Pizzicato Polka (from the ballet Sylvia) by Léo Delibes. Arranged by Mark Willi...(+)
Pizzicato Polka (from the
ballet Sylvia) by Léo
Delibes. Arranged by Mark
Williams. Orchestra.
String Orchestra.
Strictly Strings Series.
Impressionistic;
Romantic. Grade 2.
Conductor Score and
Parts. 36 pages.
Published by Alfred Music
Publishing (AP.20569).
Arranged by Bob Cerulli. Arr. Bob Cerulli. For String Orchestra. String Orchestr...(+)
Arranged by Bob Cerulli.
Arr. Bob Cerulli. For
String Orchestra. String
Orchestra. Pop
Intermediate String
Orchestra. Level: 2
(grade 2). Conductor
Score and Parts. 82
pages. Duration 2:49.
Published by Alfred
Publishing.
(Featuring: Have Yourself a Merry Little Christmas / (I'm Gettin') Nuttin' for C...(+)
(Featuring: Have Yourself
a Merry Little Christmas
/ (I'm Gettin') Nuttin'
for Christmas / Winter
Wonderland/Let It Snow!).
Orchestra. String
Orchestra. Belwin
Signature Performance
Series for Orchestra.
Christmas; Holiday Pops;
Secular; Winter. Grade 2.
Conductor Score and
Parts. 332 pages.
Published by Alfred Music
Publishing
Arranged by Bob Cerulli. Arr. Bob Cerulli. For String Orchestra. String Orchestr...(+)
Arranged by Bob Cerulli.
Arr. Bob Cerulli. For
String Orchestra. String
Orchestra. Pop
Intermediate String
Orchestra. Level: 2
(grade 2). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Arranged by Robert Sieving. Arr. Robert Sieving. For String Orchestra. String Or...(+)
Arranged by Robert
Sieving. Arr. Robert
Sieving. For String
Orchestra. String
Orchestra. String
Orchestra. Conductor
Score. 8 pages. Published
by Alfred Publishing.
Let It Go (from Frozen) Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Larry M...(+)
By Idina Menzel. By
Kristen Anderson-Lopez
and Robert Lopez.
Arranged by Larry Moore.
For String Orchestra
(Score and Parts). Pop
Specials for Strings.
Grade 3-4. Published by
Hal Leonard
Let It Go (from Frozen) Orchestre à Cordes [Conducteur et Parties séparées] - Facile Hal Leonard
By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Robert ...(+)
By Idina Menzel. By
Kristen Anderson-Lopez
and Robert Lopez.
Arranged by Robert
Longfield. For String
Orchestra (Score and
Parts). Easy Pop Specials
For Strings. Grade 2.
Published by Hal Leonard
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Andrew H.
Dabczynski. Orchestra.
Masterworks; SmartMusic;
String Orchestra.
HighlandåÊString
Explorer. Form:
Transcription. Christmas;
Masterwork Arrangement;
Romantic; Winter. Grade
1.5. Conductor Score and
Parts. 140 pages.
Published by Alfred Music
Publishing
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Andrew H.
Dabczynski. Orchestra.
For String Orchestra.
String Orchestra. String
Explorer. Form:
Transcription. Christmas;
Romantic; Winter. 1.5
(grade 1.5). Score. 8
pages
Score and Parts. Composed by Igor Stravinsky (1882-1971). Arranged by Lauren...(+)
Score and Parts. Composed
by
Igor Stravinsky
(1882-1971).
Arranged by Lauren
Keiser.
Southern Music.
Classical.
Softcover. Southern Music
Company #SO117C.
Published
by Southern Music Company
Ding Dong Merrily on High. Arranged by Bob Phillips. Part(s); Score; Smar...(+)
Ding Dong Merrily on
High. Arranged by Bob
Phillips. Part(s); Score;
SmartMusic; String
Orchestra. Belwin
Intermediate String
Orchestra. Christmas;
Light Concert; Novelty;
Winter. 78 pages.
Published by Belwin Music
(AP.41214).
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Prairie Lullaby Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5F Composed by Joseph Com...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5F
Composed by Joseph
Compello. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS5F.
Published by Carl Fischer
Music (CF.BAS5F).
ISBN
9780825845093. UPC:
798408045098. 8.5 X 11
inches.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Holiday Short Cuts 1 Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: Sleigh Ride / Rockin' Around the Christmas Tree / Let It Snow! Let I...(+)
(Featuring: Sleigh Ride /
Rockin' Around the
Christmas Tree / Let It
Snow! Let It Snow! Let It
Snow! / Santa Claus Is
Comin' to Town). Arranged
by Michael Story.
Orchestra. Part(s);
Score; String Orchestra.
Pop Beginning String
Orchestra. Form: Medley.
Christmas; Secular;
Winter. Grade 1.5. 172
pages. Published by
Alfred Music
Arranged by Bob Phillips. For String Orchestra. String Orchestra. String Explore...(+)
Arranged by Bob Phillips.
For String Orchestra.
String Orchestra. String
Explorer. Level: 2 (grade
2). Conductor Score. 16
pages. Published by
Alfred Publishing.
Composed by Sammy Cahn, music by Jule Styne. Arranged by Jack Bullock. Part(s); ...(+)
Composed by Sammy Cahn,
music by Jule Styne.
Arranged by Jack Bullock.
Part(s); Score; String
Orchestra. Pop Concert
String Orchestra.
Christmas; Secular;
Winter. 128 pages.
Published by Alfred Music
(AP.41231).
Arranged by Bob Phillips. For String Orchestra. String Orchestra. String Explore...(+)
Arranged by Bob Phillips.
For String Orchestra.
String Orchestra. String
Explorer. Conductor Score
and Parts. 152 pages.
Published by Alfred
Publishing. Level: 2
(grade 2).