Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB...(+)
Violin and orchestra
(solo: vl - 1.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.PB-5531-07
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Beethoven would
probably have loved to be
able to commission a new
edition of his violin
concerto from Clive
Brown, since he is one of
the top specialists, with
a profound knowledge and
experience of performance
practice in Beethoven's
day.
Solo concerto;
Classical. Study Score.
88 pages. Duration 45'.
Breitkopf and Haertel #PB
5531-07. Published by
Breitkopf and Haertel
(BR.PB-5531-07).
ISBN
9790004212608. 6.5 x 9
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Choir SKU: GI.G-4573 Seventeen Choral Masterworks from the 15th to 18t...(+)
Choir
SKU:
GI.G-4573
Seventeen Choral
Masterworks from the 15th
to 18th Centuries.
Composed by Richard
Proulx. Sacred.
Collection. GIA
Publications #4573.
Published by GIA
Publications (GI.G-4573).
Choral
masterworks from the 15th
to 18th centuries, all
beautifully recorded in
the splendor of St.
Clement Church, Chicago
by the Cathedral Singers
under the direction of
Richard Proulx. CONTENTS:
YOU ARE GOD: WE PRAISE
YOU (G-4577) •
DOMINE, NON SUM DIGNUS
(VITTORIA, G-1957)
• HOSANNA FILIO
DAVID (VICTORIA, G-4575)
• JESU DULCIS
MEMORIA (VICTORIA,
G-2295) • O MY
PEOPLE (VICTORIA, G-3119)
• LIGHT’S
GLITTERING MORN BEDECKS
THE SKY (VULPIUS, G-3050)
• LET ALL TOGETHER
PRAISE OUR GOD (BACH,
G-4157) • O LORD,
HOW SHALL I MEET YOU
(BACH, G-3033) •
LET SONG OF PRAISES FILL
THE SKY (BACH, G-3003)
• SANCTI DEI OMNES
(HAYDN, G-3793) •
ADORO TE (HAYDN, G-4058)
• HYMN TO ST.
CECILIA CHANT (G-4576)
• AWAKE, MY HEART
WITH GLADNESS (CR?GER,
G-3559) • DIFFUSA
EST GRATIA (NANINO,
G-4150) • O SACRUM
CONVIVIUM (CROCE, G-4574)
• FROM BETHLEHEM
FAIR CITY (G-4155)
• PENTECOST
SEQUENCE CHANT
(G-4578).
Composed by Thomas Ades (1971-). Arranged by Jim Clements. Single Titles. Fabe...(+)
Composed by Thomas Ades
(1971-). Arranged by Jim
Clements. Single Titles.
Faber
Edition: Choral Signature
Series. Secular. Choral
Octavo. Faber Music #12-
0571540937. Published by
Faber
Music
SKU: GI.G-CD-260 Composed by Richard Proulx. Sacred. CD. GIA Publications...(+)
SKU: GI.G-CD-260
Composed by Richard
Proulx. Sacred. CD. GIA
Publications #260.
Published by GIA
Publications
(GI.G-CD-260).
Recorded in the
acoustically rich St.
Clement's Church in
Chicago, this is a
stunning recording you
won't soon forget.
Included here is a
long-awaited performance
of Richard Proulx's
edition of the Schubert
German Mass, as well as
two additional mass
settings: the chant-based
Missa Emmanuel and Mass
for the City. Add four
more works by Richard
Proulx and you get a
must-have recording of
the highest possible
quality.
By James Swearingen, Clement Clarke Moore. Intermediate Wind Band/Ensemble. FJH ...(+)
By James Swearingen,
Clement Clarke Moore.
Intermediate Wind
Band/Ensemble. FJH
Developing Band. Narrated
by one to five people,
this work presents the
perfect opportunity to
feature students,
faculty, support staff,
or school administrators.
Dress for narrators may
include choir robes along
with black folders or
simply appropriate
outfits complimented with
Santa hats. Between
readings, the ensemble
performs seasonal
favorites and provides
the audience with a few
humorous suggestions.
Score for this title:
B1315S. Extra part for
this title: B1315P.
Concert Band. Level: 1.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
By Bonnie Rideout. For Fiddle. Solos. Encyclopedia. Scottish. Level: Intermediat...(+)
By Bonnie Rideout. For
Fiddle. Solos.
Encyclopedia. Scottish.
Level: Intermediate.
Book. Size 8.75x11.75.
136 pages. Published by
Mel Bay Publications,
Inc.
Piano SKU: ST.K14 Composed by William Tasdall. Edited by Howard Ferguson....(+)
Piano
SKU: ST.K14
Composed by William
Tasdall. Edited by Howard
Ferguson. Edited by
Howard Ferguson. Score.
Stainer & Bell Ltd. #K14.
Published by Stainer &
Bell Ltd. (ST.K14).
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Set of parts.
92 pages. Duration 45'.
Breitkopf and Haertel #OB
5353-30. Published by
Breitkopf and Haertel
(BR.OB-5353-30).
ISBN
9790004340752. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
For All Organs. By Carrie Jacobs-Bond, Charles W. Cadman, Edvard Grieg, Camille ...(+)
For All Organs. By Carrie
Jacobs-Bond, Charles W.
Cadman, Edvard Grieg,
Camille Saint-Saens.
Arranged by Mark Laub.
Text: Charles Cory;
Clement Scott; D.F.
Blomfield; Edward
Teschemacher; Hans
Christian Andersen; Nelle
Richmond Eberhardt. For
Organ. Solo part. 34
pages. Published by
Theodore Presser Company.
Composed by Kristen Anderson- Lopez and Robert Lopez. Arranged by Jim Clement...(+)
Composed by Kristen
Anderson-
Lopez and Robert Lopez.
Arranged by Jim Clements.
King's Singers
Choral.
Concert, Festival,
Lullaby,
Spanish. Octavo. Duration
210
seconds. Published by Hal
Leonard
Books and Journals SKU: UT.QC-2 Composed by Rohan H. Stewart-MacDonald. H...(+)
Books and Journals
SKU: UT.QC-2
Composed by Rohan H.
Stewart-MacDonald.
Hardback (Cloth Hard
Cover with Jacket).
Quaderni Clementiani.
Classical. Books and
Journals. Ut Orpheus #QC
2. Published by Ut
Orpheus (UT.QC-2).
ISBN 9788881094585.
6.5 x 9.5
inches.
The career
of Muzio Clementi
(1752-1832) spanned the
lives of both Mozart and
Beethoven and was
exceptionally diverse. It
encompassed performing on
the keyboard, conducting,
teaching, business
activities and
composition in the realms
of keyboard, chamber and
orchestral music. This
book focuses on
Clementi’s keyboard
sonatas and aims to shed
new light on their
relationship with the
complex cross-currents of
late eighteenth-century
musical style, both in
England, where Clementi
was active for much of
his career, and the
continent, which he
visited
periodically. The
first chapter summarises
Clementi’s
historical reputation as
it developed in the
nineteenth and twentieth
centuries, and evaluates
the impact on it of the
significant developments
in Clementi scholarship
since 2000. The aim is to
stress the deficiencies
of the established view
of Clementi as a keyboard
pedagogue and to stress
the importance of
liberating him as much as
possible from this
ingrained perception.
This is attempted, in the
remaining chapters,
through close, analytical
readings of a variety of
keyboard sonatas from all
stages of his career,
comparing them with a
range of works by Haydn,
Mozart, Beethoven and
other contemporaries such
as Jan Ladislav Dussek
(1760-1812). The
comparisons are made from
the perspectives of
distinguishing features
of Clementi’s style
such as his unusually
intense deployment of
strict counterpoint in
the later keyboard
sonatas; his cultivation
of irregularity in
recapitulations; his use
of the
‘three-key’
exposition in the
middle-to-later stages of
his career that seems to
anticipate
nineteenth-century
developments, and also
his assimilation of
heightened virtuosity
into the earlier sonatas,
often in the form of
cadenzas more suggestive
of the keyboard concerto
a genre Clementi
seems, rather strangely,
to have neglected. The
book has been envisaged
as a direct response, not
only to the most recent
scholarship on Clementi,
but also to current
approaches to
eighteenth-century music
in general, including the
interdisciplinary work of
Annette Richards.
Grundlagen fur Blues,
Shuffles, Intros,
Turnarounds und
Leads. Composed by
Jacques Clement. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Textbook.
48 pages. Schott Music
#MF 699049. Published by
Schott Music
(HL.49034918).
9.0x12.0x0.13 inches.
German.
Dieser Band
ist gedacht fur
Gitarristen mit sehr
verschiedenen
Fahigkeitsgraden. Der
fortgeschrittene Anfanger
lernt simple
Bluesbegleitungen und
leichte Lead-Patterns.
Weiter fortgeschrittene
Gitarristen erweitern
ihre Fahigkeiten um
versetzbare Akkorde,
charakteristische
Blueseinleitungen,
Turnarounds und
Lead-Soli. Gitarristen
aller Klassen konnen
diesen Band als eine
Sammlung klassischer
Blues-Songs benutzen.
Violin and Orchestra SKU: BT.EMBZ40060 Composed by Ludwig van Beethoven. ...(+)
Violin and Orchestra
SKU: BT.EMBZ40060
Composed by Ludwig van
Beethoven. EMB Study
Scores. Solo & Concerto.
Book Only. Editio Musica
Budapest #EMBZ40060.
Published by Editio
Musica Budapest
(BT.EMBZ40060).
Though some
themes of the D major
Violin Concerto appear
fragmentarily among
Beethoven's earlier
drafts, the score
received its final shape
- according to the
autograph manuscript - in
1806 only. The first
performance took place on
December 23 of the same
year in Vienna, the
violon solo was played by
Franz Clement. The
concerto met with a
rather cold reception:
this critic of the Wiener
Theaterzeitung admitted
'some beauty' in it but
for the rest he found
that '...the coherence
often seems totally
broken and the endless
repetitions of some
commonplace sections can
easily become tedious.'
The performance may have
not been totally
satisfying, it is
certainly surprising that
the setof parts published
in 1808 is dedicated to
Stephan von Breuning
instead of Clement. It is
not impossible that
Beethoven lost faith in
the value and future of
his work, too, - his
later attempt to change
it into a piano concerto
can be interpreted in
this way.
Trumpet - intermediate SKU: BT.AMP-091-400 Arranged by Philip Sparke. Edu...(+)
Trumpet - intermediate
SKU:
BT.AMP-091-400
Arranged by Philip
Sparke. Educational Tool.
Book with CD. Composed
2004. 24 pages. Anglo
Music Press #AMP 091-400.
Published by Anglo Music
Press (BT.AMP-091-400).
ISBN 9789043153362.
English-German-French-Dut
ch.
In Classic
Hymns, Philip Sparke has
taken 10 of the
best-loved hymn tunes,
popular around the world,
and used them as the
basis of a collection of
short recital pieces,
ranging from simple
descant arrangements to a
full-blown theme and
variations. Ideal for
concert or contest use,
these charming pieces
range in mood from
triumphal to reflective
and can provide that
‘musical
moment’ and a time
for meditation in church
services and religious
occasions of all
kinds.
Anglo Music
PressBij de keuze van de
hymnen voor deze
verzameling heeft Philip
Sparke grotendeels geput
uit de grote Engelse
hymnen van de 18e en 19e
eeuw - melodieën die
niet alleen geschikt zijn
voor samenzang, maar ook
veel
muzikalemogelijkheden
bieden voor uitbreiding
en variatie. De
bijgevoegde cd bevat
zowel volledige
uitvoeringen als
begeleidingstracks. Deze
hymnen zijn uitstekend
geschikt voor het spelen
in concert- of
wedstrijdverband, of als
muzikaalintermezzo
tijdens een
kerkdienst.
Bei
der Auswahl der Hymnen
für diese Sammlung
bediente sich Philip
Sparke größtenteils
der großen, englischen
Hymnen aus dem 18. und
19. Jahrhundert. Die
beiliegende CD enthält
sowohl vollständige
Aufnahmen als auch reine
Begleitversionen. Diese
Hymnen eigenen sich
perfekt für den
Einsatz im Gottesdienst,
Konzert und Wettbewerb,
aber auch für das
Spiel zum eigenen
Vergnügen.