Basso (cello/double bass) (solos: SATB - choir: SATB - 0.2.ob da cac.0.0 - 0.3.0.0 - timp - str(vl solo) - bc)

SKU: BR.OB-4574-26

Whit Sunday [1st Day of Pentecost]. Composed by Johann Sebastian Bach. Stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 16 pages. Duration 25'. Breitkopf and Haertel #OB 4574-26. Published by Breitkopf and Haertel (BR.OB-4574-26).

ISBN 9790004315521. 9 x 12 inches.

Organ (solos: SB - choir: SATB - 0.0.0.0 - 0.2.0.0 - timp - str - bc)

SKU: BR.OB-4559-11

Whit Sunday (1st Day of Pentecost). Composed by Johann Sebastian Bach. Edited by Horst Hempel. Arranged by Horst (Bc) Hempel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 16 pages. Duration 12'. Breitkopf and Haertel #OB 4559-11. Published by Breitkopf and Haertel (BR.OB-4559-11).

ISBN 9790004314869. 12 x 9 inches.

(Kantate zum 2. Pfingsttag). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, Recorder f1, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. TVWV 1:165. Score available separately - see item CA.3913000. Cantatas; Use during the church year: Pentecost; Stuttgart Urtext Editions. Piano/Vocal score. Language: German/English. 24 pages. Duration 20 min. Published by Carus Verlag

By Johann Pachelbel (1653-1706). Edited by Kruger, Dietrich. For SSATB Choir, 2 Oboes, 3 Violins, 2 Violas, Violone (Bassoon), Basso continuo. This edition: paperbound. Cantatas, Psalms, German; Occasions: Praise and thanks; Use during chuch year: Pentecost. Score. Language: German. 64 pages

(Kantate zum 2. Pfingsttag). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, Recorder f1, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. TVWV 1:165. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Score. Language: German/English. 49 pages. Duration 20 min

(Kantate zum 3. Pfingsttag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SAT, SATB Choir, 2 Flutes, Strings, Organ. This edition: paperbound. BWV 184. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Score. Language: German/English. Composed 1724. 68 pages. Duration 25 min

Composed by Pepper Choplin. Choral, cantatas. Ascension, Eastertide, Pentecost. SATB with performance CD. Lorenz Publishing Company #55/1201L. Published by Lorenz Publishing Company

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Ascension, Eastertide, Pentecost. Choral score. Lorenz Publishing Company #55/1200L. Published by Lorenz Publishing Company

By Johann Sebastian Bach. For Piano. Piano Collection. Kalmus Edition. Masterwork. Level: Intermediate / Advanced. Book. 44 pages. Published by Alfred Publishing.

Piano Solo. By Johann Sebastian Bach. Arranged by S Heinze. Piano Collection. Size 9x12 inches. 44 pages. Published by G. Schirmer, Inc.

SATB with SATB Soli (Orch.) (Latin Language Edition). Composed by Wolfgang Amadeus Mozart (1756-1791). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Classical; Masterwork; Sacred. Book. 16 pages. Kalmus Classic Edition #00-K06342. Published by Kalmus Classic Edition

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117309

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. 2x 31.173/21 flute. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1728ca. BWV 173. Duration 15 minutes. Carus Verlag #CV 31.173/09. Published by Carus Verlag (CA.3117309).

ISBN 9790007209575. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and parts available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117349

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/49. Published by Carus Verlag (CA.3117349).

ISBN 9790007209629. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117314

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/14. Published by Carus Verlag (CA.3117314).

ISBN 9790007209612. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117312

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/12. Published by Carus Verlag (CA.3117312).

ISBN 9790007209599. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117313

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/13. Published by Carus Verlag (CA.3117313).

ISBN 9790007209605. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117311

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/11. Published by Carus Verlag (CA.3117311).

ISBN 9790007209582. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117303

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Vocal score. Composed 1728ca. BWV 173. 24 pages. Duration 15 minutes. Carus Verlag #CV 31.173/03. Published by Carus Verlag (CA.3117303).

ISBN 9790007144135. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3117307

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1728ca. BWV 173. 40 pages. Duration 15 minutes. Carus Verlag #CV 31.173/07. Published by Carus Verlag (CA.3117307).

ISBN 9790007165710. Language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.

Violin 2 (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-32117-16

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #OB 32117-16. Published by Breitkopf and Haertel (BR.OB-32117-16).

ISBN 9790004350843. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Basso (cello/double bass) (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-32117-26

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #OB 32117-26. Published by Breitkopf and Haertel (BR.OB-32117-26).

ISBN 9790004350867. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Violin 1 (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-32117-15

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #OB 32117-15. Published by Breitkopf and Haertel (BR.OB-32117-15).

ISBN 9790004350836. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #PB 32117. Published by Breitkopf and Haertel (BR.PB-32117).

ISBN 9790004215845. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.EB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 25'. Breitkopf and Haertel #EB 32117. Published by Breitkopf and Haertel (BR.EB-32117).

ISBN 9790004187258. 7.5 x 10.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117409

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. 1x 31.174/21 violin/oboe 1, 1x 31.174/22 violin/oboe 2, 1x 31.174/23 taille, 2x 31.174/31 horns 1 and 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/09. Published by Carus Verlag (CA.3117409).

ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117419

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419).

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117449

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Organ. Composed 1729. BWV 174. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.174/49. Published by Carus Verlag (CA.3117449).

ISBN 9790007209711. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.