Tapestry of Nations/Chaos (from Disney's Millenium Celebration). By Gavin Greenaway. Arranged by Jay Bocook and Will Rapp. For Marching Band. Limited Edition Marching Band. Grade 5. Published by Hal Leonard

Band jazz band - Grade 5

SKU: KJ.ZB388

Composed by Cliff Colnot. Jazz Ensemble Signature Series. Jazz. Score and parts. Neil A. Kjos Music Company #ZB388. Published by Neil A. Kjos Music Company (KJ.ZB388).

UPC: 8402702016.

Midwest Tapestry was commissioned by the Midwest Clinic for their 60th anniversary!

Midwest Tapestry is first and foremost a composition for jazz ensemble, but can be augmented by adding optional wind ensemble and orchestra parts at the discretion of the conductor. Directors may also perform Midwest Tapestry with the abstract, animated film Return of a Free Radical, created as an interpretation of Clif Colnot's music. The DVD includes three versions of the film: with music only, with music and click track, and with click track only.

Midwest Tapestry includes the following components:
Jazz Ensemble parts
Wind Ensemble and Orchestra parts (optional)
Full Score
DVD of Video Accompaniment, Return of a Free Radical (optional)

Selecte d stills from Return of a Free Radical by Bruce Sheridan, Ron Fleischer, and Jim Rohn.

By Lani Smith. o and p. Level: 3-staff. Sacred organ and piano. Published by Lorenz Publishing Company.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225

Composed by Larry Clark. Concert Band (CPS). Set of Score and Parts. With Standard notation. 12+12+6+12+24+24+6+4+6+6+ 6+6+8+8+8+4+4+6+6+6+8+2+1 +6+2+4+10+32+4 pages. Duration 6 minutes, 9 seconds. Carl Fischer Music #CPS225. Published by Carl Fischer Music (CF.CPS225).

ISBN 9781491152515. UPC: 680160910014.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225F

Composed by Larry Clark. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS225F. Published by Carl Fischer Music (CF.CPS225F).

ISBN 9781491153192. UPC: 680160910694.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Easy Piano. Performed by Carole King. Easy Piano. Size 9x12 inches. 70 pages. Published by Hal Leonard.

By Mary Lynn Lightfoot. 2-part. New Horizons. Octavo. Published by Heritage Music Press.

Concert Band - Grade 3

SKU: AP.50918S

Sunrise over the Atlantic. Composed by Michael Kamuf. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band. Programmatic; Summer. Score. Duration 2:45. Belwin Music #00-50918S. Published by Belwin Music (AP.50918S).

ISBN 9781470667030. UPC: 038081585642. English.

The grandeur of the sunrise over the Atlantic Ocean is depicted in the powerful fanfare Tapestry of the Sky by Michael Kamuf. With rich harmonies, beautiful melodies, and a strong rhythmic undercurrent, your students and audiences will enjoy this descriptive work. This piece would be a fantastic opening or closing selection for your next concert! (2:45).

(Early Intermediate Level). By Randall Hartsell. Willis. Early Intermediate. 4 pages. Published by Willis Music

Cello. Composed by Joanne Martin. Solo Small Ensembles; String Ensemble - Mixed; Suzuki; Trio. Book. 32 pages. Alfred Music #00-17510X. Published by Alfred Music

By Joseph M. Martin. Arranged by Joseph M. Martin. Pianosoft (Yamaha software for the Disklavier pianos - this is NOT sheet music). Floppy disk. Published by Hal Leonard.

By Douglas Nolan. For Choral (Studiotrax CD). Harold Flammer Christmas. CD only. Published by Shawnee Press

Piano Acc.. Composed by Joanne Martin. Solo Small Ensembles; String Ensemble - Mixed; Suzuki; Trio. Book. 32 pages. Alfred Music #00-176X0. Published by Alfred Music

Composed by Malcolm C. Wilson. Bellmark Series. Advent, Christmas, Sacred. Handbell score. Lorenz Publishing Company #20/1007. Published by Lorenz Publishing Company (LO.20-1007).

By Bruce Pearson. Band. For concert band. Standard of Excellence in Concert. Grade 2.5. Score and set of parts. Published by Neil A. Kjos Music Company

Performed by Carole King. Finger Style Guitar (For acoustic guitar). With notes and tablature. Size 9x12 inches. 64 pages. Published by Hal Leonard.

Violin. Composed by Joanne Martin. Solo Small Ensembles; String Ensemble - Mixed; Suzuki; Trio. Book. 32 pages. Alfred Music #00-17350X. Published by Alfred Music

(Featuring: She'll Be Coming 'Round the Mountain / At the Foot of Yonder Mountain / A Frog He Went A-Courtin' / Shenandoah / The Tree in the Wood). Arranged by Douglas E. Wagner. Concert Band. Concert Band; SmartMusic. Belwin Concert Band. Folk. Grade 3. Conductor Score and Parts. 226 pages. Published by Belwin Publishing

By Joseph M. Martin. Collection for piano solo. 99 pages. Published by Shawnee Press.

Score and Parts. By Daniel Kallman. (Set). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.

Performed by Carole King. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Adult contemporary and pop rock. 80 pages. 9x12 inches. Published by Hal Leonard.

(Version for Full Wind Ensemble Score and Parts). Composed by Daniel Kallman. For Concert Band, Wind Ensemble. Boosey & Hawkes Concert Band. Grade 5. Published by Boosey & Hawkes

Viola. Composed by Joanne Martin. Solo Small Ensembles; String Ensemble - Mixed; Suzuki; Trio. Book. 32 pages. Alfred Music #00-17430X. Published by Alfred Music

Composed by Joseph M. Martin. Collection for piano. With introductory text. 92 pages. Published by Shawnee Press.