(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 236 pages. Published by Belwin Music

Technique Takes Off! for Viola by Mary Cohen. For Viola. Book; String - Viola Studies or Collection; Technique Musicianship. Faber Edition. Published by Faber Music

Fanfare Band - Grade 3

SKU: BT.DHP-1043619-020

Composed by John Blanken. Applause Series. Original Light Music. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043619-020. Published by De Haske Publications (BT.DHP-1043619-020).

John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.

John Blanken schuf eine schwungvolle Bearbeitung zu dem bekannten schottischen Volkslied Scotland the Brave. Der Bearbeiter passte das wieder erkennbare Thema dem Swing-Stil an und auch die langen, Bordun ähnlichen Töne erinnern an das beliebte Dudelsackstück. Swingin' Kilts ist eine Herausforderung für jede Formation. Es stellt gewisse Anforderungen an Timing und Technik, die diesem Werk die Bravour verleihen, welche das Publikum ebenso wie die Musiker in Schwung versetzen wird.

Arranged by Bruce R. Smith. Pipes and Band. For Bagpipes with marching Concert Band. Level: Grade 4. Published by BRS Music.

SATB solo, SATB choir, flute, 2 clarinets, 2 trumpets, timpani, 2 violins and basso continuo

SKU: CA.2706911

Composed by Johann Baptist Schiedermayr. Edited by Armin Kircher. Violin 1. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin 1. Op. 72. 16 pages. Duration 17 minutes. Carus Verlag #CV 27.069/11. Published by Carus Verlag (CA.2706911).

ISBN 9790007199906. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Repertoire for Piano Duet, Two Pianos, and Multiple Pianos. Composed by Selected by E. L. Lancaster and Kenon D. Renfrow. Method/Instruction; Piano - Alfred's Group Piano for Adults. Alfred's Group Piano for Adults. Book. 80 pages. Alfred Music #00-47849. Published by Alfred Music

SATB solo, SATB choir, flute, 2 clarinets, 2 trumpets, timpani, 2 violins and basso continuo

SKU: CA.2706912

Composed by Johann Baptist Schiedermayr. Edited by Armin Kircher. Violin 2. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin 2. Op. 72. 16 pages. Duration 17 minutes. Carus Verlag #CV 27.069/12. Published by Carus Verlag (CA.2706912).

ISBN 9790007199913. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.

Arranged by Elizabeth Gutierrez. For Piano. Christmas Songs from Czechoslovakia, France, Germany, Italy, Mexico, Norway, Poland, Spain, and the United States. Christmas. Level: Elementary. Book. Published by The FJH Music Company Inc.

(Holiday Songs from Around the World) Arranged by William Ryden (1939-), edited by Thom Proctor. Instrumental trio book for 3 flutes or piccolos. With standard notation. Series: Educational Instrumental Collection. 24 pages. Published by Belwin.

By Keith Snell. (Master Composer Library). Piano. Bartok. Level: Intermediate. Music Book. Size 232. Published by Neil A. Kjos Music Company.
Optional CD available here

Various instruments

SKU: WD.080689072086

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral. Sacred Anthem. Orchestration. Word Music #080689072086. Published by Word Music (WD.080689072086).

UPC: 080689072086.

Featu ring the distinctive call of uilleann pipes (Irish bagpipes) and powerful choral writing, this new arrangement of Travis Cottrell and David Moffitt's anthem of faith builds to a stunning climax.

Arranged by Sandra Dackow. Orchestra. Part(s); Score; String Orchestra. Orchestra Expressions Book 2. Folk; Traditional; World. Grade 2. 80 pages. Published by Alfred Music Publishing

Orchestra - Grade 3

SKU: AP.49896

Composed by Bob Cerulli. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Form: Dance. Folk; Meters. Score and Part(s). Duration 1:30. Belwin Music #00-49896. Published by Belwin Music (AP.49896).

ISBN 9781470657277. UPC: 038081575421. English.

Patty's Reel, by Bob Cerulli, is a lively 6/8 dance tune in the style of a traditional reel. The open fifths evoke bagpipes, and the dancing rhythms create a lively spirit. This piece provides a good opportunity to instruct students about bowing variations. Each instrument group plays the melodic theme in turn with supporting animated rhythms. (1:30).

(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Score. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 40 pages. Published by Belwin Publishing

Composed by James Scott Skinner. Arranged by Ben Clinesmith. For string orchestra. Concert Work. Grade 3. Score and set of parts. Duration 1:38. Published by Wingert-Jones Publications

SATB choir, piano

SKU: LO.15-3941H

Composed by Tracey Craig McKibben. Choral. Concert, General. Octavo. Heritage Music Press #15/3941H. Published by Heritage Music Press (LO.15-3941H).

ISBN 9780787777111.

Brin ging us another gem from the Scottish heritage and the pen of Carolina Oliphant (Lady Nairne), Tracey Craig McKibben and Michelle Christensen present With a Hundred Pipers. This bright setting begins with a gentle allusion to distant bagpipes and a soft, but energetic first verse that builds throughout. Enjoyable to sing, the Scottish rhythms and feel are irresistible in this creative selection.

By Barbara Meeks; Geoffrey R Lorenz. For Games. General music. Published by Heritage Music Press. (30/2195H)

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1135498-215

Composed by Marc Jeanbourquin. De Haske Flexible Series. Original Light Music. Score Only. Composed 2013. 20 pages. De Haske Publications #DHP 1135498-215. Published by De Haske Publications (BT.DHP-1135498-215).

9x12 inches. English-German-French-Dut ch.

Welcome to Ireland, the country where the traditional music is as varied as the landscape! Marc Jeanbourquin’s Irish Fantasy starts in a carefree and lively fashion from County Galway, then strolls through the moorlands of Kerry in a slower, lyrical movement with room for a solo, and comes to rest in Cork, with high-spirited and up-tempo folk tunes, and an accompaniment reminiscent of the bagpipes.

Ierland heeft - naast een veelvoud aan prachtige landschappen - een rijke muzikale traditie. In dit werk verwerkte de componist beide elementen en steekt van wal met een indruk van het opgewekte County Galway om dan door de venen van Kerry te wandelen, begeleid door een langzame optionele solo voor trombone en trompet. In Cork mag de doedelzak natuurlijk niet ontbreken en breekt een heus dansfeest los met de typische Ierse folkmuziek!

Willkommen in Irland, dem Land, in dem die traditionelle Musik so vielfältig ist wie seine Landschaften_x001C_! Marc Jeanbourquins Irische Fantasie“ beginnt in einem unbeschwerten, lebhaften Stil im County Galway, streift dann die Moorlandschaften von Kerry in einem langsameren, liedhaften Satz, der Raum für ein Solo bietet, und endet in Cork, wo übermütige, schwungvolle irische Folk-Melodien mit an Dudelsack erinnernden Begleitungen angesagt sind.

Bienvenue en Irlande ! Le pays où la musique traditionnelle est aussi riche et variée que ses paysages. Avec le premier mouvement de Irish Fantasy, Marc Jeanbourquin propose de commencer la visite par le comté de Galway, dans un style léger et dansant. Le voyage se poursuit par le comté de Kerry avec ses landes et ses lagunes, illustré dans le deuxième mouvement par une berceuse lente et cantabile, qui laisse au chef d’orchestre la possibilité de mettre en avant un soliste de l’ensemble. Mais déj , le périple se termine par le comté de Cork. On retrouve ici des mélodies sautillantes et entraînantes. Bon voyage musical avec Irish Fantasy.

Lâ₠¬â„¢Irlanda vanta una ricca tradizione di musica e canti tradizionali. Con il primo movimento, Marc Jeanbourquin propone di iniziare la visita alla contea di Galway in uno spirito leggero e danzante. Il viaggio prosegue nella contea di Kerry, con le sue lande e lagune, descritte in musica nel secondo movimento da una ninna-nanna lenta e cantabile, che d spazio a un assolo. Il viaggio _x001E_nisce nella contea di Cork dove ritroviamo melodie vivaci e coinvolgenti.

(12 Pieces for Children). Composed by Gian Carlo Menotti (1911-). Edited by Sylvia Watkins Ryan. For Piano. Book; Masterworks; Piano Collection. Alfred Masterwork Edition. 20th Century; Children; Masterwork; Recital. Advanced. 28 pages. Published by Alfred Music

Composed by Various. Arranged by Carol Klose, Christopher Norton, and Hywel Davies. BH Piano. Ballet, Classical. Softcover. 96 pages. Boosey and Hawkes #M060123917. Published by Boosey and Hawkes

With Suggested Chordal Accompaniment. Composed by Craig Duncan. Squareback saddle stitch, Solos, Holiday: Christmas, Duet/Ensemble, Duets and Ensemble. 100 HYMNS. Style. Book. 124 pages. Mel Bay Publications, Inc #30703. Published by Mel Bay Publications, Inc

By Fletcher, S., Rolland, P., Rowell, M., Krolick, E. For Rolland publications. Published by Boosey and Hawkes.

(More Than 100 Folk Songs from Countries Across the Globe). By Various. Piano/Vocal/Guitar Songbook. Softcover. 248 pages. Published by Hal Leonard

(Orchestra)

SKU: HL.48031074

Boosey & Hawkes Miscellaneous. Published by Hal Leonard (HL.48031074).

UPC: 884088942359.

SATB solo, SATB choir, flute, 2 clarinets, 2 trumpets, timpani, 2 violins and basso continuo

SKU: CA.2706909

Composed by Johann Baptist Schiedermayr. Edited by Armin Kircher. 1x 27.069/21 flute, 1x 27.069/22 clarinet 1, 1x 27.069/23 clarinet 2, 1x 27.069/24 bassoon, 1x 27.069/31 trumpet 1, 1x 27.069/32 trumpet 2, 1x 27.069/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. Op. 72. 68 pages. Duration 17 minutes. Carus Verlag #CV 27.069/09. Published by Carus Verlag (CA.2706909).

ISBN 9790007199890. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and parts available separately - see item CA.2706900.