(E-Z Play Today #11). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 224 pages. Published by Hal Leonard

(E-Z Play Today #216). By Frank Sinatra. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 256 pages. Published by Hal Leonard

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 136 pages. Published by Hal Leonard.

Keyboard

SKU: HL.14007007

Arranged by Daniel Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #AM85317. Published by Music Sales (HL.14007007).

ISBN 9780711927094. UPC: 752187853176.

Fifty best-loved classical themes skilfully arranged for all keyboards by Daniel Scott. Includes suggested registrations and rhythms.

(E-Z Play�® Today Volume 364). Composed by Various. For Electronic Keyboard. E-Z Play Today. Softcover. Published by Hal Leonard

Keyboard

SKU: HL.14007346

Music Sales America. Classical. Book [Softcover]. Music Sales #AM67661. Published by Music Sales (HL.14007346).

ISBN 9780711912885.

S imple arrangements of twenty-three popular classics - includes Sheep May Safely Graze, La Paloma and the stirring William Tell Overture. All pieces feature full melody, arranged for the novice orearly player, along with full chord guide and suggestions for appropriate auto-accompaniments.

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Keyboard

SKU: SU.80101353

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101353. Published by Zimbel Press (SU.80101353).

Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).