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| SUZUKI VIOLA SCHOOL PIANO
ACC. VOL.5
Alto
ALFRED PUBLISHING
Titles: Sonata in G Major, Largo, Allegro, Largo, Presto (B. Marcello / Preucil)...(+)
Titles: Sonata in G Major, Largo, Allegro, Largo, Presto (B. Marcello / Preucil) * Country Dance (C.M. von Weber) * Practice Suggestions (D. Preucil) * Nina (G.B. Pergolesi) * Spinning Wheel (N. Rubinstein) * Gigue (F.M. Veracini) * Exercises for Shaping the Left Hand (S. Suzuki) * Suite I in G Major, Prelude, Courante, Gigue (J.S. Bach) * Moto Perpetuo (C. Bohm) * Four French Dances, I. L'Agreable, II. La Provencale, III. La Matelotte, IV. La Basque (M. Marais) * Tonalization-C Major and Minor Scales and Arpeggios (D. Preucil) * Shifting Studies (D. Preucil) * Concerto No. 3 in C Minor, Op. 12 I. Allegro Risoluto (F. Seitz). / Méthodes et pédagogie / Cordes / Alto / ALFRED PUBLISHING
Délais: Sur commande | | |
| QUANTZ J.J. - CONCERTO
SOL MAJEUR - ALTO
Alto
EDITION BREITKOPF
EDITION URTEXT
Compositeur : Quantz, Johann Joachim
Instrumentation : ...(+)
EDITION URTEXT
Compositeur : Quantz, Johann Joachim
Instrumentation : Fl,Klav
Nombre de pages : 40 / Partitions classique / Cordes / Alto / EDITION BREITKOPF
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| BACH J.S. - CANTATE BWV
209 - PARTIE D'ALTO
Alto
EDITION BREITKOPF
/ Partitions classique / Cordes / Alto / EDITION BREITKOPF
Délais: En Stock | | |
| BACH J.C. - CONCERTO EN
UT MINEUR - ALTO
Alto
SALABERT
Henri Casadesus was passionate about early instruments, as we know from a number...(+)
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original” part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original” version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today. / Partitions classique / Cordes / Alto / SALABERT
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