New Hampshire Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1175783-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1175783-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2018. De Haske
Publications #DHP
1175783-020. Published by
De Haske Publications
(BT.DHP-1175783-020).
English-German-French-
Dutch.
New
Hampshire is part of the
greater region of New
England in the north-east
of the United States. The
introduction to this work
is inspired on the
nickname of New
Hampshire, ‘The
Granite State’,
which refers to the
extensive granite
formations and stone
quarries. We further
explore this beautiful
state through Market
Square in Portsmouth, the
nature park Franconia
Notch, and the Kancamagus
Highway. The work closes
in a grand manner, with a
bow to one of the most
beautiful of all American
states.
New
Hampshire maakt deel uit
van de grotere regio New
England in het
noordoosten van de
Verenigde Staten. De
inleiding van deze
compositie is ge
nspireerd op de bijnaam
van New Hampshire, The
Granite State, die
verwijst naar omvangrijke
granieten formaties en
steengroeven. We
verkennen deze prachtige
staat verder via de
Market Square in
Portsmouth, het
natuurpark Franconia
Notch en de Kancamagus
Highway. Het werk sluit
groots af met een buiging
voor een van de mooiste
staten die Amerika rijk
is.
New Hampshire
ist ein Bundesstaat in
der Region New England im
Nordosten der Vereinigten
Staaten. Die Einleitung
des Werkes ist vom
Spitznamen New Hampshires
The Granite State
(Granit-Staat“)
inspiriert, der sich auf
die großen
Granitformationen und
Steinbrüche bezieht.
In dem Stück entdeckt
man diesen
wunderschönen
Bundesstaat mit dem
Marktplatz von
Portsmouth, dem Naturpark
Franconia Notch und dem
Kancamagus Highway. Das
Werk endet auf
großartige Art und
Weise mit einer
Verneigung vor einem der
schönsten
Bundesstaaten
Amerikas.
New Hampshire Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1175783-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1175783-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2018. 27 pages. De Haske
Publications #DHP
1175783-120. Published by
De Haske Publications
(BT.DHP-1175783-120).
English-German-French-
Dutch.
New
Hampshire is part of the
greater region of New
England in the north-east
of the United States. The
introduction to this work
is inspired on the
nickname of New
Hampshire, ‘The
Granite State’,
which refers to the
extensive granite
formations and stone
quarries. We further
explore this beautiful
state through Market
Square in Portsmouth, the
nature park Franconia
Notch, and the Kancamagus
Highway. The work closes
in a grand manner, with a
bow to one of the most
beautiful of all American
states.
New
Hampshire maakt deel uit
van de grotere regio New
England in het
noordoosten van de
Verenigde Staten. De
inleiding van deze
compositie is ge
nspireerd op de bijnaam
van New Hampshire, The
Granite State, die
verwijst naar omvangrijke
granieten formaties en
steengroeven. We
verkennen deze prachtige
staat verder via de
Market Square in
Portsmouth, het
natuurpark Franconia
Notch en de Kancamagus
Highway. Het werk sluit
groots af met een buiging
voor een van de mooiste
staten die Amerika rijk
is.
New Hampshire
ist ein Bundesstaat in
der Region New England im
Nordosten der Vereinigten
Staaten. Die Einleitung
des Werkes ist vom
Spitznamen New Hampshires
The Granite State
(Granit-Staat“)
inspiriert, der sich auf
die großen
Granitformationen und
Steinbrüche bezieht.
In dem Stück entdeckt
man diesen
wunderschönen
Bundesstaat mit dem
Marktplatz von
Portsmouth, dem Naturpark
Franconia Notch und dem
Kancamagus Highway. Das
Werk endet auf
großartige Art und
Weise mit einer
Verneigung vor einem der
schönsten
Bundesstaaten
Amerikas.
Kebek Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064018-013 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1064018-013
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts) with
CD. Composed 2006. De
Haske Publications #DHP
1064018-013. Published by
De Haske Publications
(BT.DHP-1064018-013).
Countertenor solo or female voices, cello, Crotales (Countertenor Solo or Female...(+)
Countertenor solo or
female voices, cello,
Crotales (Countertenor
Solo or Female voice,
Violoncello, Crotales)
SKU: BA.BA09366
Three minatures for
countertenor (or female
voice) and violoncello on
texts by Arno
Schmidt. Composed by
Andrea Lorenzo
Scartazzini. Stapled.
Performance score,
Singing Score. Composed
2007. 6 pages. Duration
17 minutes. Baerenreiter
Verlag #BA09366_00.
Published by Baerenreiter
Verlag (BA.BA09366).
ISBN 9790006536290. 34
x 27.5 cm inches.
Language: German. Text:
Arno
Schmidt.
“Ich
lausch dem Wind,
schweigend und
versonnen.â€
Scartazzini has
selected contemplative
texts inspired by nature
such as this poetic
miniature and transformed
them into subtle,
delicate duos. The
countertenor (which also
can be sung by a female
voice) juxtaposes his own
vocal part and the
ethereal sounding cello
part with light gestures
on two crotales. In the
third miniature a sense
that the wind is barely
whispering is conveyed by
the voice.
Mirage Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115006-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115006-010
Composed by Jacob De
Haan. On Parade! March.
Set (Score & Parts).
Composed 2010. De Haske
Publications #DHP
1115006-010. Published by
De Haske Publications
(BT.DHP-1115006-010).
MARS (135X180)
inches.
A mirage is
an illusion, something
without substance that
does not really exist.
Although not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De
Haan’s original
composition, Mirage.
Mirage is
het Engelse synoniem voor
‘Fata
Morgana‘. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
‘wandelthemaâ€
brengt de vreugde die
de toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e“ ist ein
englisches Synonym
für Fata
Morgana“. Als
kreativer Anstoß
für diese
Komposition diente Jacob
de Haan ein
Spaziergänger, der
durch eine Waldlandschaft
im holländischen
Gelderland geht und dabei
glaubt, ein Gewässer
zu sehen. Das im Trio
teilweise gesungene
Spaziergangs“-Thema
bringt die Freude an
diesem Naturerlebnis
besonders gut zum
Ausdruck.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
“miraggio†di
uno specchio
d’acqua che gli si
è presentato durante
una passeggiata in una
foresta in Olanda. Il
tema della
“passeggiataâ€
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
Fanfare Band - Grade 6 SKU: BT.DHP-1084436-020 Composed by Jan de Haan. S...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1084436-020
Composed by Jan de Haan.
Sovereign Series. Concert
Piece. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084436-020. Published by
De Haske Publications
(BT.DHP-1084436-020).
9x12 inches.
English-Dutch.
On
average, about eight
thousand (mostly light)
earthquakes occur
worldwide each day.
Composer Jan de Haan has
always been fascinated by
this natural phenomenon.
Earthquake portrays the
beautiful South-American
peninsula, Isla Iberi
which lies directly on a
major fault line. The
peace and tranquility is
shattered by a major
tremor and the terrified
people flee in fear. In
addition to showing the
earthquakes destructive
power, Earthquake also
conveys the courage and
faith of the industrious
people of Isla Iberia, as
they energetically start
the reconstruction of
their beloved residential
area. Earthquake is
dedicated to the memory
of all victims of the
devastating Asiantsunami
which occurred on 26
December 2004.
Earthquake
is een indrukwekkende en
contrastrijke
programmatische
compositie over de impact
van een zware aardbeving.
De muziek is net zo
imposant als het
natuurgeweld zelf - en
net zo aangrijpend als de
ervaring van de mensendie
het meemaken.
Earthquake was het
verplichte werk voor de
hoogste divisie van de
Nederlandse
Brassbandkampioenschappen
2005.
Earthquak
e ist eine
beeindruckende,
emotionale und
kontrastive thematische
Komposition über die
Naturgewalt eines
heftigen Erdbebens.
Fanfare Band - Grade 6 SKU: BT.DHP-1084436-120 Composed by Jan de Haan. S...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1084436-120
Composed by Jan de Haan.
Sovereign Series. Concert
Piece. Score Only.
Composed 2008. 100 pages.
De Haske Publications
#DHP 1084436-120.
Published by De Haske
Publications
(BT.DHP-1084436-120).
9x12 inches.
English-Dutch.
On
average, about eight
thousand (mostly light)
earthquakes occur
worldwide each day.
Composer Jan de Haan has
always been fascinated by
this natural phenomenon.
Earthquake portrays the
beautiful South-American
peninsula, Isla Iberi
which lies directly on a
major fault line. The
peace and tranquility is
shattered by a major
tremor and the terrified
people flee in fear. In
addition to showing the
earthquakes destructive
power, Earthquake also
conveys the courage and
faith of the industrious
people of Isla Iberia, as
they energetically start
the reconstruction of
their beloved residential
area. Earthquake is
dedicated to the memory
of all victims of the
devastating Asiantsunami
which occurred on 26
December 2004.
Earthquake
is een indrukwekkende en
contrastrijke
programmatische
compositie over de impact
van een zware aardbeving.
De muziek is net zo
imposant als het
natuurgeweld zelf - en
net zo aangrijpend als de
ervaring van de mensendie
het meemaken.
Earthquake was het
verplichte werk voor de
hoogste divisie van de
Nederlandse
Brassbandkampioenschappen
2005.
Earthquak
e ist eine
beeindruckende,
emotionale und
kontrastive thematische
Komposition über die
Naturgewalt eines
heftigen Erdbebens.
Concert Band (Score & Parts) - Level 2.5 SKU: HL.44011057 Composed by Jac...(+)
Concert Band (Score &
Parts) - Level 2.5
SKU: HL.44011057
Composed by Jacob De
Haan. De Haske Concert
Band. March. Set (Score &
Parts). Composed 2010. De
Haske Publications
#1115006010. Published by
De Haske Publications
(HL.44011057).
UPC:
884088640026. MARS
(135X180) inches.
A
mirage is an illusion,
something without
substance that does not
really exist. Although
not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De Haan's
original composition,
Mirage.
Mirage is
het Engelse synoniem voor
'Fata Morgana'. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
'wandelthema' brengt de
vreugde die de
toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e ist ein englisches
Synonym für Fata
Morgana. Als kreativer
Anstoss für diese
Komposition diente Jacob
de Haan ein
Spazierganger, der durch
eine Waldlandschaft im
hollandischen Gelderland
geht und dabei glaubt,
ein Gewasser zu sehen.
Das im Trio teilweise
gesungene
Spaziergangs-Thema bringt
die Freude an diesem
Naturerlebnis besonders
gut zum Ausdruck.
<< Fata Morgana
>> est le nom donne a un
phenomene de mirage, et
que l'on attribuait a la
fee Morgane. Du mirage,
nous passons aux notes
joyeuses d'une etrange
promenade en foret ou la
lumiere donne la
sensation de l'existence
d'une nappe d'eau au pied
d'un arbre. Mirage ou
realite ? A vous de le
decouvrir. Ce qui est
sur, c'est que le Theme
de la promenade (Trio)
est partiellement chante.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
miraggio di uno specchio
d'acqua che gli si e
presentato durante una
passeggiata in una
foresta in Olanda. Il
tema della passeggiata
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1115006-020 March. Composed b...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1115006-020
March. Composed by
Jacob De Haan. On Parade!
Set (Score & Parts).
Composed 2010. De Haske
Publications #DHP
1115006-020. Published by
De Haske Publications
(BT.DHP-1115006-020).
9x12 inches.
A
mirage is an illusion,
something without
substance that does not
really exist. Although
not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De
Haan’s original
composition, Mirage.
Mirage is
het Engelse synoniem voor
‘Fata
Morgana‘. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
‘wandelthemaâ€
brengt de vreugde die
de toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e“ ist ein
englisches Synonym
für Fata
Morgana“. Als
kreativer Anstoß
für diese
Komposition diente Jacob
de Haan ein
Spaziergänger, der
durch eine Waldlandschaft
im holländischen
Gelderland geht und dabei
glaubt, ein Gewässer
zu sehen. Das im Trio
teilweise gesungene
Spaziergangs“-Thema
bringt die Freude an
diesem Naturerlebnis
besonders gut zum
Ausdruck.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
“miraggio†di
uno specchio
d’acqua che gli si
è presentato durante
una passeggiata in una
foresta in Olanda. Il
tema della
“passeggiataâ€
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1115006-120 March. Composed b...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1115006-120
March. Composed by
Jacob De Haan. On Parade!
Score Only. Composed
2010. 16 pages. De Haske
Publications #DHP
1115006-120. Published by
De Haske Publications
(BT.DHP-1115006-120).
9x12 inches.
A
mirage is an illusion,
something without
substance that does not
really exist. Although
not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De
Haan’s original
composition, Mirage.
Mirage is
het Engelse synoniem voor
‘Fata
Morgana‘. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
‘wandelthemaâ€
brengt de vreugde die
de toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e“ ist ein
englisches Synonym
für Fata
Morgana“. Als
kreativer Anstoß
für diese
Komposition diente Jacob
de Haan ein
Spaziergänger, der
durch eine Waldlandschaft
im holländischen
Gelderland geht und dabei
glaubt, ein Gewässer
zu sehen. Das im Trio
teilweise gesungene
Spaziergangs“-Thema
bringt die Freude an
diesem Naturerlebnis
besonders gut zum
Ausdruck.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
“miraggio†di
uno specchio
d’acqua che gli si
è presentato durante
una passeggiata in una
foresta in Olanda. Il
tema della
“passeggiataâ€
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
Piano SKU: BT.BOE7935 Songbook. Composed by Hauschka. Contemporary...(+)
Piano
SKU:
BT.BOE7935
Songbook. Composed
by Hauschka. Contemporary
Music. Book Only.
Composed 2019. 80 pages.
Bosworth & Co. #BOE7935.
Published by Bosworth &
Co. (BT.BOE7935).
ISBN
9783954562008.
German.
Known
professionally as
Hauschka, composer Volker
Bertelmann has catapulted
himself into the top tier
of instrumental
composers. This is
proven, not least, by the
Oscar nomination which he
received for his
soundtrack to the2016
film Lion.
In his
latest album A Different
Forest, released on 8
February 2019 at Sony
Classical, Hauschka takes
the forest as a contrast
to the urban life. The
names of the pieces, such
as 'Talking To My
Father',testify equally
that those natural
experiences are
metaphorical of the
important things in
life.
For this
album Hauschka renounces
entirely his prepared
Piano. The existential
questions which he
musically poses,
however,donot lose their
intensity, but rather,
without the alienation by
electronic elements, gain
urgency.
In
addition to the 13 LP
tracks, this songbook for
Piano also contains three
exclusive arrangements of
previouslyunreleased
songs: 'Collecting
Stones', 'Loosing
Directions' and 'Misty
Day'.
Volker
Bertelmann aka Hauschka
lanceerde zichzelf naar
top van de instrumeantele
componisten, niet in het
minste door zijn
oscar-nominatie die hij
ontving voor zijn
soundtrack bij de film
Lion. In zijn laatste
album A Different Forest
- uitgebracht op 8
februari 2019 - gebruikt
hij het bos als een
contrast met het
stadsleven.
Titels
zoals Talking To My
Father tonen dat deze
ervaringen in de natuur
metaforen zijn voor
belangrijke
gebeurtenissen in het
leven. Dit songbook voor
piano bevat, naast de 13
nummers van de LP,
eneneens 3 exclusieve
bewerkingen van tot nu
onuitgebrachte nummers:
Collecting Stones,
Losing Directions and
Misty
Day.
Volker
Bertelmann alias Hauschka
hat sich mittlerweile in
die oberste Riege der
Instrumentalkomponisten
katapultiert. Dies
beweist nicht zuletzt die
Oscar-Nominierung, die er
für seinen Soundtrack
zum Film Lion“
erhielt. In seinem
neusten Album A Different
Forest“ am 08.
Februar 2019 bei Sony
Classical erschienen
nimmt er sich dem Wald
als Kontrastraum zum
städtischen Leben an.
Titelnamen wie Talking
To My Father bezeugen
gleichermaßen, dass
jene Naturerfahrungen
metaphorisch für die
wichtigen Dinge des
Lebens stehen. Für
dieses Album verzichtet
Hauschka gänzlich auf
sein präpariertes
Klavier. Die
existentiellen Fragen,
denen er sich musikalisch
stellt, verlieren
hierdurch aber nicht an
Intensität, sondern
gewinnen ohne die
Verfremdung durch
elektronische Elemente
vielmehr an
Dringlichkeit. Dieses
Songbook für Klavier
enthält neben den 13
Titeln der LP drei
exklusive Arrangements
bisher
unveröffentlichter
Songs: Collecting
Stones, Losing
Directions und
Misty
Day.
Volker
Bertelmann aka Hauschka
si è portato a un
livello superiore dei
compositori strumentali.
Questo non è subito
evidente nella colonna
sonora del film Lion, per
cui ha ricevuto una
candidatura all' Oscar,
ma nel suo ultimo album A
Different Forest - uscito
l'8 febbraio 2019 - in
cui utilizza l'immagine
della foresta come
contrasto con la vita
urbana.
Titoli come
Talking to My
Father testimoniano
allo stesso modo che
tutte quelle esperienze
della natura sono
metafore di eventi
importanti della vita.
Questo canzoniere per
pianoforte contiene,
oltre ai 13 brani
dell'LP, tre
arrangiamenti esculisivi
di canzoni inedite:
Collecting Stones,
Losing Directions e
Misty Day.
By Melody Bober. For Piano. Written For You Collections. With its playful melody...(+)
By Melody Bober. For
Piano. Written For You
Collections. With its
playful melody, variety
of touches, full range of
dynamics, and clever
lyrics, My Dog Rusty
encourages musicality as
it inspires good-natured
fun. Destined to be a
teacher's pet!. Animals
and Nature. Level: Late
Elementary. Solo Sheet.
Published by The FJH
Music Company Inc.
Mirage Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115006-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115006-140
Composed by Jacob De
Haan. On Parade! March.
Score Only. Composed
2010. 16 pages. De Haske
Publications #DHP
1115006-140. Published by
De Haske Publications
(BT.DHP-1115006-140).
9x12 inches.
A
mirage is an illusion,
something without
substance that does not
really exist. Although
not real, its
unattainable nature is
perfect for musical
inspiration. Composer
Jacob de Haan was
strolling through a
picturesque forest of the
Dutch Gelderland when he
thought he saw a body of
water. While there was no
water, its mere image
created waves that can be
relived in De
Haan’s original
composition, Mirage.
Mirage is
het Engelse synoniem voor
‘Fata
Morgana‘. De
creatieve aanleiding voor
deze compositie was dan
ook het verhaal van een
wandelaar die in een
boslandschap in
Gelderland water denkt te
zien. Het in het triodeel
deelsgezongen
‘wandelthemaâ€
brengt de vreugde die
de toeschouwer aan dit
natuurverschijnsel
beleeft bijzonder goed
tot
uitdrukking.
Mirag
e“ ist ein
englisches Synonym
für Fata
Morgana“. Als
kreativer Anstoß
für diese
Komposition diente Jacob
de Haan ein
Spaziergänger, der
durch eine Waldlandschaft
im holländischen
Gelderland geht und dabei
glaubt, ein Gewässer
zu sehen. Das im Trio
teilweise gesungene
Spaziergangs“-Thema
bringt die Freude an
diesem Naturerlebnis
besonders gut zum
Ausdruck.
Una sorta di
miraggio ha ispirato
Jacob de Haan a comporre
questo brano, prendendo
spunto appunto da un
“miraggio†di
uno specchio
d’acqua che gli si
è presentato durante
una passeggiata in una
foresta in Olanda. Il
tema della
“passeggiataâ€
parzialmente cantato nel
trio, enfatizza gli
spettacoli che la natura
ci offre.
The Great Trees: 1. Peace of Wild Things. Composed by Gwyneth W. Walker (...(+)
The Great Trees: 1.
Peace of Wild Things.
Composed by Gwyneth W.
Walker (1947-). Concerts,
Secular, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.7744).
Choral SSAB Choir, piano SKU: CF.CM9599 Composed by Sonja Poorman. Fold. ...(+)
Choral SSAB Choir, piano
SKU: CF.CM9599
Composed by Sonja
Poorman. Fold.
Performance. 8 pages.
Duration 2 minutes, 3
seconds. Carl Fischer
Music #CM9599. Published
by Carl Fischer Music
(CF.CM9599).
ISBN
9781491154212. UPC:
680160912711. 6.875 x
10.5 inches. Key: Eb
major. English, Latin.
Original.
A dynamic
opener or closer for any
concert program, Come
Raise a Song on High
includes English and the
Latin text Cantate
Domino, popular
because of its joyful
nature. The bright,
rhythmic A-section
contains a powerful,
exciting accompaniment
and should be sung with
strength and exuberance.
Keep the syncopated
rhythms accurate and sing
with precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full
forte, yet
maintain beauty and do
not over-sing. The slower
B-section is legato with
a flowing piano
accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness. Observe
the sudden dynamic
changes in the final
A-section. Latin
pronunciation:
Kahn-TAH-teh DAW-mee-naw
KAHN-tee-koom NAW-voom,
Kahn-TAH-teh DAW-mee-naw
AWM-nees TEH-rah. Latin
text translation: Sing to
the Lord a new song, Sing
to the Lord all the
earth. A dynamic
opener or closer for any
concert program,A
Come Raise a Song on
High includes
English and the Latin
text Cantate
Domino, popular
because of its joyful
nature. The bright,
rhythmic A-section
contains a powerful,
exciting accompaniment
and should be sung with
strength and exuberance.
Keep the syncopated
rhythms accurate and sing
with precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full
forte, yet
maintain beauty and do
not over-sing. The slower
B-section is legato with
a flowing piano
accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness. Observe
the sudden dynamic
changes in the final
A-section. Latin
pronunciation:
Kahn-TAH-tehA A
DAW-mee-nawA A
KAHN-tee-koomA A A
NAW-voom, Kahn-TAH-tehA A
DAW-mee-nawA A AWM-neesA
A A TEH-rah. Latin text
translation: Sing to the
Lord a new song, Sing to
the Lord all the
earth. A dynamic
opener or closer for any
concert program, Come
Raise a Song on High
includes English and the
Latin text Cantate
Domino, popular because
of its joyful nature. The
bright, rhythmic
A-section contains a
powerful, exciting
accompaniment and should
be sung with strength and
exuberance. Keep the
syncopated rhythms
accurate and sing with
precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full forte,
yet maintain beauty and
do not over-sing. The
slower B-section is
legato with a flowing
piano accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness. Observe
the sudden dynamic
changes in the final
A-section. Latin
pronunciation:
Kahn-TAH-teh DAW-mee-naw
KAHN-tee-koom NAW-voom,
Kahn-TAH-teh DAW-mee-naw
AWM-nees TEH-rah. Latin
text translation: Sing to
the Lord a new song, Sing
to the Lord all the
earth. A dynamic
opener or closer for any
concert program, Come
Raise a Song on High
includes English and the
Latin text Cantate
Domino, popular because
of its joyful nature. The
bright, rhythmic
A-section contains a
powerful, exciting
accompaniment and should
be sung with strength and
exuberance. Keep the
syncopated rhythms
accurate and sing with
precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full forte,
yet maintain beauty and
do not over-sing.The
slower B-section is
legato with a flowing
piano accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness.Observe
the sudden dynamic
changes in the final
A-section.Latin
pronunciation:Kahn-TAH-te
h  DAW-mee-nawÂ
 KAHN-tee-koomÂ
Â
 NAW-voom,Kahn-TAH-teh
  DAW-mee-nawÂ
 AWM-nees Â
 TEH-rah.Latin text
translation:Sing to the
Lord a new song,Sing to
the Lord all the
earth.
Choral SSAA choir SKU: CF.CM9587 Composed by John Ratledge. Sws. Jbc. Per...(+)
Choral SSAA choir
SKU:
CF.CM9587
Composed by
John Ratledge. Sws. Jbc.
Performance Score. 16
pages. Duration 3:30.
Carl Fischer Music
#CM9587. Published by
Carl Fischer Music
(CF.CM9587).
ISBN
9781491154090. UPC:
680160912599. 6.875 x
10.5 inches. Key: C
major. English.
Transcribed by Wilson
Hall. Hidegaard Von
Bingen translated by
William Hall.
I
am the secret fire in all
things, scored for
SSAA divisi and two
soprano soloists, was
premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the
secret fire in all
things, scored for
SSAA divisi and two
soprano soloists, was
premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the secret
fire in all things,
scored for SSAA divisi
and two soprano soloists,
was premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the secret
fire in all things,
scored for SSAA divisi
and two soprano soloists,
was premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's
Stuff.This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already
within. .
Composed by Doris Gazda.
FS-SWS. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20 pages. Carl Fischer
Music #CAS3. Published by
Carl Fischer Music
(CF.CAS3).
ISBN
9780825844881. UPC:
798408044886. 8.5 X 11
inches. Key: D
major.
A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playingA Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. A
copse is a thicket of
trees and bushes that may
be found in a meadow or
in open land. In England,
a copse will often be
found on a moor. A copse
needs a source of water
that is usually a stream,
small river or pond. A
copse has abundant plant
and animal life because
it provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds.If you were walking
through the copse in the
midst of willow trees,
bluebells and march
marigolds, you would see
beautiful butterflies,
dragonflies and moths.
You might see a frog or
toad jumping on the banks
of the pond and you would
hear the call of numerous
birds. Ornithologists
often spend many hours
watching and counting
birds in and around a
copse. Migrating birds
such as geese and herons
may also be spotted at
certain times of the
year. If you sit very
quietly, you might catch
sight of a red fox, a
rabbit or squirrel.A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse.To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece.
Composed by Matthew
Emery. Duration 3
minutes, 26 seconds. Carl
Fischer Music #CM9774.
Published by Carl Fischer
Music (CF.CM9774).
ISBN 9781491164457.
UPC: 680160923359. Key: E
major. English. Leslie
Grant Scott adapted by
Composer.
I Have
Heard the Music There for
treble voices, optional
descant, with piano is a
lyrical work that
utilizes a reoccurring
motif which grows and
varies. The developing
variation-like use of
this theme speaks to the
image or notion of
growth; the growth of a
tree, of a person, or a
choir. We may start out
small, then vary, change,
develop, transform. The
vocal line’s
slight variation, use of
repetition, imitation,
and canonic-like
movements weave a thread
of familiarity through
the piano’s
tapestry of subtle shifts
in timbre, register, and
alternation between
chorale-like writing and
moments of florid
flourishing; the music
paints the imagery of the
text.The text by Leslie
Grant Scott illuminates
themes of the humanity,
solace, and comfort we
find in Nature. The
forest’s foliage
filters out the harshness
of the world, and we are
calmed by the
forest’s heart. To
me Nature is also a
metaphor for community,
or the network of loved
ones you may have, over
perhaps your choir;
together with compassion
and kindness we are able
to filter the
world’s harshness,
together we grow, we
celebrate, and we listen
to the music around
us.SILENCE [Leslie Grant
Scott, 1912 PD] adpt. M.
EmeryI have heard the
music thereIn the deep
forest's heart, Where
filters the sun's rays,
In a still, golden haze.I
have heard the music
there.The breathless
silence speaks, Bringing
Nature's soft balm And
her great soothing calm
To all those who will
hear.I have heard the
music there.
(Five Scenes for solo Bass Clarinet). By Daniel Dorff. For solo bass clarinet. C...(+)
(Five Scenes for solo
Bass Clarinet). By Daniel
Dorff. For solo bass
clarinet. Contemporary.
Solo part. 12 pages.
Duration 0:14:00.
Published by Theodore
Presser Company
Guitar SKU: FG.55011-322-0 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-322-0
Composed by Kai Nieminen.
Fennica Gehrman
#55011-322-0. Published
by Fennica Gehrman
(FG.55011-322-0).
ISBN
9790550113220.
Shad
es around Stonehenge is
an ambitious solo guitar
work by Kai Nieminen in
four movements that
illustrates his poetic
vision of the instrument.
Through his writing, the
guitar is an extremely
versatile instrument,
rich in colour shades,
able to imitate the
sounds of nature, all
with a rich palette of
dynamics. The
sonata-fantasia is
inspired by the
composer's night visit to
this prehistoric monument
of Stonehenge, UK.
Shades around Stonehenge
is an ambitious solo
guitar work by Kai
Nieminen in four
movements that
illustrates his poetic
vision of the instrument.
Through his writing, the
guitar is an extremely
versatile instrument,
rich in colour shades,
able to imitate the
sounds of nature, all
with a rich palette of
dynamics. The
sonata-fantasia is
inspired by the
composer's night visit to
this prehistoric monument
of Stonehenge, UK.
Shades around Stonehenge
is an ambitious solo
guitar work by Kai
Nieminen in four
movements that
illustrates his poetic
vision of the instrument.
Through his writing, the
guitar is an extremely
versatile instrument,
rich in colour shades,
able to imitate the
sounds of nature, all
with a rich palette of
dynamics. The
sonata-fantasia is
inspired by the
composer's night visit to
this prehistoric monument
of Stonehenge, UK.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Pop City Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175799-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175799-140
Composed by Thierry
Deleruyelle. Applause
Series. Original Light
Music. Score Only.
Composed 2017. 21 pages.
De Haske Publications
#DHP 1175799-140.
Published by De Haske
Publications
(BT.DHP-1175799-140).
English-German-French-
Dutch.
Pop
City combines pop and
funk music, and has been
composed in the style of
a film or television
theme tune. It was
commissioned by the
municipal wind band of
Phalempin (France), and
represents the vitality
and energy of the city,
which proclaims itself
“active by
natureâ€. You will
be swept away by this pop
music theme. All of the
orchestral sections
featured in this festive
music will get your
groove on and get you up
dancing. This is the
perfect opener or
apotheosis for your
performance!
Po
p City combineert
pop- en funkmuziek in de
stijl van een film- of
televisietune. Het is
gecomponeerd in opdracht
van het Orchestre
d’Harmonie
municipale de Phalempin
(Frankrijk) en het
verklankt de vitaliteit
en energie van die
plaats, die zich
presenteert als
‘van nature
actief’. Het
popmuziekthema is zeer
aanstekelijk en alle
secties die in deze
feestelijke muziek aan
bod komen, zullen het
publiek meenemen
‘in de
groove’ iedereen
zal willen opstaan om te
dansen. De perfecte
opening of het
spetterende slot van uw
optreden!
In dem
Stück Pop City,
das im Stil einer Film-
bzw. Fernseh-Titelmelodie
komponiert wurde, werden
Pop- und Funkmusik
miteinander vermischt.
Das Stück wurde vom
Städtischen
Blasorchester Phalempin
(Frankreich) in Auftrag
gegeben und stellt die
Dynamik und Energie der
Stadt dar, die sich
selbst als von Natur aus
aktiv“ bezeichnet.
Alle Instrumentengruppen
werden von dem tollen
Popmusikthema mitgerissen
und kommen bei dieser
festlichen Musik, die
groovt und zum Tanzen
anregt, zur Geltung. Das
Stück eignet sich
bestens als
KonzerteröffnungsstÃ
ck oder als
Höhepunkt!
Pop City
è un brano che unisce
pop e funk, composto in
uno stile da colonna
sonora. È stato
commissionato dalla banda
municipale di fiati di
Phalempin (Francia) e
rispecchia la vitalit e
l’energia di
questa cittadina, che ama
defi nirsi “attiva
per naturaâ€. Sarete
travolti dal suo tema
pop. Tutte le sezioni
d’orchestra
proposte in questo brano
festoso accenderanno il
vostro groove e vi
faranno ballare.
L’apertura o la
conclusione perfetta per
il vostro concerto!
Violin, Orchestra, Electronics SKU: HL.14034050 Composed by Niels Rosing-...(+)
Violin, Orchestra,
Electronics
SKU:
HL.14034050
Composed
by Niels Rosing-schow.
Music Sales America.
Score Only. Edition
Wilhelm Hansen #KP01094.
Published by Edition
Wilhelm Hansen
(HL.14034050).
Danish.
The
title 'Trees' should be
regarded as a metaphor,
even though the
electronic sounds in the
piece are actually
derived from trees. The
piece is a metaphor of
the multifaceted nature
of the leaves on the
trees the 'united
difference' as the trees
of the forest, the
'life-giving', as trees,
transform CO2 into
Oxygen). It is a metaphor
of the ever returning and
optimistic foliation each
spring), and in a broader
sense a metaphor of
organic nature. The
violin concerto is a
sounding organism, which
in more or less gradual
transition appears in
different shapes and
states of condition. At
some points the music is
round and flexible, and
at others it is edged and
hard. Sometimes it might
remind us of something
well known, and from time
to time it changes into
something intangible - an
indefinite state of
nature. In contrast to
the sonorous extreme, the
solo violin is portrayed
as a manifestation of
maximum (human)
presence.