Score
Only. Composed by
Joseph Turrin.
Windependence Artist
Level. Festival.
Softcover. Boosey &
Hawkes #M051663460.
Published by Boosey &
Hawkes (HL.48023751).
UPC: 888680606855.
10.5x14.0x0.096
inches.
American
composer Joseph Turrin is
acclaimed for his work
with symphony orchestras,
classical performers,
theater and film as well
as his works for school
bands. With Dedication
for Band he brings a
significant addition to
the repertoire for mature
ensembles. The work is
based on five melodic
ideas that reoccur
throughout the piece,
including an opening
fanfare that introduces
the main theme. With a
concentration on
climactic tension and
expansiveness, this is a
masterful and dynamic
composition for band.
Dur: c. 9:00 (Recorded by
the Florida State
University Wind Orchestra
- Rick Clary,
conductor).
Buster's Last Stand Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz...(+)
By Claude Thornhill.
Edited by Jeffrey
Sultanof. Arranged by Gil
Evans. For jazz big band
(2 alto saxophones
(double clarinet), 2
tenor saxophones,
baritone saxophone,
clarinet (optional), 4
trumpets (4th alternate
for horn 1), 2 horns in
F, 3 trombones (3rd
alternate for horn 2),
guitar, piano, bass,
drums, 2 trombones).
Swing. Difficult. Score
and parts. Published by
Jazz Lines Publications
From 'The Messiah'. Composed by George Frideric Handel (1685-1759). Arran...(+)
From 'The
Messiah'. Composed by
George Frideric Handel
(1685-1759). Arranged by
Andrew Glover. Young
band. Command Series.
Score and parts. Duration
0:3:53. Published by C.L.
Barnhouse
(CL.011-4483-00).
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
Chamber, Saddle-stitched.
Classical.
Book/insert/online audio.
Mel Bay Publications, Inc
#31076M. Published by Mel
Bay Publications, Inc
(MB.31076M).
ISBN
9781513477695. 8.75x11.75
inches.
Following the
model established by Bach
and Chopin, George
Gershwin (1898 â??
1937) originally planned
to write 24 modern
preludes for piano, one
in each major and
relative minor key. The
collection was to be
called The Melting
Pot as it combined
cross-cultural elements
of classical, popular,
jazz, and blues styles.
Already established as a
composer of popular
songs, Broadway musicals,
and masterpieces like
Rhapsody in Blue and
Concerto in F,
Gershwinâ??s frenetic
musical activities and an
early death intervened,
and for various
reasonsâ??only three
of the completed 5-7
preludes were published
in 1927. By omission and
circumstance, these three
compositions have endured
the test of time as
Gershwinâ??s Three
Preludes. ÃÂ
This book presents
idiomatic flute/guitar
arrangements of
Gershwinâ??s iconic
Three Preludes.
The original keys of the
preludes were altered to
accommodate drop-D guitar
tuning and highlight the
strengths and tessituras
of the two instruments.
The music is written in
standard notation only
and presented in guitar
and flute scores, guitar
accompaniment with
extensive suggested
fingering, and a pull-out
flute solo part with
guitar cues. Includes
access to an outstanding
online audio recording by
The Cypress Duo,
featuring flutist Amanda
Hoke and author/guitarist
Justin
Hoke. ÃÂ Audi
ences are going to love
hearing these preludes
rendered by the flute and
guitar, particularly
â??Prelude
IIâ?Â, in
Gershwinâ??s words,
â??a sort of blues
lullabyâ? that is
familiar to many
musicians and listeners
alike.
Composed by Randol Alan Bass. For SATB choir, or TTBB choir (brass quintet, orga...(+)
Composed by Randol Alan
Bass. For SATB choir, or
TTBB choir (brass
quintet, organ and
optional percussion).
Christmas, Choral.
Brass/percussion score
and parts. Published by
Randol Bass Music
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.R10220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.S11220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
By Quincy C. Hilliard. For concert band. FJH Concert Band. Full set (score and p...(+)
By Quincy C. Hilliard.
For concert band. FJH
Concert Band. Full set
(score and parts). Score
only also available:
B1051S. Grade 3. Score
and set of parts.
Composed 2001
Handel in the Strand Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Percy Aldridge Grainger (1882-1961). Arranged by Keith Brion, Loras Schissel....(+)
By Percy Aldridge
Grainger (1882-1961).
Arranged by Keith Brion,
Loras Schissel. Concert
band. Concert Band. Sousa
Centennial Series. Grade
4.5. Score and set of
parts. Composed 2001.
Duration 0:03:42
Of Emperors and Chariots Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Brian Balmages. For concert band. FJH Concert Band. Full set (score and parts...(+)
By Brian Balmages. For
concert band. FJH Concert
Band. Full set (score and
parts). Score only also
available: B1019S. Grade
5. Score and set of
parts. Composed 2000
Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bests...(+)
Composed by Gordon Jacob
(1895-1986).
Concerto/Feature,
Instrumental Solo,
Bestseller. Piano score.
Galaxy Music Corporation
#1.5036. Published by
Galaxy Music Corporation
Composed by
Stuart Johnson. Band
Music. Score and parts.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.R10103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Composed by
Stuart Johnson. Band
Music. Score only.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.S11103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.