By Malcolm Archer. For Organ. (2-part). Hymn preludes. Sacred. Level: Beginning. Book. Published by Kevin Mayhew Publishers (U.K. Import).

Baritone Voice and Piano - Intermediate

SKU: FP.FMJ02

Composed by John Manduell. Sheet Music and Books. Songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse. Classical. Vocal Score. Forsyths Publications #FMJ02. Published by Forsyths Publications (FP.FMJ02).

ISBN 9790570503896.

A wonderfully balanced and yet contrasting set of songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse.

In the first, perhaps the most often quoted of Ronsard's poems, the poet invites young Mignonne to come and look at the purple rose and to realise that her beauty like the rose's will fade all too soon. Du Bellary's poem is redolent of late summer heat and haze as the thresher of the title calmly pursues his work. The Marot is a brief exercise in courteous mockery as the poet chides his ailing lady upon her gastronomic self-indulgence and warns her of the inevitable consequences upon her figure.

Finally published in 2013, Trois Chansons is one of the of the composer’s earliest surviving works, written while he was studying with the late Sir Lennox Berkely as a postgraduate student at the Royal Academy of Music. The first performance was given by Beverley Humphreys at the Royal Academy of Music in 1956.

By George Thalben-Ball. For Organ. 20th Century. Sheet Music. Published by Novello and Co Ltd.

Edited by Thurston Dart. For Piano. Piano & Keyboard. Published by Stainer & Bell Ltd. (U.K. Import).

Book/Online Audio Banjo

SKU: HL.695101

For 5-String Banjo. Banjo. Instructional and Bluegrass. Softcover Audio Online. With banjo tablature, chord names, lyrics, banjo chord diagrams, instructional text and introductory text. 64 pages. Published by Hal Leonard (HL.695101).

ISBN 9780793568772. UPC: 073999951011. 9.0x12.0x0.225 inches. Mac Robertson, Robbie Clement, and Will Schmid.

Authored by Mac Robertson, Robbie Clement & Will Schmid, this innovative method teaches 5-string, bluegrass style banjo. Covers easy chord strums for the beginner; learning tablature; right-hand rolls characteristic of bluegrass; techniques such as hammer-on, slide and pull-off. This edition also includes 97 tracks of full-band demos covering every music example in the book. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Composed by Francois Clement Theodore Dubois (1837-1924), edited by Helga Schauerte-Maubouet. Playing Score for organ solo. With introductory text, performance notes, facsimiles, critical commentary and glossary of terms. Urtext Edition. Text language English, French, and German. 80 pages. Published by Baerenreiter-Ausgaben (German import).

Recorder and guitar - Level 1

SKU: LM.24917

Composed by Nicole Clement (Ch). Classical. Score. 16 pages. Editions Henry Lemoine #24917. Published by Editions Henry Lemoine (LM.24917).

ISBN 9790230949170.

Vals e pour Stephane - Berceuse du petit loir - L'Eau vive (Guy Beart) - La Boheme (chanson autrichienne) - Berceuse en la mineur - L'Hirondelle passagere (Nicole Clement) - Sur le chemin du Spitzingsee (populaire autrichien) - L'Hiver est passe (chanson allemande) - Bring-Back (chanson ecossaise) - Une tres sainte Vierge (Noel ancien) - Noel allemand - Venez mes enfants (Noel alsacien) - Les Cloches de Noel (Noel alsacien).

Composed by Mark Sedio. For organ. Sacred. Collection. Published by Augsburg Fortress

By Emma Lou Diemer (1927-). For organ. Sacred. Collection. 44 pages. Published by Augsburg Fortress

By Steve Hancoff. For Guitar (Finger). Transcribed solos. Jazz. Level: Intermediate. Book/CD Set. Size 8.5x11. 88 pages. Published by Mel Bay Publications, Inc.

Voice and Piano. By Francesco Paolo Tosti. Vocal. Size 9x12 inches. 288 pages. Published by Ricordi.

AT vocal soli, SATB choir & organ (SATB)

SKU: OU.9780193361140

Composed by Michael Finnissy. Choral Works (inc. Oratorios). Vocal score. 40 pages. Duration 25'. Oxford University Press #9780193361140. Published by Oxford University Press (OU.9780193361140).

ISBN 9780193361140. 12 x 8 inches.

For alto and tenor soloists, SATB chorus, and organ. Both the texts, an anonymous one from the 14th century and one attributed to Pope Clement XI, are prayers. Very simple choral sections, using sustained drones, alternate with more florid solos. The music is almost entirely modal and the textures are designed to 'resonate'.

Violoncello (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-23

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5353-23. Published by Breitkopf and Haertel (BR.OB-5353-23).

ISBN 9790004340738. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Violin 2 (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-16

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5353-16. Published by Breitkopf and Haertel (BR.OB-5353-16).

ISBN 9790004340714. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Double bass (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-27

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 12 pages. Duration 45'. Breitkopf and Haertel #OB 5353-27. Published by Breitkopf and Haertel (BR.OB-5353-27).

ISBN 9790004340745. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Violin 1 (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-15

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5353-15. Published by Breitkopf and Haertel (BR.OB-5353-15).

ISBN 9790004340707. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.