Double Bass SKU: BT.9780713681635 Composed by Chris Maybank. Abracadabra....(+)
Double Bass
SKU:
BT.9780713681635
Composed by Chris
Maybank. Abracadabra.
Method. Book with CD. 32
pages. Collins Music
Publishing
#9780713681635. Published
by Collins Music
Publishing
(BT.9780713681635).
ISBN 9780713681635.
English.
Abr
acadabra Beginner is
full of exciting games
and songs to help you
play your double bass
well! You'll learn how to
sit properly, how to hold
your double bass, how to
make the correct shapes
with your fingers and
howto hold the
bow.
The CD has
exciting backing tracks
to play along with, and
is great to use when you
play at
home.
Full of fun and easy
songs, rhymes and
games
CD packed
with excitinggames and
backing tracks
Play at home, in your
lessons and with your
friends
Focuses
on the very first steps
of string playing , with
a wealth of ideas and
activities to establish
good posture, bow hold
andfingerposition
Activities and games
to build and develop
musicianship skills, with
a structured introduction
to reading notation
Pewter
figurine. Figurines.
Material: Pewter (95.5
%). Published by Anne
Fuzeau Productions -
France (FZ.55068).
7
cm inches.
This
pewter music figurine
(95,5%) is made in
France. A touch of music
in your home thanks to
this musician animal
mouse double bass. This
decoration is delivered
with his authenticity
certificate. Michel Laude
Collection. Photos and
sizes no-contractual.
Double bass SKU: HL.49005367 Composed by John Fischer. Edited by Carlo Bo...(+)
Double bass
SKU:
HL.49005367
Composed
by John Fischer. Edited
by Carlo Bohlaender. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 32 pages.
Schott Music #ED 5045.
Published by Schott Music
(HL.49005367).
ISBN
9790001057790.
German.
Jazz ist
Rhythmus und
Improvisation. Diese
Anleitung will den Weg
weisen, wie sich jeder
das Improvisieren
aneignen kann. Von der
einfachen Ubung bis zum
vollendeten Chorus sind
alle Schwierigkeitsgrade
berucksichtigt. Daruber
hinaus konnen zwei oder
mehr Spieler
verschiedener Instrumente
sich durch gemeinsames
Uben mit der
Kollektiv-Improvisation
vertraut machen. Fur
diesen Zweck weisen die
Ubungen gleicher Nummer
bei allen Instrumenten
dieselbe Harmoniefolge
und dieselbe (klingende)
Tonart auf.Der Erfolg
wird sich einstellen,
wenn die Besonderheiten
des Rhythmus, die Regeln
der Melodiebildung und
die harmonischen
Grundlagen des Jazz in
den Schriften Geschichte
und Rhythmus und
Harmonielehre aus der
JAZZ-STUDIO-Reihe
beachtet werden. - Die
Melodiensammlung Old
Folks at Home bietet
zusatzlich fur das Uben
der Improvisation vierzig
bekannte Songs und
Spirituals.
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for double bass. Series:
New Directions for
Strings. 56 pages.
Published by The FJH
Music Company Inc.