Jesu, Joy Of Man's Desiring for Flute and Piano composed by Johann Sebastian Bac...(+)
Jesu, Joy Of Man's
Desiring for Flute and
Piano composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Jonathon Robbins. For
flute solo and piano
accompaniment. Solo with
Accompaniment. Classical.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Jesu, Joy Of Man's Desiring for Trumpet and Piano composed by Johann Sebastian B...(+)
Jesu, Joy Of Man's
Desiring for Trumpet and
Piano composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Jonathon Robbins. For
trumpet solo and piano
accompaniment. Solo with
Accompaniment. Classical.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Through a Child's Eyes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Chris M. Bernotas. Concert Band; Part(s); Score; SmartMusic. Young S...(+)
Composed by Chris M.
Bernotas. Concert Band;
Part(s); Score;
SmartMusic. Young
Symphonic. Form: Ballade.
Children. 128 pages.
Published by Alfred Music
(AP.36692).
Composed by Carter Pann (1972-). Contemporary. Performance score. With Standard ...(+)
Composed by Carter Pann
(1972-). Contemporary.
Performance score. With
Standard notation.
Composed 2016. 28 pages.
Duration 16 minutes.
Theodore Presser Company
#110-41818. Published by
Theodore Presser Company
(PR.110418180).
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Stand Up and Swing Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Composed by John O'Reilly. Concert Band. Concert Band; Score. Accent on Achievem...(+)
Composed by John
O'Reilly. Concert Band.
Concert Band; Score.
Accent on Achievement.
Light Concert; Swing.
Grade 1.5. 8 pages.
Published by Alfred Music
Band concert band - Grade 2 SKU: KJ.GB887F Composed by Engelbert Humperdi...(+)
Band concert band - Grade
2
SKU: KJ.GB887F
Composed by Engelbert
Humperdinck. Edited by
Ron Cowherd. Score. Neil
A. Kjos Music Company
#GB887F. Published by
Neil A. Kjos Music
Company (KJ.GB887F).
Hansel and
Gretel, arranged by Ron
Cowherd, takes the form
of an overture,
containing three musical
vignettes from the opera:
Evening Prayer; Brother,
Come and Dance and There
Stands a Little Man. The
arranger has faithfully
captured the magic of the
original in the carefully
scored arrangement that
will make your band sound
great! Correlates With
Best In Class Bk. 2 Page
19 / SOE Bk. 2 Page
25.
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Mario Aschauer. Thi...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Mario Aschauer. This
edition:
urtext edition. Stapled.
Barenreiter Urtext. With
the
Rondo "Alla Turca".
Performance score. KV 331
(300i). Baerenreiter
Verlag
#BA11816. Published by
Baerenreiter Verlag
Choral (Studiotrax CD) SKU: HL.322548 Composed by Charles H. Gabriel. Arr...(+)
Choral (Studiotrax CD)
SKU: HL.322548
Composed by Charles H.
Gabriel. Arranged by Brad
Nix and Jon Paige.
Shawnee Sacred. General
Worship, Sacred. CD.
Duration 275 seconds.
Published by Shawnee
Press (HL.322548).
UPC: 888680974879.
5.0x5.0x0.151 inches.
Arr. Jon Paige/Brad Nix.
Hebrews 10:22, I
Corinthians 15:57, Romans
8:37.
One of the
most requested hymns of
the faith is the latest
addition to this popular
series. Flowing with
confidence and power,
this solid selection will
add meaning to any
worship gathering.
Crafted to invigorate
congregational singing,
the choir provides the
bookends and a freely
harmonized second stanza
creates an unforgettable
corporate worship
experience. An instant
classic! Score and Parts
(tpt 1-2, tbn 1-2, timp)
available as a digital
download. Part for
Handbells (3 oct.) also
available as a digital
download.
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, T...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Lent,
Triduum/Three Days,
Tenebrae,
21st Century, Heaven,
Lament/Grief/Sorrow.
Vocal/choral score.
MorningStar Music
Publishers
#56-0002. Published by
MorningStar Music
Publishers
Japanese Piccolo (Shinobue) and Piano SKU: YM.GTW01100429 Composed by Var...(+)
Japanese Piccolo
(Shinobue) and Piano
SKU:
YM.GTW01100429
Composed by Various.
Traditional Japanese
Song, J-Pop. J-Pop,
Traditional Japanese
Song, Kayo, Enka. Score
and part. Yamaha Music
Media #GTW01100429.
Published by Yamaha Music
Media (YM.GTW01100429).
ISBN 9784636102994.
8.5 x 12
inches.
The
shinobue, Japanese
transverse flute
collection with a
selection of famous songs
from the Showa and Heisei
periods, designed for
intermediate and advanced
players to further deepen
their shinobue playing
skills. A piano
accompaniment CD with
wonderful jazz-style
arrangements is included
for fun practice. It is
sure to be appreciated at
recitals and other live
performances. The
numerical notation allows
you to play the pieces in
any key, and the key
change app allows you to
play the piano
accompaniment in any
key.
For a man who achieved so much in his own field, Bliss's wide-ranging, undogmati...(+)
For a man who achieved so
much in his own field,
Bliss's wide-ranging,
undogmatic appetite for
the whole arts scene was
extraordinary. While he
had a profound knowledge
and understanding of
American and European
writing, dance, graphics,
poetry, sculpture,
painting and design, both
contemporary and
classical, for theatre he
had a special sympathy
and rapport. Its
qualities of timing,
drama, economy and pace
are everywhere to be
found in his work, with
his own flair for colour
and the understanding
that theatre is a means
and medium of expression,
not the message itself,
that gesture, like logic,
is a tool, not a truth.
What gives his music
durability is the
appreciation of classical
values - proportion,
design, restraint,
integrity and growth.
Nowhere will you find a
better demonstration than
Things to Come of this
synthesis of vision,
intellect, technique and
panache
By Cathy Moklebust. For organ (with optional organ, brass, timpani, choir and/or...(+)
By Cathy Moklebust. For
organ (with optional
organ, brass, timpani,
choir and/or
congregation). Christmas.
Level 3. Organ Score.
Published by Chorister's
Guild
Arranged by Andrew F. Poor. For 4 F Horns. Brass - French Horn Quartet; Part(s);...(+)
Arranged by Andrew F.
Poor. For 4 F Horns.
Brass - French Horn
Quartet; Part(s);
Quartet; Score. Eighth
Note Publications. Hymn.
8 pages. Published by
Eighth Note Publications
National Anthems Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4661-00 Canada, United Kingdom, France. Arrang...(+)
Grade 3
SKU:
CL.026-4661-00
Canada, United
Kingdom, France.
Arranged by Stanton.
Concert Band.
Build-A-Band. Score and
set of parts. Composed
2018. Duration 3 minutes,
16 seconds. C.L.
Barnhouse #026-4661-00.
Published by C.L.
Barnhouse
(CL.026-4661-00).
Take your
musicians on a cultural
exchange trip to Canada,
France and the United
Kingdom! You can play any
of these three national
anthems individually, or
pair them with the Star
Spangled Banner
(available separately in
Build-A-Band format) as
an opening travel-log at
your next concert. Lots
of ways to teach across
the curriculum with these
easy, great sounding
arrangements meant for
smaller bands with
limited instrumentation.
Hosting foreign exchange
students from these
countries? Honor them at
your concert with their
national anthem! Please
stand, remove hats and
join in the presentation
of the national
anthems!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
(String Orchestra). By John Tavener (1944-). For Orchestra (Score). Music Sales ...(+)
(String Orchestra). By
John Tavener (1944-). For
Orchestra (Score). Music
Sales America. Post-1900.
4 pages. Chester Music
#CH71170. Published by
Chester Music .
Post-1900.
For voice. Format: vocal songbook (spiral bound). With vocal score and chord nam...(+)
For voice. Format: vocal
songbook (spiral bound).
With vocal score and
chord names. Gospel and
Country. 9x12 inches.
Published by
Brentwood-Benson Music
Publishing. Click here
for Listening
Cassette
Three Trios Op.13 Trio de Flûtes: 3 flûtes [Conducteur et Parties séparées] Falls House Press
Composed by Friedrich Kuhlau (1786-1832). Arranged by David Tickton. Score and p...(+)
Composed by Friedrich
Kuhlau (1786-1832).
Arranged by David
Tickton. Score and
part(s). With Standard
notation. Falls House
Press #3F-T8. Published
by Falls House Press
(PR.FH0264).
By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled....(+)
By J. Peter Close /
Holger Sassmannshaus. For
contrabass. This edition:
Stapled. Barenreiter's
Sassmannshaus.
Instructional Method.
Performance score,
Teaching material. Text
Language: English. 72
pages. Published by
Baerenreiter Verlag
(Movement 2 from Symphony No.6). Composed by Vincent Persichetti (1915-1987). Co...(+)
(Movement 2 from Symphony
No.6). Composed by
Vincent Persichetti
(1915-1987). Concert
Band. For Flute I, Flute
II, Piccolo, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet (in Eb), Bass
Clarinet, Bassoon I,
Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet I. Classical.
Score and Set of Parts.
Standard notation. Opus
69. 8 pages. Duration 3
minutes. Theodore Presser
Company #165-00093.
Published by Theodore
Presser Company
Composed by William Bay.
Saddle-stitched, Style,
Tunebook, Gospel/Sacred,
Children and Young
Beginner, Solos,
Christian. Made Easy.
Sacred. Book/CD set. 32
pages. Mel Bay
Publications, Inc
#20881BCD. Published by
Mel Bay Publications, Inc
(MB.20881BCD).
ISBN
9780786607464. UPC:
796279036368. 8.75 x
11.75 inches.
Top
traditional praise songs
scored in notation and
tab for easy to play
flatpicking guitar. Songs
include Sanctuary, As the
Deer, Give Thanks, Lord,
Reign in Me, Draw Me
Close and many more. A
companion CD is included.
On the CD each piece is
played twice, once as a
guitar solo with
accompaniment and again
as a back-up track so the
guitarist may practice
the piece and use in a
worship setting; ideal
for small group or church
performance.