Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Works include: Pachelbel's Canon in D; Elgar's Pomp and Circumstance, and the Wedding March from Mendelssohn, among others. Level: Elementary - Intermediate. Book. Published by The FJH Music Company Inc.

Composed by Various. Arranged by Melody Bober, Carolyn Miller, Eric Baumgartner, and Glenda Austin. Willis. Classical, Duet. Softcover. Duration 180 seconds. Published by Willis Music

Full Score. By Various. Arranged by Himie Voxman. (Flute). Ensemble. Size 9x12 inches. 32 pages. Published by Rubank Publications.

By Christopher Parkening. Guitar Recorded Version. Softcover. Guitar tablature. 234 pages. Published by Hal Leonard.

(for Two Eb Alto Saxophones and Piano). Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Dorff. For alto saxophone duet and piano. Baroque. Score and parts. Duration 4 minutes. Theodore Presser Company #114-41782. Published by Theodore Presser Company

44 All Time Classical Songs Arranged for Easy Piano. Arranged by Franco Concino. Masterworks; Piano - Easy Piano Collection. Classical; Masterwork Arrangement. Book. Alfred Music #99-MB397. Published by Alfred Music

The Big Book of Classics for Easy Piano for easy piano. This edition: Paperback. Collection. Classical. Easy. Book. Text Language: English. 132 pages. Published by Santorella Publications

Composed by Johann Pachelbel (1653-1706), arranged by Daniel Dorff. Set of performance parts for violin, cello and piano. D Major. 9 pages. Published by Theodore Presser Company.

(83 Early / Late Intermediate Selections Requiring a Hand Span of an Octave or Less). Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Early Intermediate / Late Intermediate. Book. 164 pages. Published by Alfred Music Publishing

3 Recorders

SKU: BT.ALHE32026

Composed by Jacques Nahoum. Classical. Score Only. Heugel & Cie #ALHE32026. Published by Heugel & Cie (BT.ALHE32026).

French.

SSS recorders

3 Recorders

SKU: HL.48188051

Composed by Jacques Nahoum. Leduc. Classical. Softcover. Heugel & Cie #HE32026. Published by Heugel & Cie (HL.48188051).

SSS recorders.

(67 Solos, Duets & Trios). By John Brimhall. Method/Instruction; Pre-Instrument. Book. 32 pages. Published by Alfred Music Publishing

85 Early / Late Intermediate Selections in Their Original Form - Baroque to Modern. Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Level: Early Intermediate / Late Intermediate. Book. 128 pages. Published by Alfred Publishing.

By Jorge Martinez-Zarate / Hector Farias. For 4 guitars. Classical. Grade 1. Score. 28 pages. Published by Editions Henry Lemoine

Solos and Duets. Composed by Chuck Bianchi. Squareback saddle stitch, Solos/Duets/Ensembles, Featured Products, Technique, Theory and Reference, Classical. Style. Book. 88 pages. Mel Bay Publications, Inc #30654. Published by Mel Bay Publications, Inc

Edited by Weyer, Martin. For Organ. Playing score. Collection. 63 pages. Published by Baerenreiter Verlag (German import).

Composed by Gail Smith. For piano. Sacred, Christmas. Moderately advanced. Lillenas Publishing Company #9780787714932. Published by Lillenas Publishing Company

Piano solo

SKU: HH.HH508-SOL

Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH508-SOL. Published by Edition HH Music Publishers (HH.HH508-SOL).

ISBN 9790708185185.

Symp hony No. 44 is one of a number of Haydn’s middle period works often regarded as representing the so-called Sturm und Drang (‘Storm and Stress’) style of melodramatic realism taken over from contemporary German literary and dramatic models. The symphony is monotonal – each movement being in the same key, with contrast provided by excursions into the tonic major. Contrapuntal writing pervades the whole work; the second movement, unusually, is a minuet and is a strict double canon at one bar’s interval (‘Canone in Diapason’ is Haydn’s term) which itself is contrasted by the lyrical Trio section in the tonic major. The third movement, an Adagio in the tonic major, prompted the symphony’s long-adopted soubriquet, ‘Trauer’ (‘Mourning’) as it was said to have been requested by the composer himself to be played at his own funeral.2 The monothematic contrapuntal Finale reverts to the tense emotional level of the opening Allegro.

(1.3.0.1/0.0.0.0,ob d'Amore,ob da Caccia,va da gamba,cem,str=1-1-1.1.1-1 .0)

SKU: TM.01536SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A3032. Published by Lucks Music Library (TM.01536SC).

Does not incl #12 Trio Sonata (see #650-5603). No. 1 Ricercar, No. 2 Canon perpetuus super Thema Regium, No. 3 Canon 1 a 2, No. 4 Canon 2 a 2 Violini in Unisono, No. 5 Canon 3 a 2 per Motum contrarium, No. 6 Canon 4 a 2 per Augmentationem contrario Motu, No. 7 Canon 5 a 2, No. 8 Fuga canonica in Epidiapente, No. 9 Ricercar a 6, No. 10 Canon a 2 Quaerendo invenietis, No. 11 Canon a 4, No. 12 Sonata Siehe die gesondert beiliegende Stimme, No. 13 Canon perpetuus.