Bass Guitar SKU: BT.VOLMB357 Composed by David Overthrow. Tuition. Book w...(+)
Bass Guitar
SKU:
BT.VOLMB357
Composed
by David Overthrow.
Tuition. Book with CD.
Volonte e Co #VOLMB357.
Published by Volonte e Co
(BT.VOLMB357).
ISBN
9788863883510.
French.
Perfectl
y adapted and suitable
for Bass guitarists who
want to get started and
take a step forward
playing current styles,
as well as experienced
Bass players who want to
hone their
skills.
This book
begins with arevision on
written music, and
explains the basics of
theory necessary to
become a very good Bass
player with an easy and
progressive approach.
Unknowingly, you will use
major chords, triads and
scales of 7me to create
Bass linesfor sounding
out the most important
scales that any Bass
player should
know.
You will also
learn the basics of blues
and funk styles to play
in perfect sync with the
drummer . Whether you 're
a student,
teacherorself-taught, you
will enjoy this simple,
meticulous
method.
Orchestra (FULL SCORE) SKU: HL.263038 For Orchestra. Composed by J...(+)
Orchestra (FULL SCORE)
SKU: HL.263038
For Orchestra.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
162 pages. Chester Music
#CH87131. Published by
Chester Music
(HL.263038).
UPC:
888680952907.
12.0x16.5x0.565
inches.
“Over
the years my orchestral
music has become simpler
and more expansive.
Clouds of Forgetting,
Clouds of Unknowing
(1991-95) contains four
different musical
textures. In the White
Silence (1998) has three.
For Lou Harrison (2002)
reduces this to just two.
In Dark Waves (2007), I
finally got to one. When
I first heard that piece
I began to wonder if I
could sustain a similar
sound for a longer span
of time. The result is
Become Ocean, a
meditation on the vast,
deep and mysterious tides
of existence. The title
is borrowed from a
mesostic verse that John
Cage wrote in honor of
Lou Harrison's birthday.
Likening Harrison's music
to a river in delta, Cage
writes: Listening to it
we become ocean. Life on
this earth first emerged
from the sea. And as the
polar ice melts and sea
level rises, we humans
find ourselves facing the
prospect that once again
we may quite literally
become ocean.†John
Luther Adams.
To a Friend Orchestre d'harmonie De Haske Publications
Concert Band (SCORE) - Level 2.5 SKU: HL.4007158 Composed by Jacob De Haa...(+)
Concert Band (SCORE) -
Level 2.5
SKU:
HL.4007158
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert. Softcover.
Duration 220 seconds. De
Haske Publications
#031831. Published by De
Haske Publications
(HL.4007158).
UPC:
840126965681.
When
you have been playing in
a band for a long time,
you will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult. To a
Friend is a wonderfully
comforting work for
anyone going through a
dark time. Jacob de Haan
composed the work for his
father in law, Gerard
Bosch, a musician to the
core. The piece received
its first performance
just weeks before his
passing. On a sun-kissed
evening, his friends, the
musicians of his two
music societies --
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
Band Artillery Trumpet
Corps) -- played the work
for Gerard -- an
unknowing yet beautiful
goodbye.
Orchestra; Piano (Study Score) SKU: HL.48025214 For Piano and Orchestr...(+)
Orchestra; Piano (Study
Score)
SKU:
HL.48025214
For
Piano and Orchestra Study
Score. Composed by
Qigang Chen. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 48
pages. Boosey & Hawkes
#M060135163. Published by
Boosey & Hawkes
(HL.48025214).
ISBN
9781784544485. UPC:
196288133421.
8.25x12.0x0.157
inches.
Er Huang
was commissioned by
Carnegie Hall, New York
where, in 2009, it
received its world
premiere with solo
pianist Lang Lang and the
Juilliard Orchestra under
the baton of Michael
Tilson Thomas. Chen wrote
about the work, 'Music
has its own life –
for me the germination of
any musical work is like
a tree growing out of the
ground, and the eventual
outcome of this life is
entirely unknowable in
advance.' Commenting on
the connection between Er
Huang and its source of
inspiration, the Er Huang
tunes from the classical
Peking Opera repertoire,
he says that, 'the way I
applied musical elements
from Peking Opera to my
own writing was not
really based on
musicological studies.
Rather, these tunes were
an essential part of my
childhood in Beijing, and
always intertwined with
memories of my family and
the society I lived in at
the time. Many people
from my generation would
be able to hum these
tunes by heart. These
days, however, these
familiar tunes have been
almost entirely
forgotten, as the younger
generation is much more
occupied by western pop
culture. This is why,
when I quote these tunes,
Ioften do so with a great
sense of nostalgia.
Traditional Chinese music
has a very strong
character, and the
organic assimilation of
something that I feel
most akin to, over time,
into my own musical
language, has become an
essential part of my
artistic
expression.'.
To a Friend Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1216293-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216293-010. Published by
De Haske Publications
(BT.DHP-1216293-010).
English-German-French-
Dutch.
When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
2 Pianos, 4 Hands (Piano Solo) SKU: HL.48025215 Reduction for Two Pian...(+)
2 Pianos, 4 Hands (Piano
Solo)
SKU:
HL.48025215
Reduction for Two
Pianos. Composed by
Qigang Chen. BH Piano.
Classical. Softcover. 56
pages. Boosey & Hawkes
#M060140105. Published by
Boosey & Hawkes
(HL.48025215).
UPC:
196288133438.
Er
Huang was commissioned by
Carnegie Hall, New York
where, in 2009, it
received its world
premiere with solo
pianist Lang Lang and the
Juilliard Orchestra under
the baton of Michael
Tilson Thomas. Chen wrote
about the work, 'Music
has its own life –
for me the germination of
any musical work is like
a tree growing out of the
ground, and the eventual
outcome of this life is
entirely unknowable in
advance.' Commenting on
the connection between Er
Huang and its source of
inspiration, the Er Huang
tunes from the classical
Peking Opera repertoire,
he says that, 'the way I
applied musical elements
from Peking Opera to my
own writing was not
really based on
musicological studies.
Rather, these tunes were
an essential part of my
childhood in Beijing, and
always intertwined with
memories of my family and
the society I lived in at
the time. Many people
from my generation would
be able to hum these
tunes by heart. These
days, however, these
familiar tunes have been
almost entirely
forgotten, as the younger
generation is much more
occupied by western pop
culture. This is why,
when I quote these tunes,
I often do so with a
great sense of nostalgia.
Traditional Chinese music
has a very strong
character, and the
organic assimilation of
something that I feel
most akin to, over time,
into my own musical
language, has become an
essential part of my
artistic
expression.'.
Piano SKU: BR.EB-9246 Composed by Christian Mason. Solo instruments; stap...(+)
Piano
SKU:
BR.EB-9246
Composed
by Christian Mason. Solo
instruments; stapled.
Edition Breitkopf.
World premiere: Passau
(Festspiele Europaische
Wochen), 26. Juni
2016
Music post-1945;
New music (post-2000).
Score. Composed 2016. 16
pages. Duration 7'.
Breitkopf and Haertel #EB
9246. Published by
Breitkopf and Haertel
(BR.EB-9246).
ISBN
9790004185469. 9 x 12
inches.
In a world
of invisible waves: a
butterfly is a response
to the idea of the
butterfly effect: that a
small cause can have a
disproportionately large
effect. Before composing
the music I wrote this
short poem in order to
focus my imagination and
help with shaping the
most appropriate sonic
gestures:In a world of
invisible waves: a
butterfly Flies into a
storm Which it
unknowingly created When
it took its first
flight.This narrative is
not literally translated,
but maybe you can hear
the resonances of
delicate flapping and
mercurial weather
somewhere amid the
rippling waves of the
music? It is warmly
dedicated to Catherine Le
Bris. (Christian Mason,
2016) Bibliography:
Whittall, Arnold:
Questioning the Sound:
the Music of Christian
Mason, in: The Musical
Times 161 (Summer 2017),
S. 85-99
World
premiere: Passau
(Festspiele Europaische
Wochen), 26. Juni
2016.
Mixed Ensemble (Study Score) SKU: HL.49044126 For nonet Study Score(+)
Mixed Ensemble (Study
Score)
SKU:
HL.49044126
For
nonet Study Score.
Composed by Gerald Barry.
This edition: Saddle
stitching. Sheet music.
Study Score. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 18'. Schott
Music #ED13676. Published
by Schott Music
(HL.49044126).
ISBN
9790220134807. UPC:
841886022447.
8.25x11.75x0.132
inches.
The title
No people. comes from the
surrealist Raymond
Roussel. In 1932 he
published a long poem
called New Impressions of
Africa. For this he
commissioned 59 drawings
to illustrate the text.
The commission was given
to the artist through a
detective agency so he
never knew who the
commissioner was or saw
the text he was supposed
to illustrate. All he got
was instructions for each
drawing and he had to
make the drawings
accordingly. A typical
instruction might
beNocturnal landscape.
Very starry sky with a
thin crescent of moon.
(No people.)orA rambler,
arm raised and fingers
outspread, dropping a
pebble (still visible)
down a well and seemingly
straining to hear the
sound of its splash. (No
other people.)When
Roussel put the drawings
and text together, the
ordinary everyday
drawings took on a
strangeness they might
otherwise not have had if
the artist had drawn with
the text in front of him.
It's the juxtaposition of
both unknowns -
text/drawings - that
gives the final work its
strange quality. Gerald
Barry (2013).
A Method for the Recorder Based on Israel Folk Melodies. By Tzipora H. Jochsberg...(+)
A Method for the Recorder
Based on Israel Folk
Melodies. By Tzipora H.
Jochsberger.
Transcontinental Music
Folios. Size 9x12 inches.
66 pages. Published by
Transcontinental Music
Publications.
Raveling, Unraveling Ensemble de cuivres [Conducteur] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-448-130 In search of 'La Valse'. ...(+)
Brass Band - Grade 6
SKU:
BT.AMP-448-130
In
search of 'La Valse'.
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2016. 85 pages. Anglo
Music Press #AMP 448-130.
Published by Anglo Music
Press (BT.AMP-448-130).
9x12 inches.
English-German-French-Dut
ch.
WINNING
PERFORMANCE EBBC LILLE
2016Raveling,
Unraveling In Search of
‘La
Valse’ was
written for the Cory Band
as their own-choice test
piece for the 2016
European Brass Band
Championships in Lille.
The piece found its
genesis in
Sparke’s The
Unknown Journey
(2014) forconcert band,
and the use of
Ravel’s La
Valse as a structural
undercurrent to the
original piece is an act
of reverence.
Sparke’s aim was
to produce a work that is
organic rather than
episodic in nature. The
composer’s view is
that little inmusic does
this better than La
Valse and for this
reason he uses various
sections of this
masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. Asthe music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
WINNAAR EBBC
LILLE 2016Raveling,
Unraveling In Search of
‘La
Valse’ is
geschreven voor de Britse
Cory Band als keuzewerk
voor de Europese
Brassband
Kampioenschappen van 2016
in Lille. De oorsprong
ligt in Sparkes The
Unknown Journey
(2014)
voorharmonieorkest. Het
is een diepe buiging naar
Ravels La Valse,
die wordt gebruikt als
een soort structurele
onderstroom van een
origineel stuk muziek,
met als doel een werk te
maken dat organisch van
karakter is. De componist
heeftverschillende
gedeelten uit het
meesterwerk ingebracht,
zowel bewerkt als
letterlijk geciteerd met
veel van de prachtige
slotpassages om de
algehele opbouw van zijn
nieuwe werk te scheppen.
Naarmate demuziek
voortgaat, verschijnt er
meer vanRavel, waarna de
wals volledig opduikt in
de apotheose: een fraai
eerbetoon aan de Franse
meester.
SIEGER
EBBC LILLE
2016Raveling,
Unraveling In Search of
La Valse wurde für
die Cory Band als selbst
ausgewähltes
Prüfungsstück bei
den European Brass Band
Championships 2016 in
Lille komponiert. Die
Komposition hat ihren
Ursprung in Sparkes 2014
entstandenemStück
The Unknown
Journey für
Blasorchester. Es handelt
sich um eine Art Hommage,
denn Ravels La
Valse wird hier als
formale Grundlage für
ein eher in sich
geschlossenes und nicht
nur episodenhaftes
Originalwerk verwendet.
DemKomponisten zufolge
gibt es kaum eine Musik,
die dies besser vermag
als La Valse. Er
verwendet verschiedene
Abschnitte aus diesem
Meisterwerk, sowohl
bearbeitet als auch
direkt übernommen
inklusive zahlreicher
fantastischer
Schlusspassagen ,um die
Gesamtstruktur seines
neuen Werkes
darzustellen. Je mehr die
Musik voranschreitet,
umso mehr wird Ravels
Einfluss erkennbar, vor
allem beim Erreichen des
musikalischen
Höhepunktes des
gesamten Stückes eine
Hommage an den
französischenMeister.
Centenary 2019 Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196079-140 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196079-140
Composed by Jan de Haan.
Concert and Contest
Collection CBHA.
Contemporary Music. Score
Only. Composed 2019. 38
pages. De Haske
Publications #DHP
1196079-140. Published by
De Haske Publications
(BT.DHP-1196079-140).
English-German-French-
Dutch.
Centenary
2019 is a
three-movement suite
based on a local folksong
and was commissioned by
Chr. Fanfare De Lofstem,
from the Dutch province
of Friesland, on the
occasion of its 100th
anniversary in 2019.
‘AwakeningVillageâ
€™, the first
movement, musically
describes the waking up
and coming to life of the
village. ‘Bintje
Monument’ was
inspired by a famous
sculpture that was placed
to honour headmaster
Kornelis Lieuwes de Vries
(1854-1929) whodeveloped
the well-known potato
variety called
‘bintje’.
The finale,
‘Journey into the
Unknown’ refers to
the band’s
memorable 2011 concert
trip to the United States
of America, in which the
composer combines
elements of thefolksong
and fragments from
‘The Star-Spangled
Banner’. The piece
consists of a wide range
of playful and melodic
sequences as well as some
galvanizing rhythmical
passages.
Het
driedelige werk
Centenary 2019
werd gecomponeerd in
opdracht van Chr. Fanfare
De Lofstem uit het Friese
Sumar ter gelegenheid van
het honderdjarig jubileum
van de vereniging in
2019. Het is gebaseerd op
een
plaatselijkvolksliedje.
In het eerste deel,
‘Awakening
Village’, wordt
verklankt hoe het dorp
ontwaakt en tot leven
komt. Deel twee,
‘Bintje
Monument’, is ge
nspireerd op een
sculptuur ter
nagedachtenis van
hoofdonderwijzer Kornelis
Lieuwesde Vries
(1854-1929), die het
bekende aardappelras
bintje ontwikkelde. De
finale, ‘Journey
into the Unknown’
verwijst naar een
concertreis die de
muziekvereniging in 2011
naar de VS maakte. De
componist laat elementen
uit hetleidmotief en
flarden van ‘The
Star-Spangled
Banner’ in het
slotdeel van dit werk
samenkomen. Het werk als
geheel bestaat uit
diverse speelse en
melodische sequensen,
alsook opzwepende
ritmische
passages.
Cente
nary 2019 ist eine
dreisätzige Suite, die
auf einem lokalen
Volkslied basiert. Das
Stück wurde von der
Kristlike Fanfare De
Lofstem aus der
niederländischen
Provinz Friesland
anlässlich ihres
100-jährigen Bestehens
imJahr 2019 in Auftrag
gegeben. Der erste Satz,
Awakening Village“,
bringt das Erwachen des
Dorfes musikalisch zum
Ausdruck. Bintje
Monument†wurde von
einer bekannten Skulptur
inspiriert, die zu Ehren
von Kornelis Lieuwes
deVries (1854 1929)
entworfen wurde, der
Lehrer in Sumar war und
die bekannte
Kartoffelsorte
Bintje“
entwickelte. Das Finale,
Journey into the
Unknown“, bezieht
sich auf die
beeindruckende
Konzertreise des
Orchesters in
dieVereinigten Staaten
von Amerika im Jahr 2011.
Hier kombiniert der
Komponist Elemente des
Volksliedes mit
Fragmenten der
amerikanischen
Nationalhymne The
Star-Spangled
Banner“. Das
Stück zeichnet sich
durch zahlreiche
verspielteund melodische
Sequenzen sowie spannende
rhythmische Passagen
aus.
Raveling Unraveling Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-448-030 In search of 'La Valse'. ...(+)
Brass Band - Grade 6
SKU:
BT.AMP-448-030
In
search of 'La Valse'.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2016.
Anglo Music Press #AMP
448-030. Published by
Anglo Music Press
(BT.AMP-448-030).
English-German-French-
Dutch.
WINNING
PERFORMANCE EBBC LILLE
2016Raveling,
Unraveling In Search of
‘La
Valse’ was
written for the Cory Band
as their own-choice test
piece for the 2016
European Brass Band
Championships in Lille.
The piece found its
genesis in
Sparke’s The
Unknown Journey
(2014) forconcert band,
and the use of
Ravel’s La
Valse as a structural
undercurrent to the
original piece is an act
of reverence.
Sparke’s aim was
to produce a work that is
organic rather than
episodic in nature. The
composer’s view is
that little inmusic does
this better than La
Valse and for this
reason he uses various
sections of this
masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. Asthe music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
WINNAAR EBBC
LILLE 2016Raveling,
Unraveling In Search of
‘La
Valse’ is
geschreven voor de Britse
Cory Band als keuzewerk
voor de Europese
Brassband
Kampioenschappen van 2016
in Lille. De oorsprong
ligt in Sparkes The
Unknown Journey
(2014)
voorharmonieorkest. Het
is een diepe buiging naar
Ravels La Valse,
die wordt gebruikt als
een soort structurele
onderstroom van een
origineel stuk muziek,
met als doel een werk te
maken dat organisch van
karakter is. De componist
heeftverschillende
gedeelten uit het
meesterwerk ingebracht,
zowel bewerkt als
letterlijk geciteerd met
veel van de prachtige
slotpassages om de
algehele opbouw van zijn
nieuwe werk te scheppen.
Naarmate demuziek
voortgaat, verschijnt er
meer vanRavel, waarna de
wals volledig opduikt in
de apotheose: een fraai
eerbetoon aan de Franse
meester.
SIEGER
EBBC LILLE
2016Raveling,
Unraveling In Search of
La Valse wurde für
die Cory Band als selbst
ausgewähltes
Prüfungsstück bei
den European Brass Band
Championships 2016 in
Lille komponiert. Die
Komposition hat ihren
Ursprung in Sparkes 2014
entstandenemStück
The Unknown
Journey für
Blasorchester. Es handelt
sich um eine Art Hommage,
denn Ravels La
Valse wird hier als
formale Grundlage für
ein eher in sich
geschlossenes und nicht
nur episodenhaftes
Originalwerk verwendet.
DemKomponisten zufolge
gibt es kaum eine Musik,
die dies besser vermag
als La Valse. Er
verwendet verschiedene
Abschnitte aus diesem
Meisterwerk, sowohl
bearbeitet als auch
direkt übernommen
inklusive zahlreicher
fantastischer
Schlusspassagen ,um die
Gesamtstruktur seines
neuen Werkes
darzustellen. Je mehr die
Musik voranschreitet,
umso mehr wird Ravels
Einfluss erkennbar, vor
allem beim Erreichen des
musikalischen
Höhepunktes des
gesamten Stückes eine
Hommage an den
französischenMeister.
Centenary 2019 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196079-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196079-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA.
Contemporary Music. Set
(Score & Parts). Composed
2019. De Haske
Publications #DHP
1196079-010. Published by
De Haske Publications
(BT.DHP-1196079-010).
English-German-French-
Dutch.
Centenary
2019 is a
three-movement suite
based on a local folksong
and was commissioned by
Chr. Fanfare De Lofstem,
from the Dutch province
of Friesland, on the
occasion of its 100th
anniversary in 2019.
‘AwakeningVillageâ
€™, the first
movement, musically
describes the waking up
and coming to life of the
village. ‘Bintje
Monument’ was
inspired by a famous
sculpture that was placed
to honour headmaster
Kornelis Lieuwes de Vries
(1854-1929) whodeveloped
the well-known potato
variety called
‘bintje’.
The finale,
‘Journey into the
Unknown’ refers to
the band’s
memorable 2011 concert
trip to the United States
of America, in which the
composer combines
elements of thefolksong
and fragments from
‘The Star-Spangled
Banner’. The piece
consists of a wide range
of playful and melodic
sequences as well as some
galvanizing rhythmical
passages.
Het
driedelige werk
Centenary 2019
werd gecomponeerd in
opdracht van Chr. Fanfare
De Lofstem uit het Friese
Sumar ter gelegenheid van
het honderdjarig jubileum
van de vereniging in
2019. Het is gebaseerd op
een
plaatselijkvolksliedje.
In het eerste deel,
‘Awakening
Village’, wordt
verklankt hoe het dorp
ontwaakt en tot leven
komt. Deel twee,
‘Bintje
Monument’, is ge
nspireerd op een
sculptuur ter
nagedachtenis van
hoofdonderwijzer Kornelis
Lieuwesde Vries
(1854-1929), die het
bekende aardappelras
bintje ontwikkelde. De
finale, ‘Journey
into the Unknown’
verwijst naar een
concertreis die de
muziekvereniging in 2011
naar de VS maakte. De
componist laat elementen
uit hetleidmotief en
flarden van ‘The
Star-Spangled
Banner’ in het
slotdeel van dit werk
samenkomen. Het werk als
geheel bestaat uit
diverse speelse en
melodische sequensen,
alsook opzwepende
ritmische
passages.
Cente
nary 2019 ist eine
dreisätzige Suite, die
auf einem lokalen
Volkslied basiert. Das
Stück wurde von der
Kristlike Fanfare De
Lofstem aus der
niederländischen
Provinz Friesland
anlässlich ihres
100-jährigen Bestehens
imJahr 2019 in Auftrag
gegeben. Der erste Satz,
Awakening Village“,
bringt das Erwachen des
Dorfes musikalisch zum
Ausdruck. Bintje
Monument†wurde von
einer bekannten Skulptur
inspiriert, die zu Ehren
von Kornelis Lieuwes
deVries (1854 1929)
entworfen wurde, der
Lehrer in Sumar war und
die bekannte
Kartoffelsorte
Bintje“
entwickelte. Das Finale,
Journey into the
Unknown“, bezieht
sich auf die
beeindruckende
Konzertreise des
Orchesters in
dieVereinigten Staaten
von Amerika im Jahr 2011.
Hier kombiniert der
Komponist Elemente des
Volksliedes mit
Fragmenten der
amerikanischen
Nationalhymne The
Star-Spangled
Banner“. Das
Stück zeichnet sich
durch zahlreiche
verspielteund melodische
Sequenzen sowie spannende
rhythmische Passagen
aus.
Centenary 2019 Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1196079-120 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1196079-120
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 32 pages. De Haske
Publications #DHP
1196079-120. Published by
De Haske Publications
(BT.DHP-1196079-120).
English-German-French-
Dutch.
Centenary
2019 is a
three-movement suite
based on a local folksong
and was commissioned by
Chr. Fanfare De Lofstem,
from the Dutch province
of Friesland, on the
occasion of its 100th
anniversary in 2019.
‘Awakening
Village’, the
first movement, musically
describes the waking up
and coming to life of the
village. ‘Bintje
Monument’ was
inspired by a famous
sculpture that was placed
to honour headmaster
Kornelis Lieuwes de Vries
(1854-1929) who developed
the well-known potato
variety called
‘bintje’.
The finale,
‘Journey into the
Unknown’ refers to
the band’s
memorable 2011 concert
trip to the United States
of America, in which the
composer combines
elements of thefolksong
and fragments from
‘The Star-Spangled
Banner’. The piece
consists of a wide range
of playful and melodic
sequences as well as some
galvanizing rhythmical
passages.
Het
driedelige werk
Centenary 2019
werd gecomponeerd in
opdracht van Chr. Fanfare
De Lofstem uit het Friese
Sumar ter gelegenheid van
het honderdjarig jubileum
van de vereniging in
2019. Het is gebaseerd op
een plaatselijk
volksliedje. In het
eerste deel,
‘Awakening
Village’, wordt
verklankt hoe het dorp
ontwaakt en tot leven
komt. Deel twee,
‘Bintje
Monument’, is ge
nspireerd op een
sculptuur ter
nagedachtenis van
hoofdonderwijzer Kornelis
Lieuwes de Vries
(1854-1929), die het
bekende aardappelras
bintje ontwikkelde. De
finale, ‘Journey
into the Unknown’
verwijst naar een
concertreis die de
muziekvereniging in 2011
naar de VS maakte. De
componist laat elementen
uit hetleidmotief en
flarden van ‘The
Star-Spangled
Banner’ in het
slotdeel van dit werk
samenkomen. Het werk als
geheel bestaat uit
diverse speelse en
melodische sequensen,
alsook opzwepende
ritmische passages.
Centenary 2019 Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1196079-020 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1196079-020
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196079-020. Published by
De Haske Publications
(BT.DHP-1196079-020).
English-German-French-
Dutch.
Centenary
2019 is a
three-movement suite
based on a local folksong
and was commissioned by
Chr. Fanfare De Lofstem,
from the Dutch province
of Friesland, on the
occasion of its 100th
anniversary in 2019.
‘Awakening
Village’, the
first movement, musically
describes the waking up
and coming to life of the
village. ‘Bintje
Monument’ was
inspired by a famous
sculpture that was placed
to honour headmaster
Kornelis Lieuwes de Vries
(1854-1929) who developed
the well-known potato
variety called
‘bintje’.
The finale,
‘Journey into the
Unknown’ refers to
the band’s
memorable 2011 concert
trip to the United States
of America, in which the
composer combines
elements of thefolksong
and fragments from
‘The Star-Spangled
Banner’. The piece
consists of a wide range
of playful and melodic
sequences as well as some
galvanizing rhythmical
passages.
Het
driedelige werk
Centenary 2019
werd gecomponeerd in
opdracht van Chr. Fanfare
De Lofstem uit het Friese
Sumar ter gelegenheid van
het honderdjarig jubileum
van de vereniging in
2019. Het is gebaseerd op
een plaatselijk
volksliedje. In het
eerste deel,
‘Awakening
Village’, wordt
verklankt hoe het dorp
ontwaakt en tot leven
komt. Deel twee,
‘Bintje
Monument’, is ge
nspireerd op een
sculptuur ter
nagedachtenis van
hoofdonderwijzer Kornelis
Lieuwes de Vries
(1854-1929), die het
bekende aardappelras
bintje ontwikkelde. De
finale, ‘Journey
into the Unknown’
verwijst naar een
concertreis die de
muziekvereniging in 2011
naar de VS maakte. De
componist laat elementen
uit hetleidmotief en
flarden van ‘The
Star-Spangled
Banner’ in het
slotdeel van dit werk
samenkomen. Het werk als
geheel bestaat uit
diverse speelse en
melodische sequensen,
alsook opzwepende
ritmische passages.
Choir and piano SKU: CA.265300 Composed by Franz Joseph Haydn and Wolfgan...(+)
Choir and piano
SKU:
CA.265300
Composed by
Franz Joseph Haydn and
Wolfgang Amadeus Mozart.
Edited by Johannes
Knecht. Choral
collections, Mozart -
Haydn. Opera, singspiel,
Secular choral music.
Choir Book. 92 pages.
Carus Verlag #CV
02.653/00. Published by
Carus Verlag (CA.265300).
ISBN
9790007165628.
The
collection includes 19
opera choruses by
Wolfgang Amadeus Mozart
and Joseph Haydn,
arranged for choir with
piano accompaniment. The
most beautiful choruses
from the most popular of
Mozart's operas are
published in one volume,
together with opera
choruses by Joseph Haydn.
While since they were
first composed it would
be difficult to imagine
the opera repertoire
without most of Mozart's
operas, in the case of
Haydn there are still
unknown treasures waiting
to see the light of day.
But even among Mozart's
works it is still
possible to make new
discoveries. All of the
choruses in this varied
collection of both known
and unknown works by
these two great masters
contain piano
accompaniments and the
original singing texts,
as well as German
translations (where
applicable). The piece
for four-part mixed choir
range from easy to
mid-level difficulty. A
supplementary economical
edition for choir
(editionchor, without
piano accompaniment) has
also been published. All
the choruses in this
colorful mixture of well
known and unknown by the
two great masters have
piano accompaniment and
the original text, as
well as German singing
translations (where
applicable).
Choral TBB choir, piano SKU: CF.CM9711 Composed by English Carol. Arrange...(+)
Choral TBB choir, piano
SKU: CF.CM9711
Composed by English
Carol. Arranged by Noah
Reese. 12 pages. Duration
2 minutes, 51 seconds.
Carl Fischer Music
#CM9711. Published by
Carl Fischer Music
(CF.CM9711).
ISBN
9781491160060. UPC:
680160918669. Key: G
minor. English. English
Carol.
Coventry
Carol was first performed
during the sixteenth
century in Coventry,
England as a part of the
Pageant of the Shearman
and Tailors. It was a
lament by the mothers of
children taken in the
Biblical Slaughter of the
Innocents. Robert Croo is
credited with writing the
lyrics in 1534, and the
music was written by an
unknown composer in 1591.
The original manuscript
of Robert Croo's poem
lasted until a fire
destroyed it in 1879. The
underlying mixed meter
feeling of this
arrangement is meant to
help the piece build
momentum to the third
verse to tell the tragic
story depicted in the
poem. The repeated motif
is a descending chromatic
scale and can be found
throughout all three
parts. Teaching a
descending chromatic
scale from G3 down to D3
will help the basses find
their entrances
throughout the chorus of
the piece. The tenors
have the same descending
line up an octave in the
cued notes starting at m.
49 and can sing in
octaves with the basses
for practice.
 . Coventry Carol
was first performed
during the sixteenth
Century in Coventry,
England as a part of the
Pageant of the Shearman
and Tailors. It was a
lament by the mothers of
children taken in the
Biblical Slaughter of the
Innocents. Robert Croo is
credited with writing the
lyrics in 1534, and the
music was written by an
unknown composer in 1591.
The original manuscript
of Robert Croo's poem
lasted until a fire
destroyed it in 1879. The
underlying mixed meter
feeling of this
arrangement is meant to
help the piece build
momentum to the third
verse, helping to tell
the tragic story depicted
in the poem. The
repeating motif is based
around the altos'
descending chromatic
scale. The repeated motif
is a descending chromatic
scale and can be found
throughout all three
parts. Teaching a
descending chromatic
scale from G3 down to D3
will help the basses find
their entrances
throughout the chorus of
the piece. The tenors
have the same descending
line up an octave in the
cued notes starting at m.
49 and can sing in
octaves with the basses
for practice. Coventry
Carol was first performed
during the sixteenth
Century in Coventry,
England as a part of the
Pageant of the Shearman
and Tailors. It was a
lament by the mothers of
children taken in the
Biblical Slaughter of the
Innocents. Robert Croo is
credited with writing the
lyrics in 1534, and the
music was written by an
unknown composer in 1591.
The original manuscript
of Robert Croo's poem
lasted until a fire
destroyed it in 1879.The
underlying mixed meter
feeling of this
arrangement is meant to
help the piece build
momentum to the third
verse, helping to tell
the tragic story depicted
in the poem. The
repeating motif is based
around the altos'
descending chromatic
scale.The repeated motif
is a descending chromatic
scale and can be found
throughout all three
parts. Teaching a
descending chromatic
scale from G3 down to D3
will help the basses find
their entrances
throughout the chorus of
the piece. The tenors
have the same descending
line up an octave in the
cued notes starting at m.
49 and can sing in
octaves with the basses
for practice.
Chamber Music Tuba, Piano SKU: CF.W2693 The World's Oldest Tuba Solo(+)
Chamber Music Tuba, Piano
SKU: CF.W2693
The World's Oldest
Tuba Solo. Composed
by William Pettee. Edited
by Curtis Peacock. Sws.
Set of Score and Parts.
8+2 pages. Carl Fischer
Music #W2693. Published
by Carl Fischer Music
(CF.W2693).
ISBN
9781491158586. UPC:
680160917198. 9 x 12
inches.
While
unknown today, composer
William Pettee
(1839a1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880a1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (atuba soloa
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwellas Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Petteeas
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839-1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880-1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (tuba solo
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell's Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Pettee's
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839–1891) was
clearly a remarkable
musician and composer
evidenced by the fact
that he wrote funeral
music for Abraham Lincoln
and General Ulysses S.
Grant. This funeral music
survives to this day in a
piano reduction format
and is the basis of some
of my most current
arranging projects. This
new edition of Olosabut
was the culmination of
years of research into
the era commonly called
The Golden Age of Bands,
a period spanning
1880–1920. This
project initially began
when I played the solo
part for Olosabut with a
reading band when I was a
guest artist at the
Northwest Brass Festival
in Seattle in 2010. For
this new edition, I
created a score with
modern transpositions.
Prior to this, there has
been no score for this
music. There is often no
score for American band
music from this era. I
also adjusted the
dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and
orchestra.Olosabut
(“tuba soloâ€
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell’s
Quickstep (Fun for
Basses) from 1881. This
is described as a novelty
march for tuba section,
however. A notable
omission from the Tuba
Source Book, though, is
William Pettee’s
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889.
Music of the Spheres Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch.
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
Music of the Spheres Ensemble de cuivres [Conducteur] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-028-130 Composed by Philip Sparke. Elite...(+)
Brass Band - Grade 6
SKU:
BT.AMP-028-130
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2003.
Anglo Music Press #AMP
028-130. Published by
Anglo Music Press
(BT.AMP-028-130).
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Mit
diesem großartigen
Werk, das dem
Auftraggeber der
Yorkshire Building
Society Band am
Europäischen Brass
Band Wettbewerb 2004 in
Glasgow als
Selbstwahlstück zu
einem weiteren Titel
verhalf, beweist Philip
Sparke einmal mehr seine
außergewöhnlichen
kompositorischen
Fähigkeiten. Dieses
Werk über die
Ursprünge des
Universums führt uns
vom Urknall, vorbei an
einsamen Planeten,
Asteroiden und
Sternschnuppen
schließlich ins
Unbekannte - die
ungewisse Zukunft. Ein
Glanzstück und eine
echte Herausforderung
für jeden
Spitzen-Brass
Band!
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.