SKU: WD.080689471179

UPC: 080689471179.

Place s! Lights! Curtain Up! It’s time for The Star Factor and you have a front-row seat! The setting is Camp Heart & Soul, a summer arts camp that features a talent showcase with an exciting twist: the showcase winner earns the opportunity to compete on a national TV show. As everyone excitedly prepares for the performance, their initial group cooperation begins to crumble as their celebrity coach tells them that “looking out for yourself is the only way to become a star!” A series of zany complications climax at the broadcast of the show when all the would-be “stars” finally learn that being part of the Body of Christ is what is important, and every person has a special and unique role to play. The Star Factor is another home-run musical from the gifted pen of Christy Semsen, combining humorous characters, clever storytelling, and memorable songs that deliver a solid contemporary spiritual theme the whole audience will appreciate. Daniel Semsen has produced state-of-the-art accompaniment tracks – worthy of any television show – and a comprehensive Teacher's Resource Kit and performance Instructional DVD will provide all the production help and ideas you need for an impactful and unforgettable experience. So set your DVR for The Star Factor – it’s an experience you’ll want to become a part of again and again!

SKU: PR.416416280

UPC: 680160643547. 9 x 12 inches. Libretto by Carol Thomas Downing, based on the short story by O. Henry.

The Gift of the Magi is a choral ballet for dancers, chamber orchestra, and children's chorus. It is based on the short story of the same name by O. Henry (1862 - 1910). It is a story about a young couple who are short of money but desperately want to buy each other Christmas gifts. Unbeknownst to Jim, Della sells her most valuable possession, her beautiful hair, in order to buy a platinum fob chain for Jim's watch: while unbeknownst to Della, Jim sells his own most valuable possession, his watch, to buy jeweled combs for Della's hair.

SKU: PR.41641628L

UPC: 680160643554. 11 x 14 inches. Libretto by Carol Thomas Downing, based on the short story by O. Henry.

The Gift of the Magi is a choral ballet for dancers, chamber orchestra, and children's chorus. It is based on the short story of the same name by O. Henry (1862 - 1910). It is a story about a young couple who are short of money but desperately want to buy each other Christmas gifts. Unbeknownst to Jim, Della sells her most valuable possession, her beautiful hair, in order to buy a platinum fob chain for Jim's watch: while unbeknownst to Della, Jim sells his own most valuable possession, his watch, to buy jeweled combs for Della's hair.

SKU: PR.312418890

UPC: 680160643561. 9 x 12 inches. Libretto by Carol Thomas Downing, based on the short story by O. Henry.

The Gift of the Magi is a choral ballet for dancers, chamber orchestra, and children's chorus. It is based on the short story of the same name by O. Henry (1862 - 1910). It is a story about a young couple who are short of money but desperately want to buy each other Christmas gifts. Unbeknownst to Jim, Della sells her most valuable possession, her beautiful hair, in order to buy a platinum fob chain for Jim's watch: while unbeknownst to Della, Jim sells his own most valuable possession, his watch, to buy jeweled combs for Della's hair.

SKU: PR.312418900

UPC: 680160643578. 9 x 12 inches. Libretto by Carol Thomas Downing, based on the short story by O. Henry.

The Gift of the Magi is a choral ballet for dancers, chamber orchestra, and children's chorus. It is based on the short story of the same name by O. Henry (1862 - 1910). It is a story about a young couple who are short of money but desperately want to buy each other Christmas gifts. Unbeknownst to Jim, Della sells her most valuable possession, her beautiful hair, in order to buy a platinum fob chain for Jim's watch: while unbeknownst to Della, Jim sells his own most valuable possession, his watch, to buy jeweled combs for Della's hair.

ISBN 9781622774333.

Musi c teachers know their students don’t just learn to play music, they are also exposed to universal life skills along the way. But that’s just part of the story. Currently, most students are largely left to learn these universal skills—like problem-solving, patience, focus, collaboration, critical thinking, creativity, and communication—on their own and often not very effectively. The Transposed Musician is a practical guide to teaching these universal skills within the context of a traditional music lesson. The results not only empower students to better confront the challenges of the twenty-first century, they significantly improve musicianship—a double benefit. Author Dylan Savage spent two decades refining his approach to teaching universal skills through music, and he shares them in this book. Each of the eight chapters of The Transposed Musician focuses on a specific universal skill (problem-solving, focus, patience, critical thinking, communication, collaboration, improvisation, and creativity) and shows how students can apply that skill to music. He then shows how teachers can guide those students to “transpose” that skill to life and back again to music with far deeper understanding and musicianship. With practical examples and clear writing, this book is for music educators wishing to help their students become both better musicians and also better-equipped citizens of the world. Students truly become “transposed musicians” for life and for music. Dylan Savage is Associate Professor of Piano at the University of North Carolina–Charlotte . He is also a Bösendorfer Concert Artist, a Capstone Records Recording Artist, and a winner of the Rome Festival Orchestra Competition. https://thetransposedmusi cian.com/ This book is priceless and contains a wealth of music teaching information that every teacher should apply to their studio. Dylan Savage’s use of universal skills transforms music teaching into a viable and essential part of education in the twenty-first-century. This teaching approach of using universal skills can revolutionize teaching music in both the private studio and college level and will give teachers a greater sense of purpose and satisfaction in their work. This book challenges many preconceived ideas about teaching music and mastering performance. Bravo for shaking up the status quo. —Randall Hartsell     Composer, Clinician, Teacher This book asks and explores fascinating questions about what it means to study music in a changing world. Are there skills we can learn in our music lessons which can enrich our lives in other non-musical areas, and then can we bring those expanded skills back into our study of music itself? Too often our conservatories are dead-ends, stuck with outdated, one-dimensional approaches which can lead to stunted personal development. This book suggests ways in which we can break down doors, for students and teachers alike, and celebrate music as something life-affirming, in and out of the studio. —Stephen Hough     Pianist, Composer, Writer Dylan Savage has given us a fresh and creative pedagogy to guide our music students toward life as twenty-first-century musicians. His career as pianist and teacher, and his firsthand experience in the marketplace of business and industry, allow him to forge a systematic approach to teaching universal skills in the music lesson. In each of the eight chapters, skills such as problem-solving, focus, critical thinking, collaboration, and improvisation are defined and applied to musical skills. These in turn are “transposed” to non-musical applications. We observe the music lessons and the active “transposition† or transfer of universal skills exemplified through descriptions of particular lessons. The anxieties, confusions, and ultimate comfort and understanding of students are guided by the questions of the teacher. The book is beautifully organized and is enriched by quotations of artists, musicians and philosophers, and suggested readings and references. I really think this is an important and helpful book with a point of view that is much needed. The empathy and knowledge of the author steer the reader toward the realities of today’s musical world, a world that requires skilled musicians to have universal skills that benefit their lives, regardless of their ultimate career paths. —Phyllis Alpert Lehrer     Professor Emerita, Westminster Choir College of Rider University     Artist Faculty, Westminster Conservatory In The Transposed Musician, Dylan Savage combines a visionary’s deep understanding of the challenges music students and teachers face with an eminently practical way to meet those challenges. Using a master teacher’s insight, Savage “transposes” eight potential stumbling blocks into eight universal skills that can be acquired through a beautifully organized, step-by-step approach. In turn, he shows how these skills can be applied to other areas in our rapidly changing world, helping us lead more satisfying, meaningful, and fulfilling lives, not only as musicians, but as human beings. For students and teachers alike, an inspired and inspiring book. —Barbara Lister-Sink, Ed.D.     Producer, Freeing the Caged Bird The Transposed Musician is an important contribution to our literature on teaching essential life skills including problem-solving, patience, focus, critical thinking, and creativity within the traditional music lesson. Teachers and students both can benefit from the study and application of these skills. Applications are made both to the traditional lesson as well as to non-music applications. —Jane Magrath     Pianist, Author, Teacher     University of Oklahoma Twenty-five hundred years ago Plato recommended music first in his ideal curriculum for potential leaders of Athens—before sport, mathematics, and moral philosophy. None of his candidates, one may assume, aspired to become a professional musician. Nevertheless, throughout centuries, otherwise people have acknowledged that the study and practice of music generates collateral benefits essential to human fulfillment. In his new book The Transposed Musician, Professor Dylan Savage of the University of North Carolina at Charlotte identifies eight of these benefits—Problem Solving, Focus, Patience, Critical Thinking, Communication, Collaboration, Improvisation, and Creativity—and calls them “universal skills” which may be developed consciously and systematically within the context of traditional music lessons. Doing so takes what has been implicit all along and makes it explicit. Music is good for us! Music teachers, even at the highest conservatory level, learn from Professor Savage that they are not so much professional trainers as guides to a happier, more successful life. —Dr. Joseph Robinson     Principal Oboe, New York Philharmonic (1978–2005)     Successful author, teacher, producer, and arts advocate Savage's excellent book couldn't be more timely, unique, clear, full of wisdom, and exactly what we need. As he points out, music teachers have known for generations—in a rather generalized way—that musical skills can strengthen life skills in many ways. Dylan Savage is the first to address this 'transposition' intentionally, with specific exercises in the transferrable skills. What better gift could there be for music students facing an ever-changing world? —William Westney     Award-winning concert pianist (Geneva Competition) and teacher     Author of The Perfect Wrong Note: Learning to Trust Your Musical Self.