Composed by Ludwig van Beethoven (1770-1827), edited by Max Pauer. Opus 15. Pian...(+)
Composed by Ludwig van
Beethoven (1770-1827),
edited by Max Pauer. Opus
15. Piano duet score (2
copies necessary for
performance) for two
pianos four-hands. With
duet notation. C Major.
75 pages. Published by
C.F. Peters.
Opus 3, No. 2 and Opus 32, Nos. 1-13. Composed by Sergei Rachmaninoff (1873-1943...(+)
Opus 3, No. 2 and Opus
32, Nos. 1-13. Composed
by Sergei Rachmaninoff
(1873-1943). Masterworks;
Piano Collection. Kalmus
Edition. Form: Prelude.
20th Century; Masterwork;
Romantic. Book. 64 pages.
Kalmus Classic Edition
#00-K03819. Published by
Kalmus Classic Edition
By Sergei Prokofiev (1891-1953). Arranged by Douglas McLain. For piano and conce...(+)
By Sergei Prokofiev
(1891-1953). Arranged by
Douglas McLain. For piano
and concert band. Baton
Music Instrumental
Series. Opus 10. Grade 5.
Full score and parts.
Duration 16:00. Published
by Baton Music
Revised Edition. Composed by Johannes Brahms (1833-1897). Edited by Camil...(+)
Revised Edition.
Composed by Johannes
Brahms (1833-1897).
Edited by Camilla Cai.
Henle Music Folios.
Softcover. 44 pages. G.
Henle #HN560. Published
by G. Henle
(HL.51480560).
Piano SKU: BT.PWM0234 And 3 Nouvelles Etudes. Composed by Frederic...(+)
Piano
SKU:
BT.PWM0234
And 3
Nouvelles Etudes.
Composed by Frederic
Chopin. Book Only. 156
pages. Polskie
Wydawnictwo Muzyczne
#PWM0234. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM0234).
The most famous
and popular edition of
Chopin's works prepared
by I. J. Paderewski, L.
Bronarski and J.
Turczynski. The edition
has been based primarily
on Chopin's autograph
manuscripts, copies
approved by him and first
editions.
The
principal aim of the
Editorial Committee has
been to establish a text
which fully reveals
Chopin's thoughts and
corresponds to his
intentions as closely as
possible.
Contents:
Op.10 No.1 In C Major
Op.10 No.10 In A
Flat Major
Op.10 No.11 In E
Flat Major
Op.10 No.12 In C
Minor
Op.10 No.2 In A
Minor
Op.10 No.3 In E
Major
Op.10 No.4 In C
Sharp Minor
Op.10 No.5 In G
Flat Major
Op.10 No.6 In E
Flat Minor
Op.10 No.7 In C
Major
Op.10 No.8 In F
Major
Op.10 No.9 In F
Minor
Op.25 No.1 In A
Flat Major
Op.25 No.10 In
BMinor.
Composed by Frederic Chopin (1810-1849). Arranged by Daniel Scott. Music Sales A...(+)
Composed by Frederic
Chopin (1810-1849).
Arranged by Daniel Scott.
Music Sales America.
Romantic Period.
Collection (softcover).
With fingerings (does not
include words to the
songs). 47 pages. Music
Sales #AM71747. Published
by Music Sales
By Anton Rubinstein (1829-1894), Henri Wieniawski (1835-1880), edited by Tyrone ...(+)
By Anton Rubinstein
(1829-1894), Henri
Wieniawski (1835-1880),
edited by Tyrone Greive.
Set of performance parts
for violin and piano. 10
pages. Published by
International Music Co..
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Jonathan Del Mar. This
edition: urtext edition.
Paperback. Score, Set of
parts. Opus 1.
Baerenreiter
Verlag #BA10943_00.
Published
by Baerenreiter Verlag
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Frederic Chopin (1810-1849). Edited by Alex Szilasi. This edition: F...(+)
Composed by Frederic
Chopin (1810-1849).
Edited by Alex Szilasi.
This edition: Facsimile.
Esther - Collection
Romantique. Score.
Published by Anne Fuzeau
Productions - France
(FZ.50523).
Saxophone and Piano SKU: HL.14010146 Composed by Edward Elgar. Music Sale...(+)
Saxophone and Piano
SKU: HL.14010146
Composed by Edward Elgar.
Music Sales America. Exam
Material. Book
[Softcover]. 38 pages.
Music Sales #NOV120742.
Published by Music Sales
(HL.14010146).
ISBN
9781844494873.
8.75x11.0x0.102
inches.
Seven
pieces arranged for alto
or tenor saxophone by
Sidney Lawton with piano
accompaniment. Includes
'Adagio' (The Cello
Concerto, Opus. 85),
'Nimrod' (Enigma
Variations, Opus. 36) and
'Chanson De Matin' (Opus.
15, No. 2).
Viola Solo and Piano accompaniment Viola, Piano - Grade 3 SKU: FL.FX071087(+)
Viola Solo and Piano
accompaniment Viola,
Piano - Grade 3
SKU:
FL.FX071087
Composed
by Felix Bartholdy
Mendelssohn. Arranged by
Eric Vireton. Classical,
Chamber Music. Score and
Set of Parts. FLEX
Editions #FX071087.
Published by FLEX
Editions (FL.FX071087).
Oboe, Piano - Grade 3 SKU: FL.FX071084 Composed by Felix Bartholdy Mendel...(+)
Oboe, Piano - Grade 3
SKU: FL.FX071084
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Eric Vireton.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX071084.
Published by FLEX
Editions (FL.FX071084).
Violin, Piano - Grade 3 SKU: FL.FX071086 Composed by Felix Bartholdy Mend...(+)
Violin, Piano - Grade 3
SKU: FL.FX071086
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Eric Vireton.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX071086.
Published by FLEX
Editions (FL.FX071086).
Cello, Piano - Grade 3 SKU: FL.FX071088 Composed by Felix Bartholdy Mende...(+)
Cello, Piano - Grade 3
SKU: FL.FX071088
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Eric Vireton.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX071088.
Published by FLEX
Editions (FL.FX071088).
Flute, Piano - Grade 3 SKU: FL.FX071083 Composed by Felix Bartholdy Mende...(+)
Flute, Piano - Grade 3
SKU: FL.FX071083
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Eric Vireton.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX071083.
Published by FLEX
Editions (FL.FX071083).
Composed by Clara Wieck- Schumann (1819-1896). Edited by Jacqueline Ross. This ...(+)
Composed by Clara Wieck-
Schumann (1819-1896).
Edited
by Jacqueline Ross. This
edition: urtext edition.
Stapled. Barenreiter
Urtext.
Performance score, Parts
(2).
Opus 22. Baerenreiter
Verlag
#BA10947. Published by
Baerenreiter Verlag
Composed by Charles Marie Widor (1844-1937). Masterworks; Solo; Solo Small Ensem...(+)
Composed by Charles Marie
Widor (1844-1937).
Masterworks; Solo; Solo
Small Ensembles; Woodwind
- Flute Solo. Kalmus
Edition. Masterwork;
Romantic. Part(s). 32
pages. Kalmus Classic
Edition #00-K02177.
Published by Kalmus
Classic Edition
Horn solo with piano accompaniment - Grade 4 SKU: CL.084-3586-28 Arranged...(+)
Horn solo with piano
accompaniment - Grade 4
SKU:
CL.084-3586-28
Arranged by Kilp. Book -
Solo Collection. Composed
2007. C.L. Barnhouse
#084-3586-28. Published
by C.L. Barnhouse
(CL.084-3586-28).
This collection
of twelve beautiful,
lyrical works from master
composers of the late
classical & romantic eras
are have been
magnificently transcribed
for horn and piano by
Brian Kilp. Includes
works by Rachmaninov,
Brahms, Tchaikovsky, and
Mahler, these solos are
marvelous recital and
contest works for the
serious horn player. Book
includes F horn solo
parts, piano
accompaniment, and a
full-performance CD
performed by arranger
Kilp. A perfect
collection of solos for
the hornist to SING with!
For advanced players .
CONTENTS: Romance, Opus
6, No. 1 - Sergei
Rachmaninov Elergy, Opus
3, No. 1 - Sergei
Rachmaninov Serenade,
Opus 3, No. 5 - Sergei
Rachmaninov Don't Sing In
My Presence, Beauty -
Sergei Rachmaninov
Prelude, Opus 23, No. 10
- Sergei Rachmaninov
Cello Sonata in G Minor,
Mvt. 3 Andante - Sergei
Rachmaninov Meine Liebe
Ist Grun, Opus 63, No.5 -
Johannes Brahms But The
Lonely Heart, Opus 6, No.
6 - Pyotr Ilich
Tchaikovsky Von Ewiger
Liebe, Opus 43, No. 1 -
Johannes Brahms De Zwei
Blauen Augen - Gustav
Mahler Wie Melodien Zieht
Es Mir, Opus 105, No. 1 -
Johannes Brahms An
additional sound sample
is available here:
www.barnhouse.com/samples
/mp3/084-3586-28X.mp3.
Piano - late intermediate SKU: BT.SLB-00592100 Edition De Travail Avec...(+)
Piano - late intermediate
SKU:
BT.SLB-00592100
Edition De Travail
Avec Commentaires
D'Alfred Cortot -
Partition. By Alfred
Cortot. By Frederic
Chopin.
Durand-Salabert-Eschig-Ed
itions Alfred Cortot.
Score Only. Composed
2014. 208 pages. Editions
Salabert #SLB 00592100.
Published by Editions
Salabert
(BT.SLB-00592100).
9x12
inches.
Study
edition, with commentary
from Alfred Cortot in
French.
Contains:
Ballade, opus 23 •
Ballade, opus 38 •
Ballade, opus 47 •
Ballade, opus 52 •
Nocturne, opus 90 n. 1
• Nocturne, opus 90
n. 2 • Nocturne,
opus 90 n. 3 •
Nocturne, opus 15 n. 1
• Nocturne, opus 15
n. 2 • Nocturne,
opus 15 n. 3 •
Nocturne, opus27 n. 1
• Nocturne, opus 27
n. 2 • Nocturne,
opus 32 n. 1 •
Nocturne, opus 32 n. 2
• Nocturne, opus 37
n. 1 • Nocturne,
opus 37 n. 2 •
Nocturne, opus 48 n. 1
• Nocturne, opus 48
n. 2 • Nocturne,
opus 55 n. 1 •
Nocturne, opus 55 n. 2
• Nocturne, opus62
n. 1 • Nocturne,
opus 62 n. 2
•
Alle
Balladen und Nocturnes in
einem Band! Cortot gibt
zu jedem Stück
Hilfestellung technischer
Art sowie alternative
Fingersätze, um
verschiedene
Ausdrucksweisen zu
erreichen.
Französische
Ausgabe!
Inhalt:
Ballade, opus 23 •
Ballade, opus 38 •
Ballade, opus 47 •
Ballade, opus 52 •
Nocturne, opus 90 n. 1
• Nocturne, opus 90
n. 2 • Nocturne,
opus 90 n. 3 •
Nocturne, opus 15 n. 1
• Nocturne, opus 15
n. 2 • Nocturne,
opus 15 n. 3 •
Nocturne,opus 27 n. 1
• Nocturne, opus 27
n. 2 • Nocturne,
opus 32 n. 1 •
Nocturne, opus 32 n. 2
• Nocturne, opus 37
n. 1 • Nocturne,
opus 37 n. 2 •
Nocturne, opus 48 n. 1
• Nocturne, opus 48
n. 2 • Nocturne,
opus 55 n. 1 •
Nocturne, opus 55 n. 2
• Nocturne,opus 62
n. 1 • Nocturne,
opus 62 n. 2 •.
Composed by Frederic Chopin (1810-1849), edited by Carl Mikuli. For piano. Schir...(+)
Composed by Frederic
Chopin (1810-1849),
edited by Carl Mikuli.
For piano. Schirmer's
Library, volume 29.
Format: piano solo book.
With fingerings, thematic
index and introductory
text. Romantic period.
107 pages. 9x12 inches.
Published by Schirmer.