Violoncello and Piano (Violin An Cello)

SKU: HL.50511950

Composed by Antonio Caldara. Baroque. EMB. Editio Musica Budapest #Z12043. Published by Editio Musica Budapest (HL.50511950).

ISBN 9790080120439. K/4 (23,5x31) inches. Antonio Caldara; Laszlo Mezo; Gyorgy Orban.

The two manuscripts in oblong size (by the same hand) entitled Sinfonia a Violoncello Solo which served as the basis for the present edition are being kept in the Osterreichische Nationalbibliothek in Vienna under shelf mark E.M.29. Apart from the continuo realization and modifications in the sense of present-day notation carried out tacitly all other changes are listed in the footnotes, editorial additions have been put in square brackets. The bass part was supported in contemporary practice by a melody instrument. If performing with piano accompaniment, the supporting of the bass is not necessary. In case of harpsichord accompaniment, however, it is recommended to play the bass on bassoon instead of violoncello. Territorial restrictions may apply. Please ask before ordering.

By Wilbur Held (1914-). For Organ or Piano, Cello/Bass Instrument. Organ with Instruments. General. Medium

Composed by Georg Matthias Monn (1717-1750), edited by Oliver Nagy. For cello solo (or bass) and piano accompaniment. Format: instrumental solo book. With solo part, standard notation, bowings, fingerings and piano accompaniment. Baroque. G Minor. 36 pages. 9x12 inches. Published by Edition Kunzelmann.

Score and Parts. By Bernadetto Marcello. Arranged by Bacon. (Cello). String Solo. Size 9x12 inches. 40 pages. Published by Schirmer

(Violoncello and Piano (Basso ad lib.)). By Giovanni Battista Cirri. Edited by Rainer Mohrs and Wolfgang Birtel. For Cello, Basso Continuo, Piano Accompaniment (Score and Solo Part). Schott. Softcover. 20 pages. Schott Music #CB244. Published by Schott Music

For Oboe, Bassoon, Violin, Violoncello and Piano - Piano Reduction. By Franz Joseph Haydn. Edited by S. Gerlach. Arranged by Siegfried Petrenz. (Piano). This edition: HN154. Chamber Music with Winds. Henle Music Folios. Urtext edition (Paper-bound). 86 pages. Published by Henle URTEXT Edition.

Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Church. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo. Score; Set of Parts (paperbound). RV 39-47. Published by Baerenreiter-Ausgaben (German import). ISBN M006520596.

Chamber Music Cello, Piano

SKU: PR.114418630

Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 24+8 pages. Duration 13 minutes. Theodore Presser Company #114-41863. Published by Theodore Presser Company (PR.114418630).

ISBN 9781491114063. UPC: 680160642724. 9 x 12 inches.

The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fatale”), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.
In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black film”). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fatale”), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron; and it also published for Double Bass and Piano (114-41811). The cello version is transcribed by the composer.-- Stacy Garrop.

Cello and piano

SKU: BR.EB-5566

Original and Arrangements. Composed by Othmar Schoeck. Edited by Franz Hindermann. Arranged by Franz Hindermann. Solo instruments; stapled. Edition Breitkopf. Arrangements for violoncello (EB 5566) and bassoon (EB 5567) are also available. Sonata; Romantic; Late-romantic. Score. 36 pages. Duration 15'. Breitkopf and Haertel #EB 5566. Published by Breitkopf and Haertel (BR.EB-5566).

ISBN 9790004164433. 9 x 12 inches.

It is considered a milestone in the repertoire for bass clarinet: Othmar Schoeck's Sonata op. 41, composed in 1927/28 for the Swiss music patron and amateur clarinetist Werner Reinhart. In the tension area between late Romanticism and currents of New Music of the 1920s, Schoeck created a work of fascinating colorfulness, which even has jazz elements flashing up in the finale. This classic work is one of the most exciting, boldest instrumental works by the important song and opera composer. CD: Renate Rusche (bass clarinet), Werner Hagen (piano) Sc 63072.

Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. Composed by Bernhard Romberg. Edited by Beverley Ellis. Arranged by Friedrich Janssen. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 38/1. 32 pages. Schott Music #SE1007. Published by Schott Music (HL.49045501).

Cello and piano

SKU: FG.55009-773-5

Composed by Paavo Heininen. Published by Fennica Gehrman (FG.55009-773-5).

ISBN 979-0-55009-773-5.

Cello and Piano - Grade 4

SKU: BT.EMBZ14895

Composed by Zoltan Kodaly. Educational Tool. Book and Part(s). Composed 2014. 12 pages. Editio Musica Budapest #EMBZ14895. Published by Editio Musica Budapest (BT.EMBZ14895).

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911 Adagio for viola and piano: Z. 14894 Adagio for violoncello and piano: Z. 14895 Adagio for double bass and piano: Z. 14896 (The former catalogue number was Z. 768.)

Zoltán Kodály (1882-1967) komponierte sein Adagio für Violine und Klavier im Jahre 1905 und widmete es dem hervorragenden Geigenvirtuosen Imre Waldbauer. 1910 schuf Kodály Fassungen für Viola sowie Violoncello: für Kontrabass wurde das Werk von Norbert Duka bearbeitet. 2014 wurden alle vier Fassungen des Adagios in einer neuen Edition in Einzelausgaben veröffentlicht.

Cello and Piano

SKU: BT.EMBZ14832

Composed by Nicola Porpora. Educational Tool. Book Only. Composed 2012. 48 pages. Editio Musica Budapest #EMBZ14832. Published by Editio Musica Budapest (BT.EMBZ14832).

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb they are playable after 4-5 years intensivestudy of the instrument.

Die 1745 in London veröffentlichten Stücke waren ursprünglich für Geige, Solo-Cello, ein Tasteninstrument und ein zweites Cello geschrieben. Die Rolle der Geige war jedoch so unwesentlich, dass es sich im Grunde um Cellowerke handelt. Von den ursprünglich sechs Werken hat der Arrangeur die drei geeignetsten ausgewählt, wobei die Klavierstimme die Geigen- und die Continuostimme in sich vereint. Die Cellopassagen sind für fortgeschrittene Spieler geeignet.

Cello; Piano Accompaniment

SKU: HL.14043442

Bass Clef Version. Composed by Richard Reed Parry. Music Sales America. Classical, Contemporary. Score. 20 pages. Chester Music #CH83127. Published by Chester Music (HL.14043442).

9.25x12.0x0.082 inches.

Bass Clef version for cello (or other instrument of suitable range) and piano (or other polyphonic instrument). Package includes two performing scores.

18 Advanced Pop Pieces Cello and Piano Book/CD. Composed by Gabriel Koeppen. String Solo. Classical. Softcover with CD. 36 pages. Schott Music #ED22740. Published by Schott Music

By Peter Ilyich Tchaikovsky. Edited by Golubev. For violoncello (contrabass), piano. From Op.11(Originally for String Quartet). Published by Forberg.

Chamber Music Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.111402440

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Set of Score and Parts. With Standard notation. Composed 13-Mar. 16+2+2+2+2 pages. Duration 6 minutes. Theodore Presser Company #111-40244. Published by Theodore Presser Company (PR.111402440).

ISBN 9781491101308. UPC: 680160616053. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.

Chamber ensemble Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.11140244S

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Performance score. With Standard notation. Composed 13-Mar. 16 pages. Duration 6 minutes. Theodore Presser Company #111-40244S. Published by Theodore Presser Company (PR.11140244S).

UPC: 680160616077. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.

Double bass (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-27

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-27. Published by Breitkopf and Haertel (BR.OB-16104-27).

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Cello and Piano

SKU: IS.VCP4195EM

Composed by Flor Alpaerts. Strings - Cello. Metropolis Music Publishers #VCP4195EM. Published by Metropolis Music Publishers (IS.VCP4195EM).

ISBN 9790365041954.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the Bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded in 1919 Eduard Keurvels as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement. An impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.

(Violoncello and Piano). By Giovanni Battista Cirri. Edited by Wolfgang Birtel. String. Softcover. 14 pages

(Cello Part And Piano Score)

SKU: HL.48186482

Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482).

Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.