102 Selections from Symphonies, Ballets, Operas, and Piano Literature for Piano ...(+)
102 Selections from
Symphonies, Ballets,
Operas, and Piano
Literature for Piano
Solo. By Various. World's
Greatest Classical Music.
Size 9x12 inches. 256
pages. Published by Hal
Leonard.
30 Original Works and Transcriptions. Composed by Jens Franke. Edited by Jens Fr...(+)
30 Original Works and
Transcriptions. Composed
by Jens Franke. Edited by
Jens Franke. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Band 2
ist fur Schuler mit ca. 4
Jahren Spielpraxis
geeignet ist. Neben den
gangigen
Unterrichtsstucken der
fuhrenden Komponisten und
Gitarristen Coste und Sor
aus dem 19. Jahrhundert
finden sich hier auch
seltenere Werke von Jaime
Bosch, Franz Tucek und.
Classical. Edition with
CD. 52 pages. Schott
Music #ED13111. Published
by Schott Music
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Urtext of Schumanns
Sinfonietta
Overture;
Romantic. Part. 12 pages.
Duration 17'. Breitkopf
and Haertel #OB 5527-16.
Published by Breitkopf
and Haertel
(BR.OB-5527-16).
ISBN
9790004340776. 10 x 12.5
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Urtext of Schumanns
Sinfonietta
Overture;
Romantic. Part. 12 pages.
Duration 17'. Breitkopf
and Haertel #OB 5527-15.
Published by Breitkopf
and Haertel
(BR.OB-5527-15).
ISBN
9790004340769. 10 x 12.5
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Urtext of Schumanns
Sinfonietta
Overture;
Romantic. Set of parts.
98 pages. Duration 17'.
Breitkopf and Haertel #OB
5527-30. Published by
Breitkopf and Haertel
(BR.OB-5527-30).
ISBN
9790004340813. 10 x 12.5
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Urtext of Schumanns
Sinfonietta
Overture;
Romantic. Part. 12 pages.
Duration 17'. Breitkopf
and Haertel #OB 5527-23.
Published by Breitkopf
and Haertel
(BR.OB-5527-23).
ISBN
9790004340790. 10 x 12.5
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Urtext
of Schumanns Sinfonietta.
Overture; Romantic. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5544-07.
Published by Breitkopf
and Haertel
(BR.PB-5544-07).
ISBN
9790004213544. 6.5 x 9
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Urtext of Schumanns
Sinfonietta
Overture;
Romantic. Part. 8 pages.
Duration 17'. Breitkopf
and Haertel #OB 5527-27.
Published by Breitkopf
and Haertel
(BR.OB-5527-27).
ISBN
9790004340806. 10 x 12.5
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Urtext of Schumanns
Sinfonietta
Overture;
Romantic. Part. 12 pages.
Duration 17'. Breitkopf
and Haertel #OB 5527-19.
Published by Breitkopf
and Haertel
(BR.OB-5527-19).
ISBN
9790004340783. 10 x 12.5
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Piano SKU: HU.HN87 Composed by Robert Schumann. Edited by Ernst Herttrich. Pian...(+)
Piano
SKU: HU.HN87
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Piano Solo,
Piano and Keyboard,
Repertoire, Solos. Abegg
Variations F major Op. 1.
Classical, Romantic.
Softcover Book. 22 pages.
G. Henle #HN87. Published
by G. Henle (HU.HN87).
By Robert Schumann. Edited by Thomas Labé. For Piano. This edition: 2 copies re...(+)
By Robert Schumann.
Edited by Thomas Labé.
For Piano. This edition:
2 copies required. Duet
or Duo; Masterworks;
Piano Duo (2 Pianos, 4
Hands). Alfred Masterwork
Edition. Form: Concerto.
Masterwork; Romantic.
Advanced. Book. 144
pages. Published by
Alfred Music Publishing
Composed by Robert Schumann. Edited by Charles Timbrell. Book; Masterworks; Pian...(+)
Composed by Robert
Schumann. Edited by
Charles Timbrell. Book;
Masterworks; Piano
Collection; Piano
Supplemental. Alfred
Masterwork Edition. Form:
Suite. Masterwork;
Romantic. 56 pages.
Published by Alfred Music
(AP.45955).
SKU: CA.411300 Composed by Robert Schumann. Edited by Gunter Graulich. Ch...(+)
SKU: CA.411300
Composed by Robert
Schumann. Edited by
Gunter Graulich. Choral
collections. Secular
choral music. Collection.
156 pages. Carus Verlag
#CV 04.113/00. Published
by Carus Verlag
(CA.411300).
ISBN
9790007241032.
Repe
rtoire of romantic choral
music worth discovering:
In his unaccompanied
choral songs the
expressive melodies of
the song composer
Schumann combine with a
harmonically rich,
sometimes even
experimental composition.
Though in current concert
repertoire they are far
less often performed
than, for example,
comparable works by
Mendelssohn or Brahms,
they are unjustly
underestimated. Schumann
himself wrote that he had
composed the choral songs
with true passion, in the
belief that things like
this did not yet exist.
Schumann composed most of
the choral songs, which
are mainly homophonic, in
1849 for the Verein fur
Chorgesang founded by him
and the Leipzig
Liederkranz. The volume
brings together choral
settings which where
previously only available
by Carus in separate
editions, plus the choral
song Glockenturmers
Tochterlein which only
exists in manuscript.
Piano, Violin, and Cello. Composed by Robert Schumann. Masterworks; Solo Small E...(+)
Piano, Violin, and Cello.
Composed by Robert
Schumann. Masterworks;
Solo Small Ensembles;
String Ensemble - Mixed;
Trio. Kalmus Edition.
Masterwork; Romantic.
Book. 84 pages. Kalmus
Classic Edition
#00-K09633. Published by
Kalmus Classic Edition
By Robert Schumann. Arranged by Ralph Sauer. For trombone and piano. Romantic. A...(+)
By Robert Schumann.
Arranged by Ralph Sauer.
For trombone and piano.
Romantic. Advanced. Solo
part and piano
accompaniment. Published
by Cherry Classics
The Romantic Guitar (Schubert, Schumann, Brahms). Arranged by Allen Krantz. For ...(+)
The Romantic Guitar
(Schubert, Schumann,
Brahms). Arranged by
Allen Krantz. For guitar.
Collection. Classical
Period. Difficulty:
medium. Guitar solo book
(no tablature). Standard
guitar notation. 24
pages. Published by
International Music
Company
Composed by Robert Schumann. Brass - French Horn Solo; Masterworks; Solo; Solo S...(+)
Composed by Robert
Schumann. Brass - French
Horn Solo; Masterworks;
Solo; Solo Small
Ensembles. Kalmus
Edition. Masterwork;
Romantic. Part(s). 24
pages. Kalmus Classic
Edition #00-K04530.
Published by Kalmus
Classic Edition
(Score) SKU: HL.49003135 An Anthology of Listening Material for GCSE M...(+)
(Score)
SKU:
HL.49003135
An
Anthology of Listening
Material for GCSE
Music. Composed by
Bruce Cole and David
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Collection. Score. 200
pages. Schott Music
#ED12351. Published by
Schott Music
(HL.49003135).
ISBN
9780946535132. UPC:
884088991623.
8.25x11.75x0.436 inches.
English.
This
anthology of 72 music
examples, consisting of
the Teacher's Manual,
Pupil's Questions, Music
Book and two recordings
on CD or cassettes, is
intended to provide
comprehensive resource
materials for the
listening component of
the GCSE music
syllabuses. The extracts
have been selected
especially to illustrate
the periods, styles and
rudiments of music
encompassed within the
syllabuses, and the four
components of the
publication produced to
ensure maximum assistance
to the teacher in the
classroom. Selected
contents: MUSIC IN THE
LATE RENAISSANCE O quam
gloriosum est regnum * T.
Morley: MUSIC IN THE
BAROQUE ERA: H. Purcell:
Hark, each tree (from Ode
for St Cecilia's Day) *
A. Vivaldi: Second
Allegro (from Op. 3 No.
11) * G.F. Handel: Lascia
ch'io * J.S. Bach:
Erschienen ist der
herrliche Tag (BWV 629) *
F. Couperin: Le
Petit-Rein MUSIC IN THE
ROMANTIC PERIOD: F.
Schubert: Am Meer (from
Schwanengesang) * H.
Berlioz: Un Bal (from
Symphonie fantastique) *
F. Chopin: Mazurka (Op. 7
No. 5) * R. Schumann:
Fantasiestuck (Op. 73 No.
1) * R. Wagner: Prelude
(to Tristan and Isolde) *
R. Strauss: Epilog (from
Till Eulenspiegels
lustige Streiche) * MUSIC
IN THE TWENTIETH CENTURY:
B. Bartok: Third movement
(from Sonata for two
Pianos and Percussion) *
K. Stockhausen: Zyklus *
C. Berberian: Stripsody *
JAZZ AND POP: F. Molton:
Peace in the Valley * Bix
Beiderbecke and his Gang:
Jazz Me Blues * The
Platters: Only You * E.
Fitzgerald: Mack the
Knife * S. Getz and A.
Gilberto: The Girl From
Ipanema and more.
55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo...(+)
55 Selections from
Symphonies, Ballets,
Operas & Piano Literature
for Piano Solo. Arranged
by Blake Neely, Richard
Walters. World's Greatest
Classical Music. Size
9x12 inches. 240 pages.
Published by Hal Leonard.
The Romantic Era Piano seul [Partition + Accès audio] - Intermédiaire Hal Leonard
(Book with Online Audio Access Intermediate Level). Composed by Various. Edi...(+)
(Book with Online Audio
Access
Intermediate Level).
Composed
by Various. Edited by
Richard
Walters. For Piano.
Schirmer
Performance Editions.
Intermediate. Softcover
Audio
Online. 76 pages.
Published by
G. Schirmer
Composed by Robert Schumann. Edited by Hansjorg Ewert. For voice and piano. This...(+)
Composed by Robert
Schumann. Edited by
Hansjorg Ewert. For voice
and piano. This edition:
Urtext edition. Stapled.
Vocal score. Opus 39.
Published by Baerenreiter
Verlag
