Mixed choir

SKU: KU.GM-1201_STIMME

Composed by Istvan Horvath-Thomas. Edited by Istvan Horvath-Thomas. Bach format (230 x 302). Single Sheet. Part. 1 pages. Edition Kunzelmann #GM-1201_Stimme. Published by Edition Kunzelmann (KU.GM-1201_STIMME).

German, Latin.

Individual parts for soprano / alto / tenor / bass.

Piano - Grade 4

SKU: FA.MFHM004

By Nicolas Horvath. By Helene de Montgeroult. Edited by Paul Wehage. Historical Music by Women Composers. Classical, Classical. Score. Musik Fabrik #MFHM004. Published by Musik Fabrik (FA.MFHM004).

210 x 297 inches.

An important bridge between the Classical and Romantic periods, Helene de Montgeroult was the first female professor at the Paris Conservatory. As recorded by Nicolas Horvath for Grand Piano.

Descant recorder, piano

SKU: KU.GM-1617

Composed by Istvan Horvath-Thomas. Edited by Istvan Horvath-Thomas. Bach format (230 x 302). Staple Bound. Piano score, part. 17 pages. Edition Kunzelmann #GM-1617. Published by Edition Kunzelmann (KU.GM-1617).

Images in a Funhouse Mirror

Piano

SKU: KU.GM-1202

Composed by Istvan Horvath-Thomas. Edited by Istvan Horvath-Thomas. Bach format (230 x 302). Staple Bound. Anthology (piano score). 24 pages. Edition Kunzelmann #GM-1202. Published by Edition Kunzelmann (KU.GM-1202).

Piano

SKU: KU.GM-1367

Composed by Istvan Horvath-Thomas. Edited by Istvan Horvath-Thomas. Bach format (230 x 302). Staple Bound. Piano score. 7 pages. Edition Kunzelmann #GM-1367. Published by Edition Kunzelmann (KU.GM-1367).

Piano

SKU: KU.GM-587

Composed by Attila Horvath. Edited by Istvan Horvath-Thomas. Bach format (230 x 302). Staple Bound. Piano score. 11 pages. Edition Kunzelmann #GM-587. Published by Edition Kunzelmann (KU.GM-587).

Upper Voices (SMA)

SKU: HL.50512001

For female voices. Composed by Barnabas Horvath. EMB. Choral Works (Contemporary Hungarian). Book Only. Composed 2010. Editio Musica Budapest #Z14681. Published by Editio Musica Budapest (HL.50512001).

ISBN 9790080146811. A/4 inches. Hungarian. Barnabas Horvath.

Piano - Grade 4

SKU: FA.MFHM003

By Nicolas Horvath. By Helene de Montgeroult. Edited by Paul Wehage. Historical Music by Women Composers. Classical, Classical. Score. Musik Fabrik #MFHM003. Published by Musik Fabrik (FA.MFHM003).

210 x 297 inches.

An important bridge between the Classical and Romantic periods, Helene de Montgeroult was the first female professor at the Paris Conservatory. As recorded by Nicolas Horvath for Grand Piano.

Piano

SKU: KU.GM-1366

Composed by Istvan Horvath-Thomas. Edited by Istvan Horvath-Thomas. Bach format (230 x 302). Staple Bound. Piano score. 15 pages. Edition Kunzelmann #GM-1366. Published by Edition Kunzelmann (KU.GM-1366).

Piano - Grade 4

SKU: FA.MFHM002

By Nicolas Horvath. By Helene de Montgeroult. Edited by Paul Wehage. Historical Music by Women Composers. Classical, Classical. Score. Musik Fabrik #MFHM002. Published by Musik Fabrik (FA.MFHM002).

210 x 297 inches.

An important bridge between the Classical and Romantic periods, Helene de Montgeroult was the first female professor at the Paris Conservatory. As recorded by Nicolas Horvath for Grand Piano.

Piano - Grade 4

SKU: FA.MFHM001

By Nicolas Horvath. By Helene de Montgeroult. Edited by Paul Wehage. Historical Music by Women Composers. Classical, Classical. Score. Musik Fabrik #MFHM001. Published by Musik Fabrik (FA.MFHM001).

210 x 297 inches.

An important bridge between the Classical and Romantic periods, Helene de Montgeroult was the first female professor at the Paris Conservatory. As recorded by Nicolas Horvath for Grand Piano.

Piano

SKU: FG.55011-676-4

Composed by Juhani Nuorvala. Classical. Book. Fennica Gehrman #55011-676-4. Published by Fennica Gehrman (FG.55011-676-4).

Juhani Nuorvala (b. 1961) wrote The Five Chords That Shook My World (2020) for pianist Nicolas Horvath's Hommage a Glass project and it is dedicated to him. It's a fantasy meditation on the Train/Spaceship chords in Einstein, that repeating five-chord progression (Fm - Db - A - B7 - E) about which the composer has said that there's something strange, because it never fails to lift the audience to its feet. The duration of the piece is c. 6'30'', and it was premiered by Emil Holmstrom at RUSK festival (Pietarsaari, Finland) 20th November 2020. A notable variety of influences - microtonality, American minimalism, New Romanticism, popular music, techno - has been regarded as a special feature of Nuorvala's idiom. Despite this he is not a collage artist; instead he has blended various ingredients to create a mode of expression entirely his own. Nuorvala's works are often marked with frenzied rhythmic drive. He makes music using elements and materials that both the mind and the body respond to. He finds these elements not only in old or new classical music but in various forms of urban popular music, such as the electronic music of modern dance clubs.

SA Choir a cappella

SKU: BT.EMBZ14681

Composed by Barnabas Horvath. Hymns & Chorals. Book Only. Composed 2009. 4 pages. Editio Musica Budapest #EMBZ14681. Published by Editio Musica Budapest (BT.EMBZ14681).

Hungarian.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Accompaniment book for piano accompaniment. Series: New Directions for Strings. 132 pages. Published by The FJH Music Company Inc.

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for double bass. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.

Piano

SKU: FA.MFMB001

Composed by Michel Bosc. Musik Fabrik #MFMB001. Published by Musik Fabrik (FA.MFMB001).

A work written in Honor of Philip Glass for Nicolas Horvath's series of concerts honoring the composer.

(For Orchestra). By Josef Maria Horvath. Various concert music. For orchestra ([Piccolo.1.1.1.2 Saxophone (Tenor, Baritone).0-0.1.2.1], Drum, Percussion, Organ and Strings). Study score. Composed (1971). 36 pages

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book. Series: New Directions for Strings. 535 pages. Published by The FJH Music Company Inc.

By Nicolas Rubinstein. Edited by Horvath-Thomas. For Piano Solo. Sheet Music. Published by Edition Kunzelmann