For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(C Edition). By Various. For voice and C instrument. Hal Leonard Fake Books. Pop...(+)
(C Edition). By Various.
For voice and C
instrument. Hal Leonard
Fake Books. Pop Vocal and
Vocal Standards.
Difficulty: easy-medium.
Fakebook. Vocal melody,
lyrics and chord names.
396 pages. Published by
Hal Leonard fakebook
Pop Vocal and Vocal
Standards
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M).
ISBN
9781513468792. 8.75x11.75
inches.
Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book.
This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles.
There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book.
In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read.
The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes.
The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other.
Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
By Kerry Andrew. For SSATB choir (with optional soprano solo), a cappella. Mixed...(+)
By Kerry Andrew. For
SSATB choir (with
optional soprano solo), a
cappella. Mixed Voices.
Christmas, Choral
Leaflet. Vocal score. 8
pages. Duration 4'.
Published by Oxford
University Press
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Composed by Douglas Green. For SATB choir. Christmastide, Mary Mother of God, Qu...(+)
Composed by Douglas
Green. For SATB choir.
Christmastide, Mary
Mother of God, Queenship
of Mary, Assumption.
Sacred. Easy/Medium. Text
language: English. 4
pages. Published by GIA
Publications
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker / Ruth S.
Kapp. For SATB Choir.
Level: Medium. Published
by Jackman Music
Corporation.
Arranged by Sally Adams and Nigel Morley. Method/Instruction; Woodwind - Flute M...(+)
Arranged by Sally Adams
and Nigel Morley.
Method/Instruction;
Woodwind - Flute Method
or Collection. Faber
Edition. Book. Faber
Music #12-057150759X.
Published by Faber Music
Edited by Robin Williamson. For violin. Includes violin solo songbook and exampl...(+)
Edited by Robin
Williamson. For violin.
Includes violin solo
songbook and examples CD.
With standard notation,
chord names, performance
notes and introductory
text. British and folk.
96 pages. 9x12 inches.
Published by Oak
Publications
By John Latouche, music by Jerome Moross. For Piano/Vocal/Chords. This edition: ...(+)
By John Latouche, music
by Jerome Moross. For
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords. Shows
and Movies. Broadway.
Book. 538 pages.
Published by Alfred Music
Publishing
Voix Mezzo-Soprano [Partition + Accès audio] Boosey and Hawkes
Mezzo-Soprano with Recorded Piano Accompaniments. Composed by Various. Edited by...(+)
Mezzo-Soprano with
Recorded Piano
Accompaniments. Composed
by Various. Edited by
Philip Brunelle. Boosey
and Hawkes Voice. Play
Along. Softcover Audio
Online. 144 pages. Boosey
and Hawkes #M051933648.
Published by Boosey and
Hawkes
Choir Secular Double Choir and Violoncello SKU: PE.EP73479 Composed by Fr...(+)
Choir Secular Double
Choir and Violoncello
SKU: PE.EP73479
Composed by Francis Pott.
Choral Works (inc.
Oratorios). Edition
Peters. Living Composer.
Vocal Score. 164 pages.
Edition Peters
#98-EP73479. Published by
Edition Peters
(PE.EP73479).
ISBN
9790577019888. 297 x
210mm inches.
English.
At
First Light was
commissioned by Eric
Bruskin, a resident of
Philadelphia, USA, in
memory of his mother.
Eric had a longstanding
enthusiasm for my work,
and I was touched to be
the person he approached
for a task which is both
a privilege and a
daunting responsibility.
In a sense, no music can
ever measure up to the
weight of love or the
hope of consolation
vested in it under such
circumstances - but in
memory I carry the deaths
of both my own parents,
and I was able to draw
upon that. Eric's
fondness for my Cello
Sonata (itself written in
memoriam) led him to ask
that I include a solo
'cello part in the new
work - but his attachment
also to my polyphonic
sacred choral writing
meant that he wanted a
centrepiece which would
be both a showcase of
that approach and the
celebration of a life
well lived. Therefore,
the seven movements of At
First Light arrange
themselves as a series of
slow meditations
surrounding an exuberant
9-minute motet in which
the lamenting cello falls
temporarily
silent.
Eric's
Jewish faith meant that
approaching an agnostic
humanist brought up
within the Anglican
tradition was hardly free
of problems! Gradually,
though, I was able to win
his approval for a
collated mosaic of texts.
This embraces some
liturgical Latin
(necessary for the motet)
as the shared preserve of
broad western culture in
general, but balances it
with a secular approach
to loss, celebration,
remembrance and the many
shades of our mourning
those whom we see no
longer. Eric was adamant
that he did not want the
title Requiem; but what
has emerged is still a
form of semi-secular
Requiem in all but name,
taking its title instead
from a phrase in the poem
by Thomas Blackburn set
as the third movement.
This seemed to suggest
succinctly how the loss
of one very close to us
is an awakening into an
unfamiliar world where
everything is changed.
Following the exuberant
central movement, the
texts by the
Lebanese-born Kahlil
Gibran and the US,
Kentuckian poet Wendell
Berry first address the
departed loved one
directly, then place us
within an imaginary
funeral cortege, where
the perennial and
universal in human
experience become
personal without
subscribing explicitly to
any particular faith (or
lack of it). The final
text of all is a
translation of a Hebraic
prayer, requested and
provided by Eric Bruskin,
which serves to mirror
its Latin counterpart
heard at the
outset.
Throughout
, the lamenting cello
represents a commentary
on the experience
articulated in the text.
It evokes and, in a
sense, tries to embrace
and sanctify the
individual existential
journeys of the bereft,
as they in turn seek to
make their own sense of
what the short-lived
Second World War poet
Alun Lewis called 'the
unbearable beauty of the
dead' (movement
5).
In a modern
world hostage to ever
greater menace,
displacement, bloodshed
and anguish, I hope
fervently that this music
not only brings a measure
of solace to the person
who commissioned it, but
also makes its own small
contribution to bailing
out the sinking ship of
humanity.
SATB choir SKU: ST.EM34 Composed by Thomas Vautor. Edited by Edmund H Fel...(+)
SATB choir
SKU:
ST.EM34
Composed by
Thomas Vautor. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM34. Published by
Stainer & Bell Ltd.
(ST.EM34).
ISBN
9790220217746.
Chie
fly remembered in
performance nowadays for
his beautiful Sweet
Suffolk Owl, Vautor
represented the
conventional, anonymous
polyphony of the
successors to Gibbons and
Weelkes - but there are
still trouvailles
in these 22
pieces.
CONTENTS Ah, sweet,
whose beauty (SSATB)
And yet, O dream (SSA (or
T) TB) Blush, my rude
present (SSATTB) Come
forth, sweet nymph (SSAT
(or A) B) Cruel
Madame (SSATB) Dainty
sweet bird (SSATTB)
Fairest are the words
(SSATB) Lock up, fair
lids (SSATB)
Melpomene, bewail (SS and
instruments) Mira
cano, sol occubuit
(SSATB) Mother I will
have a husband
(SSATB) Never did any
more delight (SSATB)
O merry world (SSAT (or
A) B) Shepherds and
nymphs (SSATTB) Sing
on, sister, and well met
(SSATB) Sweet Suffolk
owl (SSAT (or A) B)
Sweet thief (SSATB)
Thou are not fair (SSAT
(or A) B) Unkind, is
this the meed?
(SSATTB) Weep, weep,
mine eyes (SS and
instruments) Whilst
fatal sisters
(SSATTB) Yet love me
not (SSAT (or A) B).