Sonnet 73 Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312418720 For SATB Chorus, a cappella...(+)
Choral SATB choir, piano
SKU: PR.312418720
For SATB Chorus, a
cappella. Composed by
Shulamit Ran. Sws.
Premiered by University
of Chicago Rockefeller
Chapel Choir, James
Kallembach, Music
Director; original male
choir version premiered
by Cornell University
Glee Club, Scott Tucker,
Music Director. Choral.
Performance Score. With
Standard notation.
Composed 2011. 12 pages.
Duration 5 minutes.
Theodore Presser Company
#312-41872. Published by
Theodore Presser Company
(PR.312418720).
ISBN
9781598066708. UPC:
680160619337. Letter
inches. English. Text:
William Shakespeare.
William Shakespeare. Text
by William
Shakespeare.
In
2011, the Cornell
University Glee Club
premiered Shulamit
Ran’s SONNET 73 in
its original voicing for
men’s chorus,
which they commissioned.
The following year, Ran
made this S.A.T.B.
adaptation of her tender
choral setting of
Shakespeare’s 73rd
sonnet, commissioned and
premiered by the
University of Chicago
Rockefeller Chapel Choir,
presented here in a
full-size open score plus
rehearsal piano
reduction.
For Baritone and Piano. Composed by Judith Weir (1954-). Vocal. Book Only. ...(+)
For Baritone and Piano.
Composed by Judith Weir
(1954-). Vocal. Book
Only.
Composed 2019. 12 pages.
Chester Music
#MUSCH86724.
Published by Chester
Music
SSAATTBB Choir SKU: CA.339290 Composed by Antoine Schneider. Carus digita...(+)
SSAATTBB Choir
SKU:
CA.339290
Composed by
Antoine Schneider. Carus
digital: Extra digital
products. Full Score.
Duration 5 minutes. Carus
Verlag #339290. Published
by Carus Verlag
(CA.339290).
ISBN
9790007313333. English.
Text: Shakespeare,
William.
Mixed Voices (SATB) - Grade 3 SKU: HL.50511081 Composed by Ferenc Farkas....(+)
Mixed Voices (SATB) -
Grade 3
SKU:
HL.50511081
Composed
by Ferenc Farkas. EMB.
Choral Works. Book Only.
Duration 2.5 min. Editio
Musica Budapest #Z14015.
Published by Editio
Musica Budapest
(HL.50511081).
ISBN
9790080140154. UPC:
073999110814. B/5 (17x24)
inches. Hungarian,
Italian. Ferenc Farkas;
Gyorgy
Sarkozi.
Territoria
l restrictions may apply.
Please ask before
ordering.
Vocal and Piano (Voice and Piano) SKU: HL.50573687 Composed by Philipp Ja...(+)
Vocal and Piano (Voice
and Piano)
SKU:
HL.50573687
Composed
by Philipp Jarnach.
Editions Durand.
Classical. Score Only.
Composed 2001. Editions
Durand #DF8629. Published
by Editions Durand
(HL.50573687).
Voice and piano SKU: M7.AST-97 Auf Texte von P. Verbruggen, J. W. Hofs...(+)
Voice and piano
SKU:
M7.AST-97
Auf
Texte von P. Verbruggen,
J. W. Hofstra, G.
Gossaert, A. D. M.
Binnendijk und L. van
Dijssel. Composed by
Wilhelm Rettich. Sheet
music. Op. 45. Duration
6'. MDS (Music
Distribution Services)
#AST 97. Published by MDS
(Music Distribution
Services) (M7.AST-97).
Composed by Ruth Morris
Gray. Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-45654. Published by
Alfred Music (AP.45654).
UPC: 038081513935.
English. Words by Edgar
Guest; William
Shakespeare.
I can
live my life on earth
contented to the end, if
but a few shall . . .
call me friend. Success,
by people's poet Edgar
Guest is paired with a
few lines from
Shakespeare's Sonnet 50
to create a warm,
reflective text on the
importance of friendship.
Subtle tempo changes and
sensitive dynamics
encourage expressive
singing, and an optional
obbligato allows for a
C-instrument of your
choice.
Composed by
Ruth Morris Gray.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-45653. Published by
Alfred Music (AP.45653).
UPC: 038081513928.
English. Words by Edgar
Guest; William
Shakespeare.
I can
live my life on earth
contented to the end, if
but a few shall . . .
call me friend. Success,
by people's poet Edgar
Guest is paired with a
few lines from
Shakespeare's Sonnet 50
to create a warm,
reflective text on the
importance of friendship.
Subtle tempo changes and
sensitive dynamics
encourage expressive
singing, and an optional
obbligato allows for a
C-instrument of your
choice.
Piano; Vocal; Voice (Voice and Piano) SKU: HL.48000890 Composed by Einoju...(+)
Piano; Vocal; Voice
(Voice and Piano)
SKU:
HL.48000890
Composed
by Einojuhani Rautavaara.
Boosey & Hawkes Voice.
Classical, Collection,
Contemporary, Finnish. 92
pages. Boosey & Hawkes
#M550095045. Published by
Boosey & Hawkes
(HL.48000890).
UPC:
073999812510.
8.25x11.75x0.217
inches.
Contents:
Three Sonnets of
Shakespeare (That Time of
Year, When I Do Count the
Clock, Shall I Compare
Thee) * Sacred Feasts
(The Great Good Friday,
Evening Prayer,
Candlemas, Hymn of
Christmas - Hymn of Life)
* Five Sonnets of Orpheus
(Da stieg ein Baum, Und
fast ein Madchen wars,
Ein Gott vermags, O ihr
Zartlichen, Errichtet
keinen Denkstein) * Die
Liebenden (Liebes-Lied,
Der Schauende, Die
Liebende, Der Tod der
Geliebten) * God's Way
(God's Way, The Child,
Pentecost, Dream in the
Cathedral) * Dream World
(October, Waltz of the
Innocents, I Approach
Thee) * Works for soloist
and orchestra.
TTT-Bari-B Choral
Score in Italian.
Composed by Gavin Bryars.
Choral Collection.
Choral, Classical.
Softcover. 72 pages.
Schott Music #ED13303.
Published by Schott Music
(HL.49047362).
ISBN
9798350124842. UPC:
196288207597.
The
choice of 16th century
texts, by Bronzino and
Battiferri, reflects the
interests of the
dedicatee of these
sonnets - Craig Hugh
Smyth, a fine art
historian and former
director of the Villa I
Tatti, who was a
specialist in Bronzino
and Pontormo. Bronzino's
sonnet is a lament on the
death of Pontormo, his
teacher; Laura
Battiferri's poem is a
direct response to that
of Bronzino. As I was
also asked to set sonnets
by Petrarca, I chose two
of his closely linked
sonnets, numbers 229 and
230 in the Rime Sparse. I
had written a work for I
Tatti some five years
earlier setting Petrarca
(â??A qualunque
animaleâ?, the first
in my Fourth Book of
Madrigals) and was
familiar with the
context. However, through
correspondence with
Kathryn Bosi, Music
Librarian at I Tatti and,
through her, Craig
Smyth's family, I became
increasingly aware of his
unusual and quite special
character. From his
undergraduate days at
Princeton and indeed
throughout his life,
although a great scholar
and writer, he was at the
same time an aficionado
of jazz, loving above all
Louis Armstrong, being
photographed with Duke
Ellington, taking his
children to see
Thelonious Monk,
listening to Ben Webster
and playing the tenor
saxophone himself.
Indeed, he had told
Kathryn Bosi that he had
been proud to walk in
procession at the
funerals of black
musicians in New Orleans.
In some ways his life was
almost an obverse mirror
image of parts of my own
- I was a professional
jazz musician but found
myself teaching art
history for a time. As
Fiorella Superbi of I
Tatti has said: Craig was
a maestro di vita. I
raise a glass in his
memory and dedicate these
sonnets to him. Gavin
Bryars.