Baritone Voice and Piano - Intermediate SKU: FP.FMJ02 Composed by John Ma...(+)
Baritone Voice and Piano
- Intermediate
SKU:
FP.FMJ02
Composed by
John Manduell. Sheet
Music and Books. Songs
for baritone voice and
piano, inspired by Sir
John Manduell’s
long-standing love of
French renaissance verse.
Classical. Vocal Score.
Forsyths Publications
#FMJ02. Published by
Forsyths Publications
(FP.FMJ02).
ISBN
9790570503896.
A
wonderfully balanced and
yet contrasting set of
songs for baritone voice
and piano, inspired by
Sir John
Manduell’s
long-standing love of
French renaissance
verse.
In the
first, perhaps the most
often quoted of Ronsard's
poems, the poet invites
young Mignonne to come
and look at the purple
rose and to realise that
her beauty like the
rose's will fade all too
soon. Du Bellary's poem
is redolent of late
summer heat and haze as
the thresher of the title
calmly pursues his work.
The Marot is a brief
exercise in courteous
mockery as the poet
chides his ailing lady
upon her gastronomic
self-indulgence and warns
her of the inevitable
consequences upon her
figure.
Finally
published in 2013, Trois
Chansons is one of the of
the composer’s
earliest surviving works,
written while he was
studying with the late
Sir Lennox Berkely as a
postgraduate student at
the Royal Academy of
Music. The first
performance was given by
Beverley Humphreys at the
Royal Academy of Music in
1956.
Viola Trio Piano Trio: Instruments de chambre mixtes Subito Music
Viola, Violoncello & Piano SKU: SU.26020080 For Viola, Violoncello & P...(+)
Viola, Violoncello &
Piano
SKU:
SU.26020080
For
Viola, Violoncello &
Piano. Composed by
Sheree Clement. Chamber
Music, Piano Trio,
Strings, Viola. Score &
Parts. Subito Music
Corporation #26020080.
Published by Subito Music
Corporation
(SU.26020080).
The music
pushes through
classical/romantic era
tropes and devices, in
structure, phrasing and
motivic ideas quickly,
often urgently, rushing
through four movements in
just 13 minutes.Viola,
Violoncello & Piano
Duration: 13' Composed:
2013 Published by: Rude
Awakening Music.
Choir SKU: GI.G-4419 Music for Eastertide: Sixteen Choral Masterworks ...(+)
Choir
SKU:
GI.G-4419
Music
for Eastertide: Sixteen
Choral Masterworks from
the 15th to 18th
Centuries. Composed
by Richard Proulx.
Sacred. Collection. GIA
Publications #4419.
Published by GIA
Publications (GI.G-4419).
Choral
masterworks from the 15th
to 18th centuries, all
beautifully recorded in
the splendor of St.
Clement Church, Chicago
by the Cathedral Singers
under the direction of
Richard Proulx. CONTENTS:
THIS IS THE DAY (G-4039)
• VENI CREATOR
(G-4059) •
ALLELUIA! IN
RESURRECTIONE TUA
(KLAMMER, G-2812) •
IN NOMINE JESU (HERTER,
G-1860) • DUO
SERAPHIM (G-4469) •
VERBUM CARO FACTUM EST
(G-4158) • PUER
NATUS ES IN BETHLEHEM
(KLAMMER, G-3034) •
LORD, JESUS CHRIST
HUMBLED HIMSELF (G-3791)
• SPIRIT OF MERCY
(G-3894) • O JESU
CHRISTE (G-2298) •
ALL GLORY BE TO GOD ON
HIGH (G-4149) • O
COME, NOW, HOLY SPIRIT
(G-4012) • CHRISTUS
FACTUS EST (TORTOLANO,
G-1974) • MARIA
MAGDALENE
(SCHUSTER-CRAIG, G-2850)
• O BLESS THE LORD
(SKEELS, G-3657).
For 2
Violins, Viola &
Violoncello. Composed
by Sheree Clement.
Chamber Music, String
Trio/Quartet/Quintet.
Score & Parts. Subito
Music Corporation
#26020120. Published by
Subito Music Corporation
(SU.26020120).
Tactical
ducking and dodging,
counterpoint and hockets
with heartfelt tunes.2
Violins, Viola &
Violoncello Duration: 8'
Composed: 1980 Published
by: Sheree Clement.
Choir SKU: GI.G-4153 Music for Christmas: Twenty-Two Choral Masterwork...(+)
Choir
SKU:
GI.G-4153
Music
for Christmas: Twenty-Two
Choral Masterworks from
the 25th to 18th
Centuries. Composed
by Richard Proulx.
Christmastide. Sacred.
Collection. GIA
Publications #4153.
Published by GIA
Publications (GI.G-4153).
Choral
masterworks from the 15th
to 18th centuries, all
beautifully recorded in
the splendor of St.
Clement Church, Chicago
by the Cathedral Singers
under the direction of
Richard Proulx. All music
on this volume is for the
Christmas season.
CONTENTS: BORN TODAY
(G-2069) •
REMEMBER, CHRISTIANS ALL
(RAVENSCROFT, G-4148)
• FOR UNTO US A
CHILD IS BORN (CLEMENS,
G-2979) • ALL GLORY
BE TO GOD ON HIGH
(CRÃœGER, G-4149)
• DIFFUSA EST
GRATIA (NANINO, G-4150)
• PSALLITE,
UNIGENITO (PRAETORIUS,
G-2136) • PUER
NATUS IN BETHLEHEM
(WERNER, G-3034) •
IN DULCI JUBILO
(PRAETORIUS, G-4151)
• IN DULCI JUBILO
(WALTER, G-4152) •
O JESUS, KING OF GLORY
(BACH, G-3033) •
UPON MY LAP MY SOVEREIGN
SITS (PEERSON, G-2792)
• EN NATUS EST
EMMANUEL (PRAETORIUS,
G-2137) • SING WITH
JOY (CRÃœGER, G-3560)
• PUER NATUS EST
(DE MÓRALES, G-4154)
• FROM BETHELEHEM,
FAIR CITY (G-4155)
• A CHILD IS BORN
IN BETHLEHEM (G-1456)
• LET ALL TOGETHER
PRAISE OUR GOD (BACH,
G-4157) • FOR US
THIS MORN (PRAETORIUS,
G-2910) • AWAKE, MY
HEART, WITH GLADNESS
(CRÃœGER, G-3559)
• IN NOMINE JESU
(HANDL, 1860) •
VERBUM CARO FACTUM EST
(G-4158) • GAUDETE
(ARR. BATASTINI,
G-3056)Â .
Book/Online Audio Banjo SKU: HL.695101 For 5-String Banjo. Banjo. ...(+)
Book/Online Audio Banjo
SKU: HL.695101
For 5-String
Banjo. Banjo.
Instructional and
Bluegrass. Softcover
Audio Online. With banjo
tablature, chord names,
lyrics, banjo chord
diagrams, instructional
text and introductory
text. 64 pages. Published
by Hal Leonard
(HL.695101).
ISBN
9780793568772. UPC:
073999951011.
9.0x12.0x0.225 inches.
Mac Robertson, Robbie
Clement, and Will
Schmid.
Authored by
Mac Robertson, Robbie
Clement & Will
Schmid, this innovative
method teaches 5-string,
bluegrass style banjo.
Covers easy chord strums
for the beginner;
learning tablature;
right-hand rolls
characteristic of
bluegrass; techniques
such as hammer-on, slide
and pull-off. This
edition also includes 97
tracks of full-band demos
covering every music
example in the book. The
audio is accessed online
using the unique code
inside each book and can
be streamed or
downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
Composed by Francois Clement Theodore Dubois (1837-1924), edited by Helga Schaue...(+)
Composed by Francois
Clement Theodore Dubois
(1837-1924), edited by
Helga Schauerte-Maubouet.
Playing Score for organ
solo. With introductory
text, performance notes,
facsimiles, critical
commentary and glossary
of terms. Urtext Edition.
Text language English,
French, and German. 80
pages. Published by
Baerenreiter-Ausgaben
(German import).
Recorder and guitar - Level 1 SKU: LM.24917 Composed by Nicole Clement (C...(+)
Recorder and guitar -
Level 1
SKU:
LM.24917
Composed by
Nicole Clement (Ch).
Classical. Score. 16
pages. Editions Henry
Lemoine #24917. Published
by Editions Henry Lemoine
(LM.24917).
ISBN
9790230949170.
Vals
e pour Stephane -
Berceuse du petit loir -
L'Eau vive (Guy Beart) -
La Boheme (chanson
autrichienne) - Berceuse
en la mineur -
L'Hirondelle passagere
(Nicole Clement) - Sur le
chemin du Spitzingsee
(populaire autrichien) -
L'Hiver est passe
(chanson allemande) -
Bring-Back (chanson
ecossaise) - Une tres
sainte Vierge (Noel
ancien) - Noel allemand -
Venez mes enfants (Noel
alsacien) - Les Cloches
de Noel (Noel
alsacien).
By Steve Hancoff. For Guitar (Finger). Transcribed solos. Jazz. Level: Intermedi...(+)
By Steve Hancoff. For
Guitar (Finger).
Transcribed solos. Jazz.
Level: Intermediate.
Book/CD Set. Size 8.5x11.
88 pages. Published by
Mel Bay Publications,
Inc.
AT vocal soli, SATB choir & organ (SATB) SKU: OU.9780193361140 Composed b...(+)
AT vocal soli, SATB choir
& organ (SATB)
SKU:
OU.9780193361140
Composed by Michael
Finnissy. Choral Works
(inc. Oratorios). Vocal
score. 40 pages. Duration
25'. Oxford University
Press #9780193361140.
Published by Oxford
University Press
(OU.9780193361140).
ISBN 9780193361140. 12
x 8 inches.
For
alto and tenor soloists,
SATB chorus, and organ.
Both the texts, an
anonymous one from the
14th century and one
attributed to Pope
Clement XI, are prayers.
Very simple choral
sections, using sustained
drones, alternate with
more florid solos. The
music is almost entirely
modal and the textures
are designed to
'resonate'.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-19. Published by
Breitkopf and Haertel
(BR.OB-5353-19).
ISBN
9790004340721. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-23. Published by
Breitkopf and Haertel
(BR.OB-5353-23).
ISBN
9790004340738. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-16. Published by
Breitkopf and Haertel
(BR.OB-5353-16).
ISBN
9790004340714. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 12
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-27. Published by
Breitkopf and Haertel
(BR.OB-5353-27).
ISBN
9790004340745. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-15. Published by
Breitkopf and Haertel
(BR.OB-5353-15).
ISBN
9790004340707. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.