Organ - Level 4 SKU: BA.BA07651 Sieben Sätze für Orgel. Comp...(+)
Organ - Level 4
SKU:
BA.BA07651
Sieben
Sätze für
Orgel. Composed by
Piet Kee. Edited by
Zsigmond Szathmary.
Stapled. Organova 1.
Performance score.
Composed 1995. Duration 8
minutes. Baerenreiter
Verlag #BA07651_00.
Published by Baerenreiter
Verlag (BA.BA07651).
Volumes 3 & 4 (Nos.
31-43). Composed by
Max Reger. Boosey &
Hawkes Voice. Classical,
Collection, Contemporary.
Bote & Bock #M202500835.
Published by Bote & Bock
(HL.48013837).
UPC:
073999138375.
9.0x12.0x0.181
inches.
Contents:
Gottes Segen * Von der
Liebe * Das Wolkchen *
Reiterlied * Mittag *
Schelmenliedchen * Heimat
* Das Magdelein und der
Spatz * Abendlied *
Wunsch * An den
Fruhlingsregen * Der
Postillon *
Brunnersang.
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Volume 2 (Nos.
16-30). Composed by
Max Reger. Boosey &
Hawkes Voice. Classical,
Collection, Contemporary.
51 pages. Bote & Bock
#M202500828. Published by
Bote & Bock
(HL.48013836).
UPC:
073999138368.
9.0x12.25x0.162
inches.
Contents:
Gluck * Wenn alle Welt so
einig war' * In einem
Rosengartelein * Hans und
Grete * Es bluht ein
Blumlein rosenrot *
Minnelied * Des Kindes
Gebet * Zwiesprach *
Abgeguckt * Friede * Der
Schwur * Kindeslacheln *
Die Mutter spricht *
Schmeicheclkatchen *
Vorbeimarsch.
Choir Sacred SATB choir, organ SKU: PE.EP67551 Anthem for 4-Part Mixed...(+)
Choir Sacred SATB choir,
organ
SKU:
PE.EP67551
Anthem
for 4-Part Mixed Choir
and Organ. Composed
by Leslie Bassett. Choral
Works (inc. Oratorios).
Edition Peters. Choral.
Choral Octavo. 12 pages.
Edition Peters
#98-EP67551. Published by
Edition Peters
(PE.EP67551).
Organ SKU: BR.EB-6310 In G minor, G major, B major, B minor, A minor, ...(+)
Organ
SKU:
BR.EB-6310
In G
minor, G major, B major,
B minor, A minor, C
minor. Composed by
George Frideric Handel.
Edited by Diethard
Hellmann. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 36
pages. Breitkopf and
Haertel #EB 6310.
Published by Breitkopf
and Haertel (BR.EB-6310).
ISBN 9790004166444. 12
x 9 inches.
Im
Gegensatz zu seinem
Zeitgenossen Joh. Seb.
Bach hinterliess Georg
Friedrich Handel kaum
Werke fur die Orgel.
Ausser den bekannten
Konzerten fur Orgel und
Orchester schrieb er 6
Fugen, die diese Ausgabe
der Praxis erschliessen
mochte. Der Grund, dass
Handel sich in seinem
kompositorischen Schaffen
in so geringem Masse der
Orgel zuwandte, ist nicht
in erster Linie in seinem
kunstlerischen
Aufgabenkreis zu suchen,
sondern liegt wohl
hauptsachlich an der
primitiven Beschaffenheit
der englischen Orgeln
seiner Zeit. Weithin fand
man das Pedal entbehrlich
und liess es weg. Fr.
Chrysander berichtet:
(,,G. Fr. Handel III, S.
218) ,,Handel, dessen Ohr
an die deutschen
Orgelbasse gewohnt war,
nahm zu einem Stuck Blei
Zuflucht, um einen tiefen
Ton fortklingen zu lassen
und beide Hande frei zu
haben..
Organ solo SKU: CA.1808200 Composed by Various. Edited by Armin Kircher. ...(+)
Organ solo
SKU:
CA.1808200
Composed
by Various. Edited by
Armin Kircher. This
edition: Paperbound.
Pastorale. Pastoralmusik
Fur Orgel Band 2. Free
organ music, Christmas.
Collection. 144 pages.
Carus Verlag #CV
18.082/00. Published by
Carus Verlag
(CA.1808200).
ISBN
9790007164003.
This
volume presents 64
Pastorale compositions
for organ
(harpsichord/pianoforte)
of the 18th century from
Germany, Bohemia, Austria
and South Tyrol. Charming
melodies shaped by
natural notes, bordoun
basses, a
lyrical-cheerful or
sensitive tone - these
are some of the common
characteristics of the
works in this collection.
Several of them are
connected to the custom
of the Kindlwiegen or
cradle song. Those in
search of new discoveries
will also find a number
of first editions here.
Almost all of the pieces
can be played manualiter
and range from easy to
moderate level of
difficulty. Together,
both Pastorale volumes
display an impressive
kaleidoscope of the
different national
characteristics of the
pastorale and offer a
rich repertoire for
organists, not only at
Christmas time.
SATB choir & organ (SATB) - easy SKU: OU.9780193954069 Composed by Willia...(+)
SATB choir & organ (SATB)
- easy
SKU:
OU.9780193954069
Composed by William Denis
Browne. Sacred choral -
mixed voices. Church
Music Society
Publications. Sacred.
Vocal score. 16 pages.
Duration 5.5'. Oxford
University Press
#9780193954069. Published
by Oxford University
Press (OU.9780193954069).
ISBN 9780193954069. 10
x 7 inches.
For
SATB and organ Written in
1911, this work is mainly
homophonic. Tenors and
basses sing four phrases
in unison and a soprano
solo takes the phrase 'He
rememb'ring his mercy'.
The Gloria returns to the
music of the opening and
builds to a fine climax,
as does the Nunc
dimittis.
A Jubilant Song Chorale TTBB TTBB, Orgue [Octavo] Hope Publishing Company
Composed by Allen Pote. For TTBB choir and keyboard with optional handbells and ...(+)
Composed by Allen Pote.
For TTBB choir and
keyboard with optional
handbells and brass or
orchestration. Hope's
All-Time Best Selling
Choral Series. Sacred,
General Worship, God's
Attributes/Character,
Joy, Praise. Octavo.
Published by Hope
Publishing Company
SATB choir, SATB, SATB, organ SKU: CA.739300 Composed by Kay Johannsen. S...(+)
SATB choir, SATB, SATB,
organ
SKU:
CA.739300
Composed by
Kay Johannsen. Sacred
vocal music. Full score.
Composed 2015. 12 pages.
Carus Verlag #CV
07.393/00. Published by
Carus Verlag (CA.739300).
ISBN 9790007172268.
Text language:
Latin.
Veni was
composed by Kay Johannsen
in November 2015. Similar
to his 2010 work Et
vidimus gloriam eius for
four choral groups (SSA,
TTB, SATB, SATB) and
organ based on the
beginning of St John's
Gospel, Veni requires a
spatial separation of
three four-part choirs.
The starting point of the
composition is the 12th
century hymn Veni
redemptor gentium by St
Ambrose of Milan, which
Martin Luther used as the
basis of his 1524 hymn
Nun komm, der Heiland.
The four sections of the
cantus firmus are sung in
turn by all the basses,
altos, sopranos, and
tenors, each part at a
louder dynamic than the
other parts. For the
accompanying voices
Johannsen uses different
principles of canonic
technique and motivic
variation, with most of
the material derived from
the cantus firmus. The
organ part of this
12-part chorale
arrangement provides a
harmonic orientation, but
is completely independent
and introduces both
moments of rhythmic
accentuation and elements
of veiling. The choral
writing is also deepened
and elevated by the organ
sounds derived from the
text. Despite all the
motivic links between the
parts, the music has a
direct sensual effect as
a sound collage. The work
ends with three
increasingly distant,
homophonic invocations of
Veni: the plea Komm
occurs at the beginning
as at the end.