Ballets Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1094725-015 F...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1094725-015
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094725-015.
Published by De Haske
Publications
(BT.DHP-1094725-015).
9x12 inches.
English-German-French-Dut
ch.
During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci).
You're Welcome, Band Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-0348-00 Composed by P. Clark. Jazz Ensemble. Score an...(+)
Grade 3
SKU:
CL.032-0348-00
Composed by P. Clark.
Jazz Ensemble. Score and
set of parts. Composed
1986. C.L. Barnhouse
#032-0348-00. Published
by C.L. Barnhouse
(CL.032-0348-00).
You name it and
this chart's got it all!
Fast swinger that lets
the whole band show off
and have fun. Plenty of
solo space, solis, and
ensemble work. Perfect
for festivals and anytime
you want to im press your
audience with a real
flagwaver..
Easter Fantasy Orgue et Quatuor de cuivre Hinshaw Music Inc.
By John Gardner. Arranged by John Gardner. For Organ and Brass Quartet. Organ an...(+)
By John Gardner. Arranged
by John Gardner. For
Organ and Brass Quartet.
Organ and Sacred. Level:
Medium Advanced Adult.
Duration 6 min, 30 sec.
Published by Hinshaw
Music Inc.
Soloists, speakers, mixed
choir (SATB) and combo
(TRP(B)) - easy
SKU:
HL.49032121
Eine
satirische Chor-Revue in
10 Abteilungen.
Composed by Seeger. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Individual part. 8 pages.
Duration 30'. Schott
Music #ED 6524-12.
Published by Schott Music
(HL.49032121).
ISBN
9790001069410.
Die
Absurditaten der
Warenasthetik, die
Perfidie der
Reklamewelten, das
schonungslose Einhammern
von Werbespruchen, das
rettungslose
Ausgeliefertsein an einen
Mechanismus des
Verkaufens, Anpreisens
und An-den-Mann-Bringens
um jeden Preis sind Thema
dieser Revue und werden
mit den Mitteln
textlicher wie
musikalischer Ironie,
Parodie und Persiflage
blossgestellt. Die offene
Form bietet vielfaltige,
unbegrenzte Moglichkeiten
zur szenischen
Gestaltung; die
Einbeziehung anderer
Medien (Video, Film) ist
durchaus beabsichtigt und
bietet gute Moglichkeiten
fur facherubergreifende
Arbeit.
Ballets Ensemble de cuivres - Facile De Haske Publications
Brass Band - early intermediate SKU: BT.DHP-1094725-030 From Balletti ...(+)
Brass Band - early
intermediate
SKU:
BT.DHP-1094725-030
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094725-030.
Published by De Haske
Publications
(BT.DHP-1094725-030).
9x12 inches.
English-German-French-Dut
ch.
During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci).
Mt. Healthy Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3581-01 March. Composed by Fillmore. Arranged ...(+)
Grade 3
SKU:
CL.012-3581-01
March. Composed by
Fillmore. Arranged by
Shaffer. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(items CL.WFR350 &
CL.WFR366). Extra full
score. Composed 2007.
Duration 2 minutes, 8
seconds. Opus III Wind
Orchestra Publications
#012-3581-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3581-01).
This long-lost
Fillmore march was
written as a bet with
fellow composer John
Klohr in an attempt to
prove that music sold
because of its merit
rather than because of
the composer’s
popularity. To camouflage
its origins, Fillmore
wrote the march under the
fictitious name, Gus
Beans and called it Mt.
Healthy by selecting the
title at random from a
list of Cincinnati, Ohio
suburbs. An exceptional
march for mid-level
bands, Mt. Healthy is
pure Henry Fillmore at
his very best.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Guitar SKU: FG.55011-324-4 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-324-4
Composed by Kai Nieminen.
Fennica Gehrman
#55011-324-4. Published
by Fennica Gehrman
(FG.55011-324-4).
ISBN
9790550113244.
Quad
ri Morandi (2014) ties
together two essential
themes of Kai Niminen's
(b. 1953) compositional
style: guitar and a
subject inspired by
Italy. The strong
presence of the guitar in
his works is natural
since he is in an
actively performing
guitarist himself, and
guitar works indeed play
a significant role in his
oeuvre. Moreover, he has
written plenty of
orchestral music; for
instance two symphonies,
numerous concertos, and
chamber music. In the
field of Finnish music he
is a composer who can be
characterized as free
from any specific school
or style. In his musical
language, free tonal in
essence, one can detect
traces of Impressionism,
Neoromanticism and even
Expressionism at times,
but he is also willing to
employ more recent
20th-century stylistic
devices. Nieminen has
mentioned that he finds
himself very similar to
Japanese Toru Takemitsu
both musically and in
thought.
Mediterannean culture and
Italy especially have
been close to Nieminen's
heart ever since he first
visited the country and
appeared in the jury of
the international
Fernando Sor guitar
competition in 1981. He
has composed a great
number of works which
refer to Italian
landscapes or artists.
The work Quadri Morandi
(Morandi's pictures) is
written in four
movements. It has at its
centre the painter
Giorgio Morandi
(1890-1964), who is known
as a master of still
lifes and landscapes
painted in a plain manner
and is subdued colours.
Their atmosphere
typically reflects a calm
spirit. This is the third
guitar work that nieminen
has written for Kleemola.
It is easy to
find a counterpart for
the encaptivating realm
of Morandi's art in
Nieminen's clear and pure
expression. The titles
and expression markings
also include several
references to Morandi.
For example, in the
opening movement Prelude
the words la Natura morta
(still life) appear as an
additional note on the
chord sequence following
the freely flowing
opening section. At the
end of the movement one
can hear rhythmic motif
coloured with flageolets
that repeats the
syllables of the
painter's name: Gior-gio
Moran-di. A similar motif
can be heard at the end
of the second movement
Quasi cadenza. The
tranquilly breathing
third movement Paesaggio
(landscape) creates an
illusion of landscape by
imitating the echo of
monastery bells (come
campane del monastero)
and at the same time
refers to il monaco (the
monk), the name by which
Morandi was often called.
The final movement
Ritratto (Portrait) is
the most extensive of all
the movements and can be
seen, with its recurring
motifs, as a reflection
of the stable yet subtly
varying elements of
Morandi's art. The work
ends with the rhythmic
motif that once more
echoes Morandi's name,
like signature.
SKU: HL.49008194 Eine Einfuhrung in die Geschichte und Bau des Instrum...(+)
SKU: HL.49008194
Eine Einfuhrung in die
Geschichte und Bau des
Instruments und in die
Geschichte des
Klavierspiels.
Composed by Klaus
Wolters. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Uberarbeitete Neuauflage
des Bestsellers aus der
Reihe 'Unsere
Musikinstrumente'.
Classical. 85 pages.
Schott Music #ED 8872.
Published by Schott Music
(HL.49008194).
ISBN
9783795723583.
German.
Das Klavier
ist das bekannteste und
am weitesten verbreitete
Instrument. Das Buch
informiert uber die
Grundlagen des
Klavierbaus in Geschichte
und Gegenwart und gibt
Tipps fur die Behandlung
des Instruments und fur
das Klavierspiel, die dem
ausubenden Pianisten von
Nutzen sein werden. Es
will den Musikfreund und
besonders den Pianisten
mit seinem Instrument
vertraut machen und der
Frage nachgehen, in
welcher Weise sich die
Musiker im Wandel der
Zeit des Klaviers
annahmen und wie sie
seine Moglichkeiten zu
nutzen verstanden.Ein
Muss fur jeden
Musikliebhaber und
Klavierspieler!Unsere
Musikinstrumente' ist
eine sorgfaltig edierte
Reihe uber die einzelnen
Musikinstrumente, ihren
Bau und ihre Geschichte
sowie die Entwicklung
ihrer Spieltechnik. Alle
Bande stammen aus der
Feder fuhrender
Musikologen und
Interpreten. Alle Bande
der Reihe haben das
Format 19,0 x 21,0
cm.
Guitar SKU: M7.GRG-106299100 Das handliche Nachschlagewerk für den ...(+)
Guitar
SKU:
M7.GRG-106299100
Das handliche
Nachschlagewerk für
den Gitarristen.
Composed by Wieland
Harms. This edition:
Klebebindung. Sheet music
with Online material. 384
pages. Edition Melodia
#GRG 106299100. Published
by Edition Melodia
(M7.GRG-106299100).
ISBN 9783872523877.
German.
Mit 'Guitar
Manual' wurde eine von
Wieland Harms neu
u?berarbeitete Auflage
des Kultbuches 'Guitar
Handy' veröffentlicht.
Dieses Werk soll vielen
Gitarristen zum treuen
Begleiter und Ratgeber
werden. Inklusive
Jam-Tracks zum Streamen.
Guitar Manual enthält
ein Akkord- und
Skalenlexikon, welches
den Gitarristen zur
musikalischen
Unabhängigkeit und
damit zur
größtmöglichen
Flexibilität auf der
Gitarre fu?hrt.
Zusätzlich finden sich
hier alle Power Chords,
Slash Chords,
Bordunakkorde,
Quartenharmonik,
Alternate Tunings,
Arpeggios und Skalen.
Alle 42 Jam-Tracks fu?r
das Skalen-Training, die
vom Autor selbst
eingespielt wurden,
stehen u?ber einen
QR-Code zum Download
bereit.
Soloists, speakers, mixed
choir (SATB) and combo
(GIT) - easy
SKU:
HL.49032123
Eine
satirische Chor-Revue in
10 Abteilungen.
Composed by Seeger. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Individual part. 8 pages.
Duration 30'. Schott
Music #ED 6524-14.
Published by Schott Music
(HL.49032123).
ISBN
9790001069434.
Die
Absurditaten der
Warenasthetik, die
Perfidie der
Reklamewelten, das
schonungslose Einhammern
von Werbespruchen, das
rettungslose
Ausgeliefertsein an einen
Mechanismus des
Verkaufens, Anpreisens
und An-den-Mann-Bringens
um jeden Preis sind Thema
dieser Revue und werden
mit den Mitteln
textlicher wie
musikalischer Ironie,
Parodie und Persiflage
blossgestellt. Die offene
Form bietet vielfaltige,
unbegrenzte Moglichkeiten
zur szenischen
Gestaltung; die
Einbeziehung anderer
Medien (Video, Film) ist
durchaus beabsichtigt und
bietet gute Moglichkeiten
fur facherubergreifende
Arbeit.
By Henry Purcell (1659-1695). Edited by Henry Purcell. Arranged by William Hayma...(+)
By Henry Purcell
(1659-1695). Edited by
Henry Purcell. Arranged
by William Hayman
Cummings. For Solo
voices, Choir / Piano
(Chorus and piano).
Baroque. Vocal Score.
Text Language: English.
Composed 1689. 68 pages.
Duration 120 minutes
By Alan Dworsky and Betsy Sansby. For Percussion (Miscellaneous). Methods. Danci...(+)
By Alan Dworsky and Betsy
Sansby. For Percussion
(Miscellaneous). Methods.
Dancing Hand. World
Music. Level:
Beginning-Intermediate.
Book. Size 8.5x11. 96
pages. Published by
Dancing Hands.
Soloists, speakers, mixed
choir (SATB) and combo
(KB(PIZZ)) - easy
SKU:
HL.49032124
Eine
satirische Chor-Revue in
10 Abteilungen.
Composed by Seeger. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Individual part. 8 pages.
Duration 30'. Schott
Music #ED 6524-15.
Published by Schott Music
(HL.49032124).
ISBN
9790001069441.
Die
Absurditaten der
Warenasthetik, die
Perfidie der
Reklamewelten, das
schonungslose Einhammern
von Werbespruchen, das
rettungslose
Ausgeliefertsein an einen
Mechanismus des
Verkaufens, Anpreisens
und An-den-Mann-Bringens
um jeden Preis sind Thema
dieser Revue und werden
mit den Mitteln
textlicher wie
musikalischer Ironie,
Parodie und Persiflage
blossgestellt. Die offene
Form bietet vielfaltige,
unbegrenzte Moglichkeiten
zur szenischen
Gestaltung; die
Einbeziehung anderer
Medien (Video, Film) ist
durchaus beabsichtigt und
bietet gute Moglichkeiten
fur facherubergreifende
Arbeit.
Winter's Edge Quatuor à cordes: 2 violons, alto, violoncelle Boosey and Hawkes
String Quartet (STUDY SCORE) SKU: HL.48024901 String Quartet Study Sco...(+)
String Quartet (STUDY
SCORE)
SKU:
HL.48024901
String
Quartet Study Score.
Composed by Mark-Anthony
Turnage. Boosey & Hawkes
Scores/Books. Classical.
Softcover. 24 pages.
Duration 1200 seconds.
Boosey & Hawkes
#M060136818. Published by
Boosey & Hawkes
(HL.48024901).
ISBN
9781784545697. UPC:
840126930719. 7.25x10.25
inches.
Turnage's
fourth string quartet,
Winter's Edge, was
premiered by the Piatti
Quartet at the
Klarafestival, Brussels.
Co-commissioned by the
Quartet, the Wigmore Hall
and Flagey ASBL, they
gave the UK premiere at
the Wigmore Hall, London.
This 20-minute work is
made p of four numbered
movements and which
proceed without a break.
Suitable for advanced
standard performers.
Voice and piano (Voice and Piano) - difficult SKU: HL.49044724 For voi...(+)
Voice and piano (Voice
and Piano) - difficult
SKU: HL.49044724
For voice and
piano. Composed by
Jorg Widmann. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 2007. 12 pages.
Duration 4'. Schott Music
#ED21168. Published by
Schott Music
(HL.49044724).
ISBN
9790001180146.
9.0x12.0x0.077 inches.
Vocalise.
In diesem
als Entdeckungsreise
gedachten Klangexperiment
werden
Resonanzkombinationen von
Stimme und Klavier
erforscht. Samtliche
Stimmaktionen gelangen
durch Rohren an die
Schalllocher im
Flugelinnenraum,
eingefasst in eine
Vielzahl immer noch
ungewohnter pianistischer
Spieltechniken wie
Flageolett,
Saiten-Pizzicato u.a.