Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-107. Published by Randol Bass Musi

Double Bass and Piano - Intermediate-Advanced

SKU: FP.FDW03

Composed by Charles Francois Gounod. Arranged by Andrew Wilson-Dickson. Sheet Music and Books. A striking arrangement of the Gounod favourite, arranged for Double Bass and Piano by A. Wilson-Dickson. Suggested grade 5. Classical. Collection. Forsyths Publications #FDW03. Published by Forsyths Publications (FP.FDW03).

ISBN 9790570500789.

Goun od's classic piece, arranged for double bass, with piano accompaniment.

The music in the beginning tells the listener that two of the members of the Marionette troupe have had a duel and one of them has been killed. A party of pallbearers is organised and the procession sets out for the cemetery in march time.

The piece soon takes on a more cheerful spirit, for some of the troupe, wearied with the march, seek consolation at a wayside inn, where they refresh themselves and also descant upon the many virtues of their late companion. At last they get into place again and the procession enters the cemetery to the march rhythm -- the whole closing with the bars intended to reflect upon the briefness and weariness of life, even for marionettes.

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Advent, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-118. Published by Randol Bass Music

Double Bass and String Quartet

SKU: HL.14007482

Composed by Anders Koppel. Music Sales America. Set of Parts. Edition Wilhelm Hansen #KP01018. Published by Edition Wilhelm Hansen (HL.14007482).

English.

Parts for Concerto For Double Bass And String Quartet by Anders Koppel (2000). Parts for Concerto For Double Bass And String Quartet by Anders Koppel (2000).

Voice and piano

SKU: BR.EB-8881

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881).

ISBN 9790004184714. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. 21st Century, Americana. Choral score. Randol Bass Music #RBM-112. Published by Randol Bass Music

Percussion. Instruction. Softcover. Modern Drummer Publications #FRANCODBLBOOK. Published by Modern Drummer Publications

Composed by Randol Alan Bass. 21st Century. Choral score. Randol Bass Music #RBM-122. Published by Randol Bass Music

Tuba or Bass Trombone and Piano - Advanced

SKU: CY.CC3075

Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3075. Published by Cherry Classics (CY.CC3075).

ISBN 9790530110522. 8.5 x 11 in inches.

Ralph Sauer has transcribed six of Mendelssohn's many Songs Without Words for Tuba or Bass Trombone. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and technical accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously unmined resource and added immeasurably to the Tuba & Bass Trombone repertoire.

Composed by Wolfgang Gabriel. For bass clarinet and string quartet. Classical; 20th century. Parts and miniature score. Composed 2004. 81 pages (score); parts vary. Published by Alea Publishing

Tuba

SKU: HL.48181759

Composed by Roger Boutry. Leduc. Softcover. 4 pages. Alphonse Leduc #AL21635. Published by Alphonse Leduc (HL.48181759).

UPC: 888680863074. 9.0x12.25x0.059 inches.

Composed by Roger Boutry, Tubaroqueis a melodious piece of baroque music for Tuba, Bb Bass Saxhorn or Bass Trombone with Piano accompaniment. Quite difficult, it would be perfect for advanced players and would work well in a concert. Starting with a small introduction in three measures, the first part of the piece begins on a Slow Waltz movement which consists of a main theme with two variations, including one played an octave lower. The second part Allegretto is more lyrical and the last one Moderato/Allegro, starts like a march to then go back to a more melodious finale. Roger Boutry is a French musician and contemporary composer who received eight First Prizes at the Conservatoire, including composition, conducting and Piano. He also won the Grand Prix de Rome in 1954 and some prizes by the SACEM and by the city of Paris. He also got involved as a professor of Harmony and director of Orchestras..

Double Bass (Double Bass)

SKU: HL.48189080

Composed by Jean-Marie Morel. Leduc. Softcover. Alphonse Leduc #NT03080Y. Published by Alphonse Leduc (HL.48189080).

Morel Mallarme Chansons En Contrebas Double Bass & Piano Book.

By Brian Doerksen. Arranged by Jack Schrader. For SATB choir, orchestra (flute, oboe, clarinet, horn 1 and 2, trumpet 1, 2, and 3, trombone 1 and 2, tuba, percussion 1 and 2, harp, rhythm (drums, bass and guitar), violin 1 and 2, viola, cello, and bass). Gathering, P. set of instrumental parts. Gathering, Peace, Spiritual, General, Sacred.

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-102. Published by Randol Bass Music

Harpsichord/piano (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-12

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Arranged by Matthias Grunert. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 16 pages. Duration 18'. Breitkopf and Haertel #OB 15114-12. Published by Breitkopf and Haertel (BR.OB-15114-12).

ISBN 9790004339770. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

By Mario Davidovsky. For Flute (Piccolo/Alto flute), Clarinet (Bass clarinet), Piano, Violin, Viola, Cello, Double Bass. Modern. Photoprint (printed on demand). Duration 14 minutes

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-104. Published by Randol Bass Music

Voice and piano

SKU: BR.EB-8882

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8882. Published by Breitkopf and Haertel (BR.EB-8882).

ISBN 9790004184721. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Double Bass & Piano

SKU: SU.80103049

For Double Bass & Piano. Composed by Sidney Hodkinson. Strings, Contrabass. Accompanied by piano. Score & Parts. Subito Music Corporation #80103049. Published by Subito Music Corporation (SU.80103049).

Three movements: 1. Prologue-Cadenzas, rhythmically free through most of its length; 2. Threnody , a more introspectiv e slow movement; 3. Scherzo: Perpetuum mobile, in a quick unrelenting triple meter. Scordatura tuning of a whole step higher is used for the double bass Duration: ca 15' Published by: Columbia University Music Press.

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-113. Published by Randol Bass Music

Violin 1 (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-15

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 8 pages. Duration 18'. Breitkopf and Haertel #OB 15114-15. Published by Breitkopf and Haertel (BR.OB-15114-15).

ISBN 9790004339787. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).