir (SATB), Piano...(+)
Mixed choir-SATB, piano
ad libitum (organ ad
libitum) (Mixed choir
(SATB), Piano ad libitum
(Organ ad libitum)) -
Level 2
SKU:
BA.BA06237
Composed
by Franz Joseph Haydn.
Edited by Bernhard
Paumgartner. Stapled.
Chor-Archiv. Chorlieder,
Klassik (Choral,
Classical). Choral score.
Hob. XXVc:8. 7 pages.
Baerenreiter Verlag
#BA06237_00. Published by
Baerenreiter Verlag
(BA.BA06237).
ISBN
9790006477333. 27 x 19 cm
inches. Text: Christian F
Gellert.
SSA choir, [organ] - Level 1 SKU: CA.325230 Composed by Christopher Robin...(+)
SSA choir, [organ] -
Level 1
SKU:
CA.325230
Composed by
Christopher Robinson and
John Reading. Separate
edition with choral
collection. Sacred vocal
music, Christmas Carols,
Advent, Christmas. Full
score. Composed 2012.
Duration 2 minutes. Carus
Verlag #CV 03.252/30.
Published by Carus Verlag
(CA.325230).
ISBN
9790007159092. Key: F
major. Text language:
Latin/German. Text:
Borderies, Jean Francois
/ Mohr, Joseph
Franz.
Communion Rite.
Composed by Franz Xaver
Gruber. Arranged by Gary
Daigle. Christmastide,
Christmas Vigil,
Christmas Night. Ritual
Prayer. Tune Name: STILLE
NACHT. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #4967.
Published by GIA
Publications (GI.G-4967).
UPC: 785147496700.
Translation: John F.
Young. Text by Joseph
Mohr.
Piano SKU: BT.LCM9790570121281 Exam Material. Book Only. 48 pages. London...(+)
Piano
SKU:
BT.LCM9790570121281
Exam Material. Book Only.
48 pages. London College
Music #LCM9790570121281.
Published by London
College Music
(BT.LCM9790570121281).
English.
This
publication is part of a
progressive series of
handbooks, primarily
intended for candidates
considering taking LCM
examinations in Piano.
However, given each
handbook's wide content
of musical repertoire
andassociatededucational
material, the series
provides a solid
foundation of musical
education for any Piano
student, of any age,
whether they are
intending to take an exam
or not.
Arranged by Leo Nestor. Text: Joseph Mohr, translated by J.F. Young. For SATB Ch...(+)
Arranged by Leo Nestor.
Text: Joseph Mohr,
translated by J.F. Young.
For SATB Choir, Strings.
(Mixed Voices).
Christmas. Choral. 8
pages. Published by ECS
Publishing.
SAM choir, [organ] - Level 1 SKU: CA.324550 Composed by Christopher Robin...(+)
SAM choir, [organ] -
Level 1
SKU:
CA.324550
Composed by
Christopher Robinson and
John Reading. Separate
edition with choral
collection. Sacred vocal
music, Christmas Carols,
Advent, Christmas. Full
score. Composed 2012.
Duration 2 minutes. Carus
Verlag #CV 03.245/50.
Published by Carus Verlag
(CA.324550).
ISBN
9790007158859. Key: F
major. Text language:
Latin/German. Text:
Borderies, Jean Francois
/ Mohr, Joseph
Franz.
Men's choir (TTBB) with solo (T) and small orchestra ((Fl, Klar-a, Hn-f, Pk, Sch...(+)
Men's choir (TTBB) with
solo (T) and small
orchestra ((Fl, Klar-a,
Hn-f, Pk, Schlgz, Klav,
Str)) - advanced
SKU:
HL.49004772
Serenade Trommler,
lass dein Kalbfell
klingen. Composed by
Joseph Haas. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score. Op.
102. 36 pages. Duration
9'. Schott Music #ED
4295. Published by Schott
Music (HL.49004772).
For B-Flat Trumpet, F Horn, Trombone/Euphonium. By Franz Joseph Haydn; Henry Pur...(+)
For B-Flat Trumpet, F
Horn, Trombone/Euphonium.
By Franz Joseph Haydn;
Henry Purcell; Johann
Sebastian Bach; R.
Volkmann; Robert
Schumann. Arranged by
Ernest R. Miller. Brass
trio. For Trumpet, French
Horn, Baritone/Euphonium,
Trombone. Score and
parts. 7 pages. Published
by Theodore Presser
Company.
String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144407270 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.144407270
Composed
by Sydney F. Hodkinson.
Sws. Set of Score and
Parts. 44+16+16+16+16
pages. Duration 22
minutes. Merion Music
#144-40727. Published by
Merion Music
(PR.144407270).
UPC:
680160681891. 9 x 12
inches.
My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H.
Guitar SKU: SU.42001150 For Guitar. Composed by Joseph F. Lamb. Ar...(+)
Guitar
SKU:
SU.42001150
For
Guitar. Composed by
Joseph F. Lamb. Arranged
by Marcel Robinson.
Guitar. Score. Subito
Music Corporation
#42001150. Published by
Subito Music Corporation
(SU.42001150).
Transcription
for Guitar: Marcel
Robinson Published by:
Cambium Music
Publications.
Flutes and Piano SKU: HL.50510436 Per due flauti e basso continuo RV 8...(+)
Flutes and Piano
SKU:
HL.50510436
Per
due flauti e basso
continuo RV 80 (F. XV.
No. 7, P.V. -). By
Miklos Spanyi. By Antonio
Vivaldi. Arranged by
Né, meth Spá,
and nyi. Baroque. EMB.
Book Only. 18 pages.
Editio Musica Budapest
#Z13186. Published by
Editio Musica Budapest
(HL.50510436).
ISBN
9790080131862. UPC:
073999863185.
8.0x11.25x0.075 inches.
Antonio Vivaldi; Pal
Nemeth; Mikael Miklos
Spanyi.
Vivaldi's
composition published in
this edition is,
according to our present
state of knowledge, the
only work of the composer
for 2 flutes and basso
continuo. Its copy in an
alien hand is held at the
Library of the University
of Lund, Sweden, in the
collection of the German
composer Joseph Martin
Kraus (1756-1792).
According to Ryom's
catalogue the piece
survives in the hand of
one Vivaldi's
contemporaries.
By Franz Joseph Haydn. Edited by Nagy. For SATB soli, SATB, 002 (1) 0200 timpani...(+)
By Franz Joseph Haydn.
Edited by Nagy. For SATB
soli, SATB, 002 (1) 0200
timpani, strings, organ.
Hob.XXII:12(Lat). Full
Score. Published by C.F.
Peters.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
15'. Breitkopf and
Haertel #OB 15129-16.
Published by Breitkopf
and Haertel
(BR.OB-15129-16).
ISBN
9790004342060. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart's horn
concertos: the Mozart
expert Henrik Wiese edits
the central work genre of
Viennese classicism
according to the current
status of international
Mozart research. Mozart
wrote the Horn Concerto
K. 417 - like the other
works of this genre as
well - for his
horn-playing friend
Joseph Leutgeb. The jokes
which the composer made
at Leutgeb's expense are
wellknown. For example,
he called the dedicatee a
donkey in the autograph,
and, as Henrik Wiese
evidences in his preface,
Mozart also occasionally
enjoyed a bit of
tomfoolery with the
soloist in the musical
text as well.Otherwise
the editor's task was
anything but amusing. The
main source - the
autograph score - is
incomplete: missing are
the close of Movement I
as well as the entire
slow middle movement. For
these two sections, Wiese
used a copy of the score
from the archive of the
publisher Johann Andre.
The unusual circumstance
that Mozart generally
left the horn part almost
unmarked recurs in the
Concerto K. 417 and was
deliberately maintained
in the Urtext
edition.
Viola SKU: PR.HM000026C Composed by Franz Joseph Haydn. Edited by H. C. L...(+)
Viola
SKU:
PR.HM000026C
Composed
by Franz Joseph Haydn.
Edited by H. C. Landon.
Haydn-Mozart Presse.
Part. With Standard
notation. Hob. I:58.
Duration 22 minutes.
Universal Edition
#HM000026C. Published by
Universal Edition
(PR.HM000026C).
ISBN
9783702403478. UPC:
803452001034. Key: F
major.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC6. Published
by The Frederick Harris
Music Company (FH.VC6).
ISBN
978-1-55440-542-8.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos:<
br>Concerto No. 4 in G
Major, op. 65 -
Goltermann, Georg arr.
Leo Schulz - First
Movement:
Allegro Concertino No.
1 in C Major, op. 7 -
Klengel, Julius -
First Movement:
Allegro Concerto No. 1
in A Minor, RV 422 -
Vivaldi, Antonio arr.
Eberhard Wenzel -
Second Movement: Largo
cantabile Sonatas and
Suites: Sonata in D
Minor, op. 8, no. 9 - De
Fesch, Willem arr. Jason
Noble - First
Movement: Siciliano -
Second Movement:
Allemande Sonata in G
Minor, RV 42 - Vivaldi,
Antonio - First
Movement: Preludio -
Second Movement:
Allemanda Sinfonia in
F Major - Pergolesi,
Giovanni Battista arr.
Joseph Schmid - Third
Movement: Adagio -
Fourth Movement:
Presto Concert
Repertoire: Lied ohne
Worte, op. 109 -
Mendelssohn,
Felix Cantillation -
Ethridge,
Jean Supplication -
Bloch, Ernest Romanze
- Reger, Max La
Provencale - Marais,
Marin arr. May
Mukle Gavotte, op. 67,
no. 2 - Popper,
David Serenade
espagnole, op. 20, no. 2
- Glazunov, Aleksandr
arr. M.P.
Belaieff Andaluza
(Playera) - Granados,
Enrique arr. Manuel
Calvo Apparition -
Rathburn,
Eldon Siciliana -
Piazzolla,
Astor Unaccompanied
Repertoire: Suite No.
5 in C Minor, BWV 1011 -
Bach, Johann
Sebastian - Seventh
Movement: Gigue Suite
No. 2 in D Minor, BWV
1008 - Bach, Johann
Sebastian - Third
Movement:
Courante Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude I
Dropped My Ice Cream Cone
- Laut, Edward Ballad
- Laut, Edward.
![Horn Concerto [No. 2] in E flat major K. 417](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw9b4a5674/images/8786/20318786_cover-large_file.png)
